With an angry click of the mouse, Gilford exited the computer program. The LCD screen went blue and turquoise with Caribbean Sea wallpaper, far too calming and relaxed for his present mood.
He drew a deep breath and let it out. No doubt about it: He had trouble on his hands. He hadn't completely lied to Swyteck. Although it wasn't true that his wife had taken ill, the part about dragging out the old film for badly needed cash was no lie. In hindsight, he should have edited out the faces of the drunk hecklers, even if they weren't Pi Alpha Delta fraternity brothers. But the angry expressions of those young men added a certain realism to the overall effect from an artist's point of view – and he was an artist, no matter what people thought about his films. In terms of CYA strategy, however, it was a big mistake.
Gilford picked up the telephone. He dreaded making this call, but he forced himself to punch out the numbers. He reached a secretary and gave his name. She had no idea who he was and asked him to hold. Two minutes later, the voice of an old friend was on the line.
"What is it this time, Lance?"
It was the firm and confident voice of a man of power and position, but it was also the distinctly agitated tone of an old friend who was still ticked off about the release of the Portia Knight rape film.
Gilford cleared his throat to speak. "We have a problem," he said. "Knight and his lawyer got the movie."
"So do a hundred thousand Internet perverts around the globe."
"But Jack Swyteck came to see me today. He knows I filmed it."
"Did you tell him?"
"No. Not at first. But he had… proof."
"So you admitted it was yours?"
"Well, you know, it was kind of-"
"Stop blubbering! Just tell me how he knows it's your film."
Gilford started to explain, but he was suddenly afraid. He didn't want to come across as stupid and careless. "I think the FBI helped them."
"That's great, Lance. Just great. What the hell were you thinking when you put that thing out on the market?"
"I lost my ass on that gambling website. I'm sorry, but some of the folks I borrow money from don't fully grasp the legal niceties of a nonrecourse loan. So the movie is out there. Knight and his lawyer know I was the cameraman, and even worse, they've tied it to the PAD house in Miami."
There was stone silence on the line.
Gilford said, "You still there?"
"My face is in that movie," he said in a slow, deep voice.
"I understand that."
"I was angry that you left: me in there, but I didn't freak. So long as the film wasn't linked to Miami, I figured there was little to no chance that anyone would recognize me thirty-something years after the fact."
"That was my thinking, too."
"But you thought wrong. So now I'm angry. Really angry."
Few things were more chilling than the flat, even voice of someone who was really angry. The room suddenly felt hotter. Gilford was starting to sweat. "I – I don't know how many ways to apologize. But we have to stay together on this, right? We need to stay focused. And the question is, Now what?"
"I'll deal with it."
"How?"
"My way," he said, and the line clicked in Gilford's ear.
Chapter 42
It was a big night for Theo's future, and he was trying hard not to let the past spoil his dream of a true jazz bar in Coconut Grove.
Theo had negotiated the business terms of the five-year lease on his own, but he was smart enough to enlist the services of a lawyer, especially since Jack came free of charge. The final lease agreement was in hand and ready for signature in the morning. Theo and his uncle met Jack at the property around 9:00 p.m. for one final walk-through inspection.
Jack looked a little frazzled. He had a trial starting in the morning, and somehow fifteen years of courtroom experience and umpteen successful jury verdicts didn't eliminate the night-before jitters. The mega-cup of coffee probably wasn't helping.
Theo pried the extra-large double latte from Jack's hands and placed it on the bar. "If my well was stocked, I'd give you a drink," he said.
"Do I seem nervous?" said Jack.
"As a long-tailed cat in a roomful of rockers," said Uncle Cy.
Theo and Jack started in the kitchen, and Cy stayed behind in the bar area. The landlord had the propane line reconnected, so this was their first check on the stove and grill, the only major appliance included in the lease. One of the burners didn't light. The room started to smell like gas. Theo pulled a matchbook from his pocket.
"Don't!" Jack shouted.
"I was kidding, okay? You're way too uptight. What's going on, man?
Jack looked around like a junkie, as if in need of another hit of caffeine. "I need your opinion on something"
"Shoot."
"What do you honestly think of Andie?" said Jack.
Theo looked up from the stove. "Why do you ask?"
"Can you turn that unlit burner off before this place explodes?"
"Relax. It's not like the deal is sealed and we assumed the risk of loss yet."
Jack narrowed his eyes with curiosity. "How does a guy with a rapper's vocabulary spit out legal terms like Clarence Darrow?"
"Prison library. But don't change the subject. What's up with you and Andie?"
Jack offered a schoolboy's shrug. "I'm thinking about, you know, maybe giving her a call."
"You mean for a date?"
"Well… yeah."
"Let me get this straight. You're gonna pick up the telephone and ask Andie Henning out on a date?"
"Why is that so incredible?"
Theo said nothing.
"Theo?"
"Sorry, dude. My mind just flashed with the image of pigs flying over a frozen hell."
"Very funny."
"What about Rene?"
"I haven't heard boo from her since she went back to Africa."
Theo tried the faulty burner again. This time it lit right up. He waved his hand, as if it were a sign. "Call her."
"You don't think Andie and I are more like putting a match to a gas leak?"
"Definitely. But what a way to go, huh?"
They finished the kitchen in twenty minutes, and Jack's punch list in progress had only a few small items on it – low water pressure on one of the sinks, some cracks in the tile floor. At that point, Theo hit him with the lease addendum that the landlord had faxed over that afternoon. Jack remained in the kitchen to read it, where the lighting was better. Theo and his uncle handled the bar inspection.
"Tell me somethin'," said Cy.
Theo was on his belly with a flashlight, checking out the beer tap connections. His car keys and cell phone were digging into his groin like a well-aimed jousting lance, so he emptied his pockets and placed them on the shelf. "What?" said Theo, groaning.
"What is it you're trying to find out?" his uncle said.
Theo knew the old man wasn't talking about the inspection, but he played dumb. "What do you mean?"
"What were you runnin' over to South Beach for, talkin' to a guy like Mel Booker?"
He climbed from under the bar and looked at his uncle. "How'd you know I was talking to Mel today?"
"Trina told me."
Theo couldn't really be angry. He hadn't told her not to tell Uncle Cy. "Just following leads, that's all"
"Is it all about finding the guy who shot you from that red car? Or who killed your momma?"
"Both."
"See, that's the problem."
"Why?"
"Bad enough someone's trying to kill you. Don't understand why you gotta go looking for a way to kill yourself."
"I'm not gonna get myself killed."
"I didn't say get killed. I said kill yourself."
"You aren't seriously afraid I might commit suicide, are you?"