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XXXVII

   And by degrees into a lethargy    of feelings and of thoughts he falls,    while before him Imagination  4 deals out her motley faro deck.    Now he sees: on the melted snow,    as at a night's encampment sleeping,    stirless, a youth lies; and he hears  8 a voice: “Well, what — he's dead!”    Now he sees foes forgotten,    calumniators, and malicious cowards,    and a swarm of young traitresses, 12 and a circle of despicable comrades;    and now a country house, and by the window    sits she... and ever she!

XXXVIII

   He grew so used to lose himself in this    that he almost went off his head    or else became a poet. (Frankly,  4 that would have been a boon, indeed!)    And true: by dint of magnetism,    the mechanism of Russian verses    my addleheaded pupil  8 at that time nearly grasped.    How much a poet he resembled    when in a corner he would sit alone,    and the hearth blazed in front of him, 12 and he hummed “Benedetta”    or “Idol mio,” and into the fire    dropped now a slipper, now his magazine!

XXXIX

   Days rushed. In warmth-pervaded air    winter already was resolving;    and he did not become a poet,  4 he did not die, did not go mad.    Spring quickens him: for the first time    his close-shut chambers, where he had    been hibernating like a marmot,  8 his double windows, inglenook —    he leaves on a bright morning,    he fleets in sleigh along the Neva's bank.    Upon blue blocks of hewn-out ice 12 the sun plays. In the streets    the furrowed snow thaws muddily:    whither, upon it, his fast course

XL

   directs Onegin? You beforehand    have guessed already. Yes, exactly:    apace to her, to his Tatiana,  4 my unreformed eccentric comes.    He walks in, looking like a corpse.    There's not a soul in the front hall.    He enters the reception room. On! No one.  8 A door he opens.... What is it    that strikes him with such force?    The princess before him, alone,    sits, unadorned, pale, reading 12 some kind of letter,    and softly sheds a flood of tears,    her cheek propped on her hand.

XLI

   Ah! Her mute sufferings —    in this swift instant who would not have read!    Who would not have the former Tanya,  4 poor Tanya, recognized now in the princess?    In throes of mad regrets,    Eugene falls at her feet;    she gives a start,  8 and is silent, and looks,    without surprise, without wrath, at Onegin....    His sick, extinguished gaze,    imploring aspect, mute reproof, 12 she takes in everything. The simple maid,    with the dreams, with the heart of former days    again in her has resurrected now.

XLII

   She does not bid him rise    and, not taking her eyes off him,    does not withdraw  4 her limp hand from his avid lips....    What is her dreaming now about?    A lengthy silence passes,    and finally she, softly:  8 “Enough; get up. I must    frankly explain myself to you.    Onegin, do you recollect that hour    when in the garden, in the avenue, fate brought us 12 together and so meekly    your lesson I heard out.    Today it is my turn.

XLIII

   “Onegin, I was younger then,    I was, I daresay, better-looking,    and I loved you; and what then, what  4 did I find in your heart?    What answer? Mere severity.    There wasn't — was there?  — novelty for you    in a meek little maiden's love?  8 Even today — good heavens!  — my blood freezes    as soon as I remember    your cold glance and that sermon.... But I do not    accuse you; at that awful hour 12 you acted nobly,    you in regard to me were right,    to you with all my soul I'm grateful....