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He knew what had happened. Hearing of the Spaniards nearby, they had all come to the high place, hiding what they knew would be of value to the pale men invaders. And they had killed themselves here, their last offering to Uctut. Probably one group killing another, until the last made himself sacrifice to Uctut. He noticed the chest bones chipped on the lower bodies, but higher up there was no such bone breakage. Probably the first were sacrificed ritually, and as the days of blood wore on the killing became like the tilling of a field, something to be gotten over with as quickly and effectively as possible. At the top stones he saw skulls with holes in them, and this confirmed his guess. At the end they were smashing in heads.

He was tired, more of spirit than of his old body.

He looked up at the carved rock, a king's height, and said, "Uctut"-for he did not know its secret name-"you are not even stupid because people are stupid and you are not people. You are a rock. A rock made special by people. You are like a pebble that gets in the way of a plow. Rock. Stupid rock."

He sat down, pushing bones aside, amazed at how light they were, now dried, and he was tired. And on the fourth day he felt something sharp at his heart and reached weakly to his chest just to assure himself that there was no blood. There was none, of course, and he shut his eyes and he felt good and wanting of death in a natural way. And he slipped away into that deepest sleep, knowing his job was well done.

Centuries passed, and with nothing special to preserve the bones of all who were there, they blended into the natural substances from which they came. Not even the dreams remained when a heavy rope crane dragged the king-high stone with the carving from the high place. Other men chopped up stones with carvings on them, but this stone would be worth more uncut, even though it took four mules to drag it through the jungles and over the mountains, where men with Aztec faces and Spanish names sold it to the highest bidder.

Uctut, the stone, came to a large museum in New York City on Central Park West and was incorrectly put into a display of Aztec art. One day a German businessman saw it and suggested that it have a room of its own. A wealthy Detroit industrialist made a large contribution to the museum and, on becoming a trustee of that institution, moved to follow the suggestion of the German.

The curator objected, saying it was a rather insignificant piece of pre-Aztec work and didn't deserve a whole room, and shortly thereafter, to his surprise, he was dismissed for his "surly and unprofessional attitude."

A Japanese architect designed the new room for the stone with a rather gross, heavy wall blocking out the north light from what had been a fine window. And the architect even put in a large water fountain, although there was a drinking fountain just outside.

Apparently, the new trustee and architect knew what they were doing because this stone received many visitors from all over the world. A fiery Arab radical visited it on the same day as an Israeli paratroop colonel, and apparently the stone had some sort of soothing effect because they not only seemed to get along, but they embraced just before leaving. Both, when asked if this had happened by their countrymen, denied the incident. Of course, none seemed as enamored of this pre-Aztec stone as Count Ruy Lopez de Goma y Sanches, who came every day.

One October evening, a guard discovered that someone with a spray can of green enamelglow had written in large letters on the stone: "Joey 172."

The next day, the congressman from the district was found in his Washington office with his chest over a pool of blood.

His heart had been ripped out.

CHAPTER TWO

His name was Remo, and he was disbelieving his ears.

"Remo, this is Smith. Get back to Folcroft right away."

"Who's this?" Remo asked.

"Harold W. Smith, your employer."

"I can't hear you. The waves here are too loud," said Remo, looking at the quiet gentle roll of the sea green Atlantic coming onto the white sandy beach of Nag's Head, South Carolina.

The motel room was quiet also but for the faint scratching of goose quill against parchment. A wisp of an aged Oriental worked the quill quickly, yet his long-nailed fingers scarcely seemed to move. He would pause and look off into that well of creativity and write again, hardly moving his golden morning kimono.

"I said you've got to come back to Folcroft right away. Everything is coming apart."

"You said you want to speak to a Harold Smith?" Remo said.

"I know this is an open line but…" Remo heard buzzing. Someone had cut them off. He put down the receiver.

"I'll be back in a while, Little Father," Remo said, and Chiun turned regally from his scriptures.

"Were you cringing and fat, or were you lying in the dirt when I found you?" asked Chiun. The voice was squeaky and hit highs and lows like a mountain range of slate- with giant paws scratching across it.

"Neither," said Remo. "I was coming out of unconsciousness. I was pretty healthy for this civilization. As a matter of fact, I was pretty healthy for almost any time or place. Except one place."

"And lo," intoned Chiun-the quill had become a blur of speed, yet each Korean character of the writing remained clear and precise-"did Chiun, the Master of Sinanju, see the groveling white amid the garbage of his birth. Deformed of limb he was. Dull of eye he was with strange round orbs set in his head. But most deformed, saw the Master of Sinanju, was this white in his mind. A dull, sodden, lifeless mass in his ugly pale skull."

"I thought you had already contributed your section about me to the history of Sinanju," Remo said.

"I am revising it," Chiun said.

"I'm glad I see you writing this because now, with great certainty, I can reject the whole history of your village as bilge and fantasy and nonsense. Remember I've seen the village of Sinanju. We have better-looking sewer systems in this country."

"Like all whites and blacks, you are prejudiced," said Chiun, and his voice became scriptural again. "And, lo, the Master of Sinanju said unto this wretch, 'Arise, I shall make you whole. You shall know your senses and your mind. You shall breathe clean air fully in your whole body. You shall have life in you as no white has ever had.' And the wretch knew that grace was upon him, and he said, 'Oh, Awesome Magnificence, why do you bestow such gracious gifts upon one as low as I?' "

"Blow it out your ears," Remo said. "I've got work. I'll be back soon."

Late summer in Nag's Head, South Carolina, had all the charm of a roaster bag in an overheated oven. Remo saw car windows rolled up with people preserved by air conditioning. Those who were on the street this steamy day lagged as if their feet were weighted with lead.

Remo moved briskly. He was just short of six feet and thin but for the extra thickness in his wrists. He had sharp features and high cheekbones that seemed a platform for dark penetrating eyes that some women had told him made their stomachs "liquidy."

"Hey, don't you sweat?" asked the clerk as Remo stepped into a small luncheonette and asked for change.

"Only when it's hot," said Remo.

"It's a hundred and five outside," said the clerk.

"Then I'm sorry, I forgot to," Remo said: Actually he knew that sweating was only one form of cooling the overheated body and not the most efficient form. Breathing was, but most people did not know how to breathe, treating it like some function that had to be looked after only when you noticed it wasn't working right. From proper breathing came the rhythms of life and power.

"Funny, ah ain't ever seen nobody not sweat on a day liken today, not even a nigra," said the clerk. "How you do it?"

Remo shrugged. "You wouldn't understand if I told you, anyhow."