Shane picked up the other and offered him a fist to bump. “Let’s go rock it, Mikey.” Michael just looked at him for a second. Shane held steady, and said, “Michael. You can do it. Trust me.”
Michael took a deep breath, returned the fist bump, and nodded as he pushed the elevator call button.
There was a car downstairs—a big black town car, like a limousine only not as fancy—with a driver in a black jacket. He gave Eve a hand in, then Claire; Michael and Shane took the facing bench seat. The guitars, Claire assumed, went in the trunk.
Michael was looking pale, but then, when didn’t he? He reached across the open space and took Eve’s hand as the car began to roll. “Love the dress,” he said.
“Love you,” she said, very simply. His eyebrows rose a little, and he smiled.
“I was getting to that part.”
“I know.” Eve patted his hand. “I know you were. But you’re a boy. I thought I’d just cut to the chase. You’re going to be great, you know.”
They didn’t say anything the rest of the short drive; the roof overhead was clear, and it gave them an amazing view of the tall buildings and the colored lights. Claire felt her heart pounding. This was really happening.She couldn’t imagine what was going on in Michael’s head—or heart. It seemed like a dream. Morganvilleseemed like a dream, one that had happened to someone else, and the idea that they’d leave this reality and go back to that one...
Shane didn’t have to, Claire thought again. Of the four of them, he was the one who could walk away, and there was nothing in Morganville to hold him.
Nothing but her, anyway.
At the studio, which was in a plain-looking industrial building at the edge of downtown, the driver unloaded the guitars and saw them inside, where two people waiting immediately focused on Michael. Claire, Eve, and Shane suddenly became his entourage, which was funny and kind of awesome, and trailed along as the two recording people explained the process to Michael.
Shane carried both the guitars. He did it with a smile, too, that said clearly how proud he was of his friend. Michael looked fierce—he was concentrating on every word, and Claire could see him already putting himself into performance mode, that place that made him so different when he was onstage.
At the studio door, one of the two studio guys turned and held out a hand to Eve, Claire, and Shane. “You guys need to wait in the box,” he said. “Through that door.” He pointed to a thick metal door with a window inset, and took the guitars from Shane. Then he flashed them a quick grin. “He’ll be great. Trust me, he wouldn’t be here if he wasn’t.”
“Damn right,” Shane said, and led the two girls into the box—which, it turned out, was the recording studio’s control room. A big man with frizzy hair was sitting at the mixing board, which looked more complicated than the inside of the Space Shuttle. He said hello and gestured for them to take a seat on the big, plush couch at the back of the room.
It was an amazing place, the studio, full of people who were all just really, really great at their jobs. The engineer behind the giant, complicated mixing board was relaxed, calm, and very easygoing, and the two on the other side of the glass helped Michael get set up, did some sound checks, and then left him alone to join the rest of them in the control room.
“Right,” the engineer said, and nodded to his two assistants—if that was what they were; Claire wasn’t sure. “Let’s see what he’s got.” He flipped a switch. “Michael ? Go ahead, whenever you’re ready.”
He started out playing a slow song, head down, and Claire felt the mood in the room change from professional to really interested as he settled into the music. It flowed out of him, silky smooth, beautiful, as natural as sunshine. It was an acoustic guitar thing, and it put tears into Claire’s eyes; there was something so soft and sad and aching about it. When he finished, Michael held the chord for a long moment, then sighed and sat back on his stool, looking through the glass toward them.
The engineer’s mouth was open. He closed it, cleared his throat, and said, “What’s that called, kid?”
“‘Sam’s Song,”’ Michael said. “It’s for my grandfather.”
The engineer closed the microphone, looked at the other two, and said, “We’ve got a live one.”
How darkly hilarious, Claire thought. If only he knew.
“He’s great,” Shane said softly, as if he’d never actually realized it before. “Seriously. He’s great.I’m not crazy, right?”
“You’re not crazy,” the engineer said. “Your buddy has insane skills. They’re going to love him out there.”
Out there. In the world.
In the real world.
Where Michael couldn’t really go for long.
The booth door opened, and Oliver walked in. He was in a normal human mode, looking fatherly and inoffensive. The aging hippie, complete with tie-dyed T-shirt and faded jeans and sandals. Claire bet that if she’d told the engineer Oliver was a vampire, he’d have laughed and told her to lay off the crack.
Oliver perched on the arm of the sofa, listening. They all scooted over, because even Claire didn’t really want to lean against him, no matter how nice he was apparently being. He said nothing at all. After a while, they all relaxed a little, as Michael continued to pour out the amazing rivers of music on the other side of the studio glass. Fast, slow, hard rocking—he could do it all.
When the last song was over, two hours later, the engineer hit the microphone into the studio and said, “Perfect. That was perfect; that’s a keeper. Okay, I think we’re done. Congratulations. You are officially on your way, my man.”
Michael stood up, smiling, holding his guitar in one hand, and caught sight of Oliver watching him.
His smile almost faded, but then he moved his gaze over to Eve, who was on her feet, blowing him kisses. That made him laugh.
“Rock star!” Eve yelled, and clapped. Claire and Shane stood up and clapped, too.
Oliver sat quietly, no expression at all on his face, as they celebrated Michael’s success.
It was their last night in Dallas.
Oliver had allowed them to have a nice dinner out, at a fantastically expensive restaurant where all the waiters were better dressed than Claire ever had been. He didn’t go, of course, but somehow Claire could feel his presence, feel him watching.
It was still an amazing meal. She tried everything on her plate, on Shane’s, even off Michael’s and Eve’s. They laughed and flirted, and after the dinner—which went on Oliver’s credit card—they went to a dance club across the street, full of beautiful people and spinning lights. No liquor allowed for them, thanks to the glowing wristbands they didn’t get, but they danced. Even Shane, although he mainly held on to Claire as shedanced—which was fantastic. Hot, sweaty, exhausted, happy, the four of them piled into a cab and headed back to the hotel.
It was on the elevator ride up when Shane asked, “Are we really going back?”
It was a long ride; their rooms were on the very top floor of a very tall building. Nobody spoke, not even Michael. He rested his chin on top of Eve’s head and held her close, and she put her arms around him.
Shane looked at Claire, the question plain in his eyes. She felt the heavy weight of it, the absolute vital importanceof it.
The claddagh ring on her right hand felt cold, suddenly.
“Seriously,” Shane said. “Can you leave all this? Just go back to that?Michael, you’ve got a future out here. You really do.”
“Do I?” Michael asked. He sounded tired and defeated. “How long do you think I could last before something went wrong, man? Morganville’s safety. This is—beautiful, but it’s temporary. It has to be temporary.”
“It doesn’t,” Shane insisted. “We can figure it out. We can. ”
Before Michael could answer, the floor dinged arrival, and they had to get out.
Oliver was standing in the hallway, wearing his leather coat and serious expression. No more Mr. Nice Hippie, obviously. He was standing as if he’d been waiting for them for a while.