It was a brutal war of human spirits and quasi-souls made out of anger. Shabti killing shabti, killing the already dead, in heretic acts of meta-murder, sending the appalled souls of the deceased into some further afterlife about which nothing has ever been known.
The fields were full of the corpses of souls. Shabti were slaughtered in hundreds by gods but they killed gods too. The crude features of comrades no one had bothered to carve with precision making their own expressions out of the indistinct impressions given them, taking their axes and ploughs and the fucking baskets they were built carrying in a swarm over bodies the size of mountains with jackal heads howling and eating them but being overrun by us and hacked with our stupid weapons and killed.
Wati and his comrades won. You can bet that meant a change.
It must have been a shock for succeeding generations of highborn Egyptian dead. To wake in a strange fogged underworld scandalously off-message. The rituals of posthumous hierarchy to which their corpses had been piously subjected turned out to be antique, overthrown mummery. They and the worker-statue-spirit household they had had made to come with them were met by disrespectful representatives of the new shabti nation. Their own figurines swiftly recruited to the polity of that shadeland. The human dead were told, If you work, you may eat.
CENTURIES AND SOCIAL SYSTEMS GO, AND IMMIGRATION TO THAT afterland slows and ceases, and piece by piece and without complaint the shabti and those human souls who had made their peace with the rough democracy of the shabti deadland farmers fade, go out, move on, un-be, pass over, are no longer there. There is not much sadness. It is history, is all.
Wati will have none of that.
Here I am. I shall not do it.
He moved too, at last, but he moved not beyond nor to any dark or light but sideways, through borders between belief-worlds.
An epic trek, that curious passage through foreign afterlifes. Always toward the source of the river or the beginning of the road. Swimming up through Murimuria, passing up through the caverns of Naraka and the shade of Yomi, crossing the rivers Tuoni and Styx from the farthest shore back, to the ferrymen’s consternation, through a kaleidoscope flutter of lands, passing psychopomps of all traditions who had to pause with the new dead they were escorting and whisper to Wati, You’re going the wrong way.
Northers in bearskins, women in saris and kimonos, funerary glad-rags, bronze-armoured mercenaries, the axes that had killed them bouncing bloody and politely ignored in their pretend-flesh like giant skin tags, all astonished by the militant inhuman statue-shade ascending, astonished by this contrary wayfarer of whom bugger-all was written in any of the reams of pantheon-specific wittering about what the dead would face, all staring frankly at this intruder, this unplaced class-guerrilla in the myth, or glancing from under brows and introducing themselves politely or not, depending on the cultural norms they had not yet learned were for the living.
Wati the rebel did not reply. Continued up from the underlands. It’s a long way, whichever death you take. Occasionally Wati the retro-eschatonaut might look at those approaching and, hearing a name, or seeing a remembered resemblance, say to the new-deads’ surprise, Oh I met your father (or whomever) miles back, until generations of the dead told stories of the wrong-walker trudging out of a redundant heaven, and debated what sort of seer or whatever he was and considered it good luck to bump into him on their final journey. Wati was a fable told by the long- to the new-dead. Until, until, out he came, through the door to Annwn or the pearly gates or the entrance to Mictlan (he wasn’t paying attention), and here. Where the air is, where the living live.
In a place where there was more to do than journey, Wati looked and saw relations he remembered.
With some somatic nostalgia for his first form he entered the bodies of statues. He saw orders given and received, and it fired him up again. There was too much to do, too much to rectify. Wati sought out those like he had been. Those constructed, enchanted, enhanced by magic to do what humans told them. He became their organiser.
He started with the most egregious cases: magicked slaves; brooms forced to carry water buckets; clay men made to fight and die; little figures made of blood and choiceless about what they did. Wati fomented rebellions. He persuaded knack-formed assistants and servants to stand up, to insist to themselves that they were not defined by their creators or empowerers or the magic scribbles stuck under their tongues, to demand compensation, payment, freedom.
There was an art. He watched organisers of peasant revolts and communard monks, machine-wreckers and Chartists, and learned their methods. Insurrection was not always suitable. Though he retained a hankering for it, he was pragmatist enough to know when reforms were right for the moment.
Wati organised among golems, homunculi, robotish things made by alchemists and made slaves. The mandrakes born and bonded under gallows and treated like discardable weeds. Phantom rickshaw drivers, their hours and pay mysterious and pitiful. Those created creations were treated like tools that talked, their sentience an annoying product of magic noise, by those little mortal demiurges who thought dominion a natural by-product of expertise or creation.
Wati spread his word among brutalised familiars. That old droit de prestidigitateur was poison. With the help of Wati’s rage and the self-organised uncanny, quids pro quo were demanded and often won. Minimums of recompense, in energy, specie, kind or something. Magicians, anxious at the unprecedented rebellions, agreed.
As the last but one century died, the New Unionism took London and changed it, and inspired Wati in his unseen side of the city. In their dolls and toby jugs, he learned from and collaborated with Tillett and Mann and Miss Eleanor Marx. With a fervour that resonated hard in the strange parts of the city, the hidden layers, Wati declared the formation of the UMA, the Union of Magicked Assistants.
Chapter Twenty-Six
“SO WATI’S PISSED OFF WITH YOU.”
“There’s a strike on,” Dane said. “Total knack stoppage. That’s why they’re picketing places where conditions are bad.”
“And they are at the BL?”
Dane nodded. “You would not believe it.”
“What’s it all about?”
“It started small,” Dane said. “These things always do. Something about the hours some magus was making his ravens work. It didn’t look like it would kick off, but then he tries to play hardball, so there’s a sympathy strike at a box factory where the robots are unionised-they got minds in a mageslick, few years ago-and the next thing you know…” He slapped the dashboard. “Whole city’s out.
“It’s the first big thing since Thatcher. And nothing gets the knack-smiths more antsy. Everyone in the UMA’s out, it’s solid. And then I had an emergency. I knew you was being watched. I knew you were, and I had to track you, because I didn’t know what you had to do with the whole god thing. The kraken being took. I didn’t even know what your deal was, I didn’t know if you were in on anything, or had some plan or what. But I knew you were tied up with it. And I couldn’t keep an eye on you twenty-four/seven, so I had to organise a short-term binding with that little sod.”
“The squirrel?”
“The familiar.” Dane winced. “I been strikebreaking. And Wati got word. I don’t blame him being pissed off. If he can’t trust his friends, you know? There’s all dirty tricks. People are getting hurt. Someone got killed. A journo writing about it. No one knows for sure it’s connected, but of course it’s connected. You know? So Wati’s edgy. We have to sort this. I want him on our side. We do not want to be on the shitlist of all the pissed-off UMA in London.”
Billy looked at him. “It’s not just that, though.” He took off and put back on his glasses.
“No it ain’t,” Dane said. “I’m not a scab. I didn’t have time…” He slumped in his seat. “Alright. It wasn’t just that. I was worried if I went and asked for dispensation, the union wouldn’t say yes. They might not think it was serious enough. And I needed it. I had to have more eyes, and something that could get places fast. And you should be happy I did or you’d have been took to Tattoo’s workshop.