I had to have proof, damn it. Something solid to back up my theories. And I knew where I might be able to find it…
No, I thought then. Uh-uh. You don’t break laws, remember? Or go skulking around in the night like the pulp private eyes. You want to get your license revoked?
You want a murderer to maybe go unpunished?
Call up Eberhardt. Lay it in his lap.
Not without proof. You could try to get it; go there, see how things look. At least make the effort.
I spent another couple of minutes arguing with myself. But it was no contest: I started the car and went away to skulk in the night.
The Kellenbeck Fish Company was still dark and so wrapped in fog now that it had a two-dimensional look, like a shape cut from heavy black paper. I drove on past it by a hundred yards, parked off the road alongside a jumble of shoreline rocks. From under the dash I unclipped the flashlight I keep there and dropped it into my coat pocket. Blurred yellow headlight beams brightened the road behind me; I waited until the car hissed past and disappeared into the mist before I got out and hurried back toward the building.
The night had an eerie muffled stillness, marred only by the ringing of fog bells out on the channel buoys and the faint lapping of the bay water against the pilings; the crunch of my footfalls seemed unnaturally loud as I crossed the gravel parking area. When I got to the shedlike enclosure I paused in the shadows to test the door there. Locked-and so secure in its frame that it did not rattle when I tugged on the knob. If I was going to get in at all, it would have to be at the rear.
I crossed to the catwalk. It was pitch-black along there; I stayed in close to the building wall, feeling my way along it until I came out onto the dock. The writhing fog created vague spectral shadows among the stacks of crab pots, brushed my face with a spidery wetness. Visibility was no more than two hundred yards. Even the lights on Bodega Head were swaddled, hidden inside the fogbanks.
The padlock on the corrugated doors was an old Yale with a heavy base and a thick steel loop. You would need a hacksaw and an hour’s work to cut through it, and I was not about to try such shenanigans anyway. I felt nervous enough as it was. Cold sweat had formed under my arms, the palms of my hands were damp, sticky. Maybe the pulp detectives were good at this sort of thing; maybe Jim Garner was on “The Rockford Files.” Not me.
I moved to the far side of the doors. In the wall there, near where the crab pots were, was a window made opaque by an accumulation of grime. When I stepped up close to it I could see it was the kind with two sashes, one overlapping the other vertically. I put the heel of my hand against the frame of the lower piece and shoved upward. Latched at the middle but not at the bottom. And a loose latch at that because it rose a quarter of an inch before binding with a creaky sound. It could probably be forced without too much trouble.
Which brought me to the moment of reckoning. The only way I was going to get inside was through this window; so I either forced it or gave the whole idea up. All I was guilty of so far was trespassing. But if I forced the window it was felony breaking-and-entering-a crime that would cost me my license and maybe put me in prison if anybody found out about it.
If anybody found out, I thought. Who was going to find out? If I discovered what I expected to, I could tell Eberhardt I came by it in a legal fashion. A little white lie. And Kellenbeck’s arrest and conviction for murder would go a long way toward appeasing my conscience.
I wiped moisture off my face, hunched my shoulders against the wind blowing in across the water, and laid both hands on the sash frame. Bent my knees and heaved upward. The lock creaked again; the window pane rattled. I dipped lower, locked my elbows, heaved a second time. A third. A fourth There was a loud groaning noise, then a sudden snapping, and the sash wobbled upward.
The noise made me jerk my head around and look furtively around the empty dock. A seagull screeched somewhere in the fog-a cry that sounded almost mocking. I took a couple of deep breaths; my heart was pounding as if I had just run the quarter-mile. Then I eased the sash up as far as it would go, swung my leg over the sill. And ducked under and up into blackness heavy with the odors of fish and brine.
With my back to the window, I got the flashlight out, shielded the lens with my hand, and switched it on. Shellfish tanks, a massive refrigeration unit that gave off palpable waves of cold. Beyond, where Kellenbeck’s office was, the bank of machinery and conveyor belts formed a mass of shadowy outlines.
I shuffled away from the window and around the nearest of the tanks, holding the flash pointed downward at thigh level. The light glistened over the fish scales speckling the floor, picked out a stack of crates just in time to keep me from plowing into them. My mouth was dry; I worked saliva through it as I stepped off to the left, lifted the flash and unshielded it long enough to make a single horizontal sweep. Open floor past the crates, except for the machinery and four big weighing scales set side by side like a row of deactivated robots. In the gloom ahead there was a dullish reflection of the beam: the window in the office cubicle.
Following the light, I made my way over there. The closer I got to it, the more hushed the warehouse became; I could no longer hear even the muffled ringing of the fog bells. The scraping of my shoes on the slick floor was the only sound.
The door to the office was closed. Locked? No; it opened silently when I rotated the knob. I stepped inside, leaving the door open, and let the light flicker over Kellenbeck’s desk. Same clutter of papers and junk that I had seen yesterday. Except for one thing. And I found that right away, in the bottom desk drawer where I had watched Kellenbeck put it.
The bottle of Canadian whiskey.
The evidence.
I hauled it out by its cap so I would not smear any clear fingerprints on the glass. Shined the flash on it. The label carried the name of a popular brand and was brown with a black-lined square around the edges-the same colors, the same pattern, that was on the torn corner from Jerry Carding’s room. Which was part of what I had remembered earlier. The first thing, the one that had been itching at the back of my mind, was the way Kellenbeck had kept looking at the bottle while I was talking to him, the way he had caught it up so quickly by its bare neck and put it away inside the drawer. I had already seen him drinking from it during business hours; why hide it unless there was something about it he did not want me to notice. Something I had noticed, but without realizing it at the time.
The bare neck: it had no tax stamp.
And the label would be counterfeit.
Bootleg liquor.
That was where Kellenbeck’s profits were coming from and that was what Jerry Carding had found out: Kellenbeck was an illicit-whiskey distributor.
Most people think of bootlegging as something that went out with Prohibition; but the fact is, it’s still a multimillion dollar business in the United States. And not just in the South. It goes on along the West Coast too, just as it used to in the days of the Volstead Act when ships outfitted as distilleries-big stills in their holds, bottling equipment, labels for a dozen different kinds of Canadian whiskey-were brought down from Canada and anchored twenty-five miles offshore. Nowadays the stuff was probably made at some isolated spot across the border and carried down the coast by freighter or large fishing boat. But it would still be handled in pretty much the same way: picked up by small craft, stored somewhere nearby until it could be trucked out to customers throughout the state.