"You sound like you are."
He slammed the drawer in anger.
"What are you looking for?"
Theo ripped the hospital's plastic ID bracelet from his wrist.
"Scissors are in the kitchen drawer," said Cy.
Theo drew a breath, composing himself. "It ain't the bar. But now that you bring it up, it'd be cool if you popped down to Sparky's to see how Trina's doing. No one in his right mind screws off in front of her, but another set of eyes on those morons can't hurt."
"So that wasn't Trina on the phone?"
"It – it doesn't matter who that was. Can you just go?"
Theo's tone worried him, but there was no denying the anxiety of barely escaping a gunshot to the head – not to mention the added stress of knowing that the killer was probably still gunning for you. "Sure, I can check on things," Cy said. "You want anything while I'm out?"
"No."
"Pizza? Ice cream?"
"No. Really. Nothin'."
Cy noted the tone of voice again. Theo didn't appear angry. It was more a sense of urgency. He was suddenly in a major hurry to get his uncle out the door.
Cy patted his pants pockets. Empty. "You got the car keys?"
"No, you do."
"You drove home from the hospital, not me."
"Yeah, but-"
There was a firm knock at the front door.
"Shit," said Theo.
"Who is it?" Cy called out.
"Go upstairs," said Theo, shuffling his uncle toward the staircase.
"Police," came the answer from outside the door.
Cy shot a look of concern at his nephew. "What's going on?"
"Just go upstairs, all right?"
He shook free from Theo's grip, went to the door, and opened it. Two uniformed police officers, one male and one female, were standing on the porch. Cy recognized them as City of Miami cops. He could see his own concern reflected in the tall guy's sunglasses. "What's this about?"
The male cop answered. "Is this the residence of Theodopolis Knight?"
"Yes. What's this-"
"Is Mr. Knight home now?"
"Yes, he is. But-"
"I'm right here," said Theo as he nudged his uncle aside. He stood face-to-face with the cop, who promptly reached for his handcuffs.
In an instant, the two officers crossed the threshold and had Theo facing the other way, hands behind his back. The lead cop spoke as he cuffed him. "Theodopolis Knight, you're under arrest. You have the right to remain silent, you have the right…"
Cy tried to listen as they read Theo his rights, but the voices faded into a whirl of confusion.
"Arrest?" said Cy. "For what?"
Theo said, "Don't say anything."
The cop patted Theo down and found the pistol in his pocket.
Cy said, "That's for protection. His lawyer told him-"
"I told you not to say anything!" Theo said.
The female cop placed the gun in an evidence bag.
The old man watched from the open doorway as Theo went peaceably with the two officers. They took him to the squad car and opened the rear passenger-side door. As he ducked into the backseat, Theo looked toward his uncle on the porch and said, "Just call Jack. He'll know what to do."
The cops buckled him in and closed the door. Cy felt like he should do something, but he was helpless.
In seconds, they were gone.
Chapter 22
Theo was arraigned from jail, his court appearance nothing more than a closed-circuit television transmission to the duty judge. Bail was set at $25,000. The charge was harboring a fugitive and a host of related offenses, including the aiding and abetting of Isaac Reems's escape.
Theo uttered just two words at the arraignment: "Not guilty." His lawyer didn't even ask the prosecutor to recommend release on his own recognizance, didn't urge the judge to set a lesser amount. But he did offer Theo some words of encouragement, and he meant them quite literally.
"Watch your back, buddy."
Theo didn't make bail.
It was 10:00 p.m., and Turner Guilford Knight Correctional Center was in lockdown for the night. Theo's mind was elsewhere as the guards escorted him to his cell.
The walk down the long corridor, iron bars on either side, triggered a wave of memories. Prison would always be a part of him, and not even the vindication of DNA testing could erase the fact that he'd lost four of his best years to Florida's death row. Sometimes that seemed like another lifetime. Right now, it felt like yesterday, and the worst of his checkered past was rising up in his throat like battery acid. He'd come within minutes of a gruesome death, saved only by an eleventh-hour stay of execution won by his lawyer from the Freedom Institute, a young idealist named Jack Swyteck. Theo recalled every step of the lonely, final journey from which most men never returned. He'd managed only two bites of his last meal, stone crabs and Key lime pie. He'd refused God's forgiveness, and he would never forget the prison chaplain's frustration at his continued protestations of innocence. He could still smell the tobacco-stained hand of the prison barber who shaved his head and ankles so that the electrodes would connect properly at both ends, ensuring the smooth and efficient passage of kilovolts that would sear his skin, boil his blood, and snuff out his life. In the Hollywood portrayal, a stoic corrections officer calls out, "Dead man walking." In Florida, however, it was "Dead man coming," and it was the refrain of fellow inmates, not prison personnel, as the condemned man – hands and feet shackled, dressed in pants and an orange T-shirt, surrounded by guards – made his way to the electric chair.
A catcall from one of the inmates caught Theo's attention. The whistler was deep within one of the blackened cells, unidentifiable. A newbie might have been rattled – the thought of a horny jailbird liking the looks of his ass – but Theo was unfazed, keeping his eyes forward.
You just try it, pretty boy.
They stopped at the third cell from the end. A black man lay on the lower bunk of a shadowy, two-man cell. The top bunk was empty.
The guard rattled the bars with his nightstick. The sweeping beam of his flashlight hit the sleeping inmate in the eyes. "Up against the far wall," he said.
The inmate rolled out of the bunk and did as he was told. The lead guard radioed the control booth. A buzzer sounded. The cell door slid open automatically.
"It's lights out," the guard told Theo. "Unpack your bag and fill your locker in the morning."
Theo entered the cell in silence. He turned completely around to face the guards, but it wasn't out of respect to authority. It was prison talk between cell mates, Theo's way of saying that he wasn't afraid to show his back to this chump. The electronic buzzer sounded. The door slid closed, the clank of metal echoing off walls and floors of steel and unfinished concrete.
"Welcome to TGK," the guard said. He and the other guard walked away, their footfalls piercing the eerie quiet of prison after lockdown.
Theo turned to face his cell mate. The whites of their eyes met in the darkness from opposite ends of a cell that measured seven feet wide and twelve feet deep. It was bigger than those on death row, but then again, Theo had lived there alone.
"What's your name?" the man asked.
Theo didn't answer. In prison, you didn't give up anything if you didn't need something in return. Theo already knew the man's name: Ricky Baldwin. He knew his prison nickname: Charger. He knew his rap: assault and battery. His victim was a prostitute. Most everyone on the second floor was incarcerated for some kind of sex-related crime. They found a home in TGK, a county-run facility, because they were awaiting trial in Miami or because their lawyer had cut a deal with the state attorney for less than one year of jail time. Most of these guys, however, belonged in Florida State Prison serving much longer sentences. Guys like Ricky Baldwin, aka Charger. And Isaac Reems.
Charger started toward his bunk.
"You're up top," said Theo.
Charger stopped and slowly turned his head, giving Theo plenty of attitude. "Say what, dude?"