She smiled. “I think you’ll look great without it.”
“Really?”
She nodded. “You’ve got good bones. Why hide them?”
Dox smiled and looked at me. “Someone get me a razor!” he said. Then he turned back to Delilah. “You know, I’ve never considered myself the marrying type. But if you ever get tired of my partner here, I believe I’d like to propose to you.”
She laughed.
“Did I say something funny?” Dox asked.
“All right, I’ve got to go,” I said, standing up. “You should get there in, say, forty-five minutes, before the bar fills up. And before Hilger and company arrive.”
They stood and we all shook hands again, staying in our roles. I went downstairs, took a cab to the Mandarin Oriental, then crossed the street and ducked into a luggage store. They were selling a number of high-quality, but essentially boring business bags… and one mahogany-colored, lid-over, Tanner Krolle attaché. Expensive, I thought, playing with the latches, which clicked open with the quiet assurance of a bank vault or the door on a Rolls-Royce, but life is short…
Five minutes later, I was circling the old Bank of China building, attaché in hand. At over half a century of age, the Art Deco-influenced building was, by Hong Kong standards, ancient. At fifteen stories, it was also a pygmy, and with the steel-masted HSBC headquarters looming to its right and the fountain-like, fiber optic-controlled light show of the Cheung Kong Center rising up behind it, it had the air of a structure that has been granted some miraculous reprieve from the engines of progress that must have demolished its contemporaries to make room for the behemoths that now surrounded it. A condemned man, still dignified, but now living on borrowed time.
I noted all points of ingress and egress, the direction of traffic, the presence of cameras. There was a single entrance in use, on the western side, along a short, single-lane street that was all that separated the building from its giant neighbors. On the other side of the street, directly across from the building’s entrance, was a large industrial dumpster that would make for good cover and concealment if for some reason I needed it. Four elevators, two security cameras, center. One bored-looking guard behind a desk, right. A stairwell and fire door, left. An office worker emerged from the stairwell as I approached, and as the door eased closed behind him, I noted he wasn’t holding a swipe card or other key. The stairwell doors were accessible from the interior, then, at least on the ground floor. To be expected, it’s true-you can’t very well lock people in if there’s a fire-but it’s good to have confirmation.
I stepped onto one of the elevators, running a hand along my slicked hair as I did so to obscure my face while I checked for more cameras. There it was, a ceiling-mounted dome model. I pressed the button with a knuckle and kept my head down on the trip up. I reminded myself of who I was and why I was here: Watanabe, an advance man examining the China Club on behalf of certain Japanese industrial interests.
I got off on thirteen and looked around. A winding wooden staircase curved upward to my left, its banister supported by some sort of Chinese-style metal latticework. The walls were white; the floors, dark wood, with that density and slight unevenness that’s only acquired with generations of use. A flat panel monitor by the staircase was running stock quotes from the Hang Seng index. There was a hush to the place, a feeling of money, old and new; status, acquired and sought; ambition, barely concealed behind pin-striped suits and cocktail party smiles. The Bank of China might have moved its headquarters to I. M. Pei’s triangular black glass tower a few blocks to the southwest, but the ghosts of the drive and wealth to which the new headquarters stood in monument were all still at home right here.
And yet there was an air of whimsy to the place, as well. There was a sitting area crowded with overstuffed chairs and couches covered in slipcovers of bubble-gum pink and lime green and baby blue. The lamp shades hovering above the end tables were of similar glowing hues. And those grave wooden floors gave way to brightly colored kilim rugs. It was as though the proprietor had designed the place both in homage to Hong Kong’s titanic ambitions, and also to gently mock them.
A pretty Chinese woman in black pants and a white Mao jacket emerged from a coatroom to my right. “May I help you?” she asked.
I nodded, and switched on a heavy Japanese accent. “I am Watanabe.” As though that explained everything.
She picked up a clipboard and glanced at whatever was written on it. “Ah yes, Mr. Watanabe, the Shangri-La called to tell us you’d be visiting. Would you like me to show you around?”
“Yes,” I said, with a half bow. “Very good.”
The woman, whose name was May, was an excellent guide, and helpfully answered all my questions. Such as: Where are the private dining rooms? Fifteenth floor. Do you have any that would be appropriate for a small party-say, four people? Yes, two such rooms. And how are the upper floors accessible? Only by the winding internal staircases.
May’s guided tour took about ten minutes. Given the earliness of the hour, there weren’t yet any other patrons on the premises, and the staff was busy laying out silver and crystal and adjusting tablecloths and otherwise preparing for what would no doubt be another capacity-crowd evening for the club.
When we were done, I asked May if it would be all right if I wandered around a bit by myself. She told me that would be fine, and that I if I had any additional questions I should simply ask.
Watanabe-san gave the place a thorough examination, starting with the main dining room on the fourteenth floor and the charming Long March Bar adjacent to it. He observed the positions of the restrooms on the thirteenth and fourteenth floors, and noted that there was no restroom on fifteen, meaning that diners enjoying the private banquet rooms there would have to descend a floor to use the facilities. He wandered around the splendid library, and briefly enjoyed the view of Central from the rooftop observation deck. And of course he made sure to take a peek in all the private dining rooms, paying particular attention to the two that had been set for parties of four. In these, Watanabe stepped inside and paused for an extra moment to admire the furnishings, even running the backs of his fingers along the astonishingly thick interior doorjambs, which in each room was of more than adequate stature for the placement of a miniature audio and video transmitter.
So that we could keep the signal weak and therefore less susceptible to bug detectors, I also placed repeaters in various places outside the private dining rooms and along the stairs down to the fourteenth floor. Before heading down to the elevators on thirteen, I ducked into the fourteenth-floor restroom. As restrooms go, this one was impressive. The floor was white marble, and I noted with satisfaction that my new Dunhill split-toes were utterly noiseless on its polished surface. To my right was a bank of sinks, all solid white ceramic. Folded terrycloth washcloths were laid out neatly on a shelf just above them in lieu of ordinary paper towels, along with an array of special soaps, lotions, and tonics. Straight ahead, a bank of urinals; like the sinks, all heavy white ceramic. To my left were stalls that could more properly be described as closets, separated as they were by marble walls and featuring floor-to-ceiling mahogany doors.
The stalls looked promising, although I was concerned that, after his recent experience in Manila, Manny might have some sort of phobic reaction if he entered a restroom and noticed that one of the stall doors was closed. But then I noticed something that might be even better.
Between the sinks and the urinals was a large mahogany door. On it hung a brass sign with black lettering:
BUILDING ORDINANCE
(CHAPTER 123)
NOTICE DANGER
LIFT MACHINERY
UNAUTHORIZED
ACCESS PROHIBITED