On the river drives, in the not-so-old days, when Danny and his dad were working and sleeping in the wanigans, the boy didn’t go to school. That he didn’t like school-but that he always, and far too easily, made up the work he missed-also made Danny anxious. The boys in his grade were all older than he was, because they skipped school as often as they could and they never made up the work they missed; they’d all been held back and had repeated a grade or two.
When the cook saw that his son was anxious, he invariably said: “Stand your ground, Daniel-just don’t get killed. I promise you, one day we’ll leave here.”
But this made Danny Baciagalupo anxious, too. Even the wanigans had felt like home to him. And in Twisted River, the twelve-year-old had his own bedroom above the cookhouse-where his father also had a bedroom, and where they shared a bathroom. These were the only second-story rooms in the cookhouse, and they were spacious and comfortable. Each room had a skylight and big windows with a view of the mountains, and-below the cookhouse, at the foothills of the mountains-a partial view of the river basin.
Logging trails circumscribed the hills and mountains; there were big patches of meadow and second growth, where the woodcutters had harvested the hardwoods and the coniferous forest. From his bedroom, it seemed to young Daniel Baciagalupo that the bare rock and second growth could never replace the maples and birch, or the softwoods-the spruce and fir, the red and white pine, and the hemlock and tamarack. The twelve-year-old thought that the meadows were running wild with waist-high grass and weeds. Yet, in truth, the forests in the region were being managed for sustainable yields of timber; those woods are still producing-“in the twenty-first fucking century,” as Ketchum would one day say.
And as Ketchum regularly suggested, some things would never change. “Tamarack will always love swamps, yellow birch will forever be highly prized for furniture, and gray birch will never be good for fuck-all except firewood.” As for the fact that the river drives in Coos County would soon be limited to four-foot pulpwood, Ketchum was morosely disinclined to utter any prophecies. (All the veteran logger would say was that the smaller pulpwood tended to stray out of the current and required cleanup crews.)
What would change the logging business, and what might put an end to the cook’s job, was the restless spirit of modernity; the changing times could kill a mere “settlement” like Twisted River. But Danny Baciagalupo was just wondering, obsessively: What work would there be in Twisted River after the woodcutters moved on? Would the cook then move on? Danny worried. (Could Ketchum ever move on?)
As for the river, it just kept moving, as rivers do-as rivers do. Under the logs, the body of the young Canadian moved with the river, which jostled him to and fro-to and fro. If, at this moment in time, Twisted River also appeared restless, even impatient, maybe the river itself wanted the boy’s body to move on, too-move on, too.
CHAPTER 2. DO-SI-DO
IN A STORAGE CLOSET OFF THE PANTRY IN THE COOKHOUSE kitchen, the cook kept a couple of folding cots-from the wanigan days, when he’d slept in any number of portable kitchens. Dominic had salvaged a couple of sleeping bags, too. It was not out of nostalgia for the wanigans that the cook had kept the old cots and mildewed sleeping bags. Sometimes Ketchum slept in the cookhouse kitchen; occasionally, if Danny was awake, the boy would tirelessly endeavor to get his dad’s permission to sleep in the kitchen, too. If Ketchum hadn’t had too much to drink, Danny hoped to hear another of the logger’s stories-or the same story, wildly revised.
THE FIRST NIGHT after Angel Pope had disappeared under the logs, it snowed a little. It was still cold at night in April, but Dominic had turned the two gas ovens on in the kitchen. The ovens were set at 350 and 425 degrees, and the cook had premixed the dry ingredients for the scones, the corn muffins, and the banana bread before going to bed. His French toast (from the banana bread) was popular, and he would make pancakes from scratch in the morning. Because of the raw eggs, Dominic didn’t like to keep the pancake batter in the fridge more than two days. Also last-minute, almost every morning, he made buttermilk biscuits, which he baked quickly in the 425-degree oven.
It was usually Danny’s job to be sure that the potatoes were peeled and cubed and soaking overnight in salted water. His dad would fry the potatoes on the griddle in the morning, when he fried the bacon. The griddle on the old Garland was above the broiler, which was eye-level to the cook. Even with a long-handled spatula, and standing on tiptoe or on a low stool-neither method of elevating himself was the easiest thing for a cook with a crooked foot-Dominic would frequently burn his forearm when he reached to the back of the griddle. (Sometimes Injun Jane would spell the cook at the griddle, because she was taller and her reach was longer.)
It would be dark when Dominic got up to fry the bacon and do his baking, and dark when Danny woke in the upstairs of the cookhouse to the smell of bacon and coffee, and still dark when the kitchen help and the Indian dishwasher arrived from town-the headlights of their vehicles heralding their arrival almost simultaneously with the engine sounds. Most mornings, the Garland ’s broiler was flaming hot-for melting the cheese on top of the omelets. Among young Dan’s before-school jobs were cutting up the peppers and tomatoes for the omelets, and warming the big saucepan of maple syrup on one of the back burners of the eight-burner stove.
The outside door to the cookhouse kitchen didn’t open or close properly; it was so loose-fitting that it rattled in the wind. The inside screen door opened into the kitchen, which could be added to the list of things that made Danny Baciagalupo anxious. For any number of practical reasons, you wanted the door to open to the outside. There was enough traffic in the busy kitchen to not want a door getting in the way-and once, long ago, a bear had come into the cookhouse kitchen. It had been a balmy night-the troublesome outside door to the cookhouse was propped open-and the bear had just butted the screen door with its head and walked inside.
Danny had been too young to remember the bear, although he’d asked his father to tell him the story many times. The boy’s mother had long before put him to bed upstairs; she was having a late-night snack with Danny’s dad when the bear joined them. The cook and his wife were sharing a mushroom omelet and drinking white wine. When he used to drink, Dominic Baciagalupo had explained to his son, he had often felt compelled to fix late-night snacks for himself and his wife. (Not anymore.)
Danny’s mother screamed when she saw the bear. That made the bear stand up on its hind legs and squint at her, but Dominic had had quite a lot of wine; at first, he didn’t know it was a bear. He must have thought it was a hairy, drunken logger, coming to assault his beautiful wife.
On the stove was an eight-inch cast-iron skillet, in which the cook had recently sautéed the mushrooms for the omelet. Dominic picked up the skillet, which was still warm in his hand, and hit the bear in the face-mostly on its nose but also on the broad, flat bridge of its nose between the bear’s small, squinty eyes. The bear dropped to all fours and fled through the kitchen door, leaving the torn screen and the broken wooden slats hanging from the frame.
Whenever the cook told this story, he always said: “Well, the door had to be fixed, of course, but it still opens the wrong way.” In telling the story to his son, Dominic Baciagalupo usually added: “I would never hit a bear with a cast-iron skillet-I thought it was a man!”
“But what would you do with a bear?” Danny asked his dad.