He flew through the air between the bus and its neighbour, another of the same route, that had preceded it into the maze. Saul’s body passed fifteen feet above the ground, and then another wall of glass disintegrated under his ferocious rat fists and his arms and shoulders disappeared into the next bus before his feet had even left the last one, and the explosive collapse of the first window, still loud in his ears, segued into the next, and he was through, rolling off the seat, glass shards showering him like confetti.
He could still hear a spattering sound from outside, as little nuggets of glass hit the ground. He stood, shaking, ignored his ripped skin and deep bruises. He ran for the stairs at the back of the bus. From behind him he heard a strange sound, a roar of irritation, exasperation raised to the point of rage. There was a further loud crashing, and in the curved mirror at the top of the stairs he saw another window shatter, saw the Piper burst the glass feet-first and land sitting on a seat, his head craned to watch Saul. He swung up immediately, no more talk, and raced after Saul.
Saul careened down the stairs and out of the rear of the bus, running through the dark alleys between the sides of the great red vehicles, losing himself in the maze. He stopped, crouching, and held his breath.
From a way away he heard feet running, and a voice shouting, ‘What the fuck is going on?’ Oh Christ, thought Saul. The fucking guard. Saul’s heart was beating like a Jungle bassline.
He could hear the guard’s leaden steps somewhere close by, and he could clearly hear the man’s wheezing and panting. Saul stood quite still, tried to listen beyond the sounds of the guard, to hear any movement the Piper might make.
There was nothing.
An overweight, middle-aged man in a grey uniform emerged suddenly into the gap between buses in which Saul stood. The two men stood still for a moment, gazing stupidly at each other. They moved simultaneously. The guard approached with a truncheon raised, opened his mouth to shout, but Saul was on him, underneath the sluggish truncheon, pushing it out of his opponent’s hand. He pinned the man’s arm behind him, held his mouth closed and hissed in his ear.
‘There is a very bad man in here. He will kill you. Leave right now.’
The guard’s eyes were blinking violently.
‘Do you understand?’ hissed Saul.
The guard nodded vehemently. He was looking around frantically for his truncheon, deeply scared by the ease with which he had been disarmed.
Saul released him and the man bolted. But as he reached the end of the little bus-street, the sound of the flute pierced the air around them and he froze. Instantly Saul ran to him, slapped his face hard twice, pushed him, but the man’s eyes were now ecstatic, fixed with a quizzical, overjoyed look over Saul’s, shoulder.
He moved suddenly, pushing Saul aside with a strength he should not possess, and skipped like an excited child deep into the red maze.
‘Oh fuck, no!’ breathed Saul, and overtook him, shoved him back, but the man kept moving, simply pushing past Saul without once looking at him. The flute was closer now, and Saul grabbed him in a bear hug, held him, tried to block his ears, but the man, impossibly strong, elbowed him in the groin and punched him expertly in the solar plexus, knocking the wind out of Saul and doubling him over in a crippling reflex prison. He could only stare desperately, willing himself to breathe, as the man disappeared.
Saul pulled himself up and hobbled after him.
In the heart of the bus maze was an empty space. It was a strange little room of red metal and glass, a monk’s hole barely six feet square. Saul found his way towards the centre, rounded a corner and was there, at the outskirts of the square.
Before him stood the Piper, flute to his lips, staring at Saul over the shoulder of the guard, who pranced ridiculously to the shrillness of the flute.
Saul grabbed the man’s shoulders from behind, and hauled him away from the Piper. But the guard spun around and Saul saw that a shard of glass was embedded deep in one of his eyes and thick blood had welled all over his face. Saul shrieked and the Piper’s playing stopped dead. The guard’s expression took on a puzzled cast; he shook his head, raised his hand experimentally towards his face. Before he could touch his eye, silver flashed behind him and he dropped like a stone. A pool as dark and thick as tar began to spread very quickly from his broken head.
Saul was quite still.
The Piper stood before him, wiping his flute clean.
‘I had to let you know, Saul, what I can do.’ He spoke quietly and did not look up, like a teacher who is very disappointed but is trying not to shout. ‘You see, I feel that you don’t really believe what I can do. I feel that you think because you won’t listen to me, no one else will. I wanted to show you quite how hard they listen, see? I wanted you to know. Before you die.’
Saul leapt straight up.
Even the Piper stared, momentarily stupid with amazement, as Saul grabbed one of the surrounding buses’ big wing-mirrors, pivoted in his flight, and swung his feet through the top front window. Then the Piper was there behind him, his flute thrust aggressively into his belt. No attempt to hide this time, Saul just hurled himself through windows again, leaping the gap to the next bus, bursting into its top deck. He picked himself up and leapt again, refusing to hear his screaming limbs and skin. Again and again always followed, always hearing the Piper behind him, the two of them pushing through layer after layer of glass, littering the ground below, a fantastically fast and violent passage through the air, Saul desperate reach the edge of the maze, eager to take this into opened ground.
And then there it was. As he girded himself to leap through another window, he realized that what he could see through it was not just a bus two feet, beyond, that he was looking out at a window in the garage wall itself, and through that at a house, a long way off. He smashed free of the last bus and leapt onto the window-ledge, halfway up the bricks. Between him and that house a gash was cut through London soil, a wide chasm filled with railway lines. And between Saul and those railway lines was nothing but a high fence of steel slats and a long drop.
Saul could hear the Piper still following him, great heavy crashes and vibrations rocking the massed ranks of buses. Saul kicked out the final window. He braced himself, jumped out and clutched at the dull metal barrier below. He landed across it, his weight shaking it violently. He clung to it tight, let his balance adjust. Scuttled a little forward, looked back at the ripped out window. The Piper appeared, looked out. He had stopped grinning. Saul fled down the sheer metal, his descent something between an exercise in rat agility, a controlled slide, and a fall.
He looked up momentarily and saw the Piper trying to follow. But it was too far for him: he could not grasp that fence, he could not crawl like a rat can crawl.
‘Fuck it!’ he screamed, and snatched his flute to his lips. And as he played, all the birds began to return. They flocked once again to his shoulders.
The railway lines curved out of sight in both directions. Above him Saul could see buildings which seemed to jut out over the valley, seemed to loom over him. He ran, following the tracks to the east. He snatched a glimpse behind him, and saw the birds settling on the dark figure who stood in the window frame. Saul lurched hopelessly on, and nearly sobbed with delight when he heard a tight metallic snap, a restrained rattling, and he knew that a train was approaching. He looked behind him and saw its lights.