“Welcome to the family,” Lord Flint said, bowing over Jenny’s hand. “Elijah, I suggest you complete the ceremony before you allow your lady to meet your brothers.”
“Flint, that is not funny.” Her ladyship bussed both of Jenny’s cheeks. “Now that Elijah has found a lady willing to put up with him, his brothers might well see the blessings to be enjoyed in the state of holy matrimony. Genevieve, well done.”
As Lord Flint led them back to the paneled parlor and poured generous cups of wassail, Jenny stayed by Elijah’s side.
“Do you really want to see Paris, my dear?” Elijah had bent close to whisper his question, while their mamas debated the use of the Windham chapel or the facilities at Flint Hall.
“Paris can wait. There are other things I want to see more.”
“Such as?”
Jenny gave him a very direct look. “If I’m to give up my art, then I expect certain consolations, Elijah.”
He set his drink aside. “Papa’s brew has addled your wits. What nonsense is this?”
“Someday you will become a Royal Academician, but not if your lady wife is showing up at Venetian breakfasts with paint on her fingers. I understand that.”
He studied her for a moment, as if trying to puzzle out which pigments would accurately depict her hair in strong sunlight. “You would stop painting, stop drawing, stop even embroidering?”
She hesitated only an instant before nodding. “I expect that home and family you allude to will keep me adequately occupied.”
“My mother bore twelve children, six of them boys.”
What did that have to do with anything? “I look forward to meeting your brothers and sisters.”
“Come with me, Genevieve. If you think a few babies will excuse you from your art, then you have much to learn as a future marchioness of Flint.”
He dragged her from the parlor, barely giving Jenny time to set her drink down, and hauled her up two flights of stairs and down a long hallway.
“This is the portrait gallery, also the cricket pitch, skittles hall, and pall-mall pitch, among others.” He opened a carved door and ushered Jenny into a room at least ninety feet long. “It’s cold. Take my coat.”
Frigid was a better word, but as Jenny gathered Elijah’s coat around her shoulders, she was content to endure the cold.
“You lot!” Elijah called to a group at one end of the room. “Clear out! I’m proposing to my prospective wife.”
Hoots and whistles resulted, and smiles from the young ladies, two of whom looked exactly alike but for their attire. As Elijah’s siblings filed past Jenny, the youngest fellow winked at her, and Elijah cuffed him on the back of the head.
“Pru is the worst,” Elijah said as he closed the door. “You must not allow him to cozen you, ever.”
Jenny made no reply, because she was too busy staring at the chamber before her. This was not a collection of a dozen or so renderings of the various Lords of Flint, but rather an exhibition, a room stacked as high as any in Carlton House with portraits, still lifes, landscapes, ensemble pieces, and the occasional academic study.
“Mother finds time to paint,” Elijah said. “You will too.”
Jenny turned a complete circle, taking in dozens upon dozens of completed works. They weren’t all brilliant—some were clearly experiments, others were quick efforts more whimsical than beautiful—but they all showed talent.
“She hid her talent for you,” Jenny said, hurting for the marchioness. “She did not want the Academy taking you into further dislike because she was so talented.”
“You’re wrong.” Elijah laced his arm with Jenny’s and started her on a tour of the room. “Mama has given away any number of paintings. She embroiders the most fantastic receiving blankets and christening gowns you’d ever want to see. What I’ve concluded is that she put aside the Academy’s notice because it really did not matter. In her day, she might have lobbied for membership, but she chose to be my father’s marchioness instead.”
Jenny gazed at smiling children, doting ancestors, Lord Flint on a bay hunter, Elijah as a young boy—she was going to study that one at length. “She made the better choice. The wiser choice.”
“She did, and we will too. There’s an epistle downstairs bearing the seal of the Royal Academy, and it has my name on it. I’m going to decline the nomination.”
As she had turned away from Paris?
“Accept it, Elijah. For your parents, for me, for yourself. You accept this gesture of recognition, and I will not give up my art.” He sent her a look that revealed his uncertainty, and Jenny fell in love with him all over again.
“You’re sure? I will never hide my wife’s talents, Genevieve. Not for them, not even for you would I do such a thing.”
Jenny wrapped her arms around him. “Your wife would not ask it of you, nor would she allow you to hide yours. But, Elijah?”
“My love?”
“As much as I look forward to sharing a studio with you and arguing with you about the proper use of the color green, I suspect we’re going to have a very large family.”
Elijah’s smile was devilish and sweet. “I suspect we will too.”
They shared several wonderful studios thereafter—at Flint Hall, at Morelands, at their London residence, and in the homes of each of Jenny’s siblings, Elijah having developed a preference for juvenile portraits and subjects being available in quantity.
They also argued over the proper use of every color in the rainbow, and over many other things besides.
And they had a very large, happy family, the first child—Rembrandt Joshua Harrison—making his appearance exactly nine months after the wedding.
Read on for an excerpt from Grace Burrowes’s
bestselling Scottish Victorian series
The MacGregor’s Lady
Available February 2014
from Sourcebooks Casablanca
Hannah had been desperate to write to Gran, but three attempts at correspondence lay crumpled in the bottom of the waste bin, rather like Hannah’s spirits.
The first letter had degenerated into a description of their host the Earl of Balfour. Or Asher, Mr. Lord Balfour. Or whatever. Aunt had waited until after Hannah had met the fellow to pass along a whole taxonomy of ways to refer to a titled gentleman, depending on social standing and the situation.
The Englishmen favored by Step-papa were blond, skinny, pale, blue-eyed and possessed of narrow chests. They spoke in haughty accents, and weren’t the least concerned about surrendering rights to their monarch, be it a king who had lost his reason or a queen rumored to be more comfortable with German than English.
Balfour was neither blond, nor skinny, nor narrow-chested. He was quite tall, and as muscular and rangy as any backwoodsman. He did not declaim his pronouncements, but rather, his speech had a growl to it, as if he were part bear.
The second draft had made a valiant attempt to compare Boston’s docks with those of Edinburgh, but had then doubled back to observe that Hannah had never seen such a dramatic countenance done in such a dark palette as she had beheld on Balfour. She’d put the pen down before prosing on about his nose. No Englishman ever sported such a noble feature, or at least not the Englishmen whom Step-papa forever paraded through the parlor.
The third draft had nearly admitted that she’d wanted to hate everything about this journey, and yet, in his hospitality, and in his failure to measure down to Hannah’s expectations, Balfour and his household hinted that instead of banishment, a sojourn in Britain might have a bit of sanctuary about it too.
Rather than admit that in writing—even to Gran—that draft had followed its predecessors into the waste bin. What Hannah could convey was that Aunt had not fared well on the crossing. Confined and bored on the ship, Enid had been prone to frequent megrims and bellyaches and to absorbing her every waking hour with supervision of the care of her wardrobe.