Vince says, 'Goes along sweet, don't it?' And he takes his hands off the wheel so we can get the feel of how the car takes care of itself. It seems to veer a shade to the left.
He said he thought he should do Jack proud, he thought he should give him a real treat. Since it had been sitting there in the showroom for nearly a month anyway, with a 'client' who couldn't make up his mind, and a bit more on the clock wouldn't signify and it don't do to let a car sit. He thought he should give Jack the best.
But it's not so bad for us too, for Vie and Lenny and me, sitting up, alive and breathing. The world looks pretty good when you're perched on cream leather and looking out at it through tinted electric windows, even the Old Kent Road looks good.
It veers a shade to the left. Lenny says, 'Don't go and give it a dent, will you, Big Boy? Don't want you to lose a sale.'
Vince says he don't dent cars, ever, least of all when he's driving extra steady and careful, on account of the special occasion.
Lenny says, "With your hands off the wheel.'
Then Vince asks Vie what they do in a hearse when they have to go on a motorway.
Vie says, 'We step on it.'
Vince isn't wearing a black tie. It's just me and Vie. He's wearing a red and white jazzy tie and a dark blue suit. It's his showroom clobber, and he's come from the showroom, but he could have chosen some other tie. He's taken off his jacket, which is lying folded on the back seat between me and Lenny. Good-quality stuff. I reckon Vince is doing all right, he's not so badly placed after all. He says now they're feeling the pinch in the City they pop across in their lunch hours to do deals for cash.
Lenny says, 'Don't encourage him, Vie.'
Vie says, 'A hearse is different, everyone makes way for a hearse.'
Lenny says, 'You mean they don't make way for Vincey here?'
Vie sits in the front beside Vince, holding the box on his knees. I can see it's how it should be, Vie being the professional, but it don't seem right he should hold it all the time. Maybe we should take it in turns.
Vince looks across at Vie. He says, smiling, 'Busman's holiday, eh, Vie?'
Vince is wearing a white shirt with silver cuff-links' and pongy after-shave. His hair is all slicked back. It's a brand new suit.
We head on past the gas works, Ilderton Road, under the railway bridge. Prince of Windsor. The sun comes out from behind the tower blocks, bright in our faces, and Vince pulls out a pair of chunky sun-glasses from under the dashboard. Lenny starts singing, slyly, through his teeth, 'Blue bayooo,..' And we all feel it, what with the sunshine and the beer inside us and the journey ahead: like it's something Jack has done for us, so as to make us feel special, so as to give us a treat. Like we're off on a jaunt, a spree, and the world looks good, it looks like it's there just for us.
Amy
Well let 'em go, eh June? Let 'em do it, the whole bunch of 'em. Let 'em do without me. And you. Boys' outing. Do 'em good.
Jack should know that. All work and no play. Unless you count propping up the bar in the Coach.
That's what I told him all those years ago. We should give ourselves a break, a treat, we should give ourselves a holiday. His brave little Amy. When you fall off your horse you should get straight back on again. We should get ourselves out of ourselves. New people.
It might never have come to a choice between you and him.
My poor brave Jack.
Back on the merry-go-round, back on the swings. Seaside fun. All those things, June, you never knew. Donkey rides, bucket and spade, Punch and Judy. The waves coming in and the crowds on the beach and kids yelling, running, kids everywhere, and him looking at it like it was all a trick. Watch the birdie, kiss me quick, end of the pier.
But it wasn't the Pier, he even got that wrong. It was the Jetty. He ought to have remembered: the Pier and the Jetty, two different things, even if the Jetty looked more like a pier, and the Pier was only a harbour wall. Except there isn't no Jetty now, all swept away in a storm, years ago, and good riddance, I say, and amen. So maybe it wasn't his mistake, maybe it was his alternative arrangement. If he had to be chucked, if it was a case of chucking, if he had to be taken to the end of somewhere and chucked, but count me out, Jack, I won't be doing any chucking, then it had to be the Pier. Though it should have been the Jetty.
New Cross
Vie says, 'Pam sends regards. Shell be thinking of us.'
Lenny says, 'Same goes for Joan.'
Vince says, 'And Mandy.'
I reckon if wives are being mentioned I should shut up.
Vince says, 'It was good to see Pam at the funeral, Vie. Aint often we get the pleasure.'
Vie says, 'Sad pleasure.'
Lenny says, 'Went a treat.'
We're coming up to the lights by New Cross Gate station and the traffic's slowing to a crawl.
I don't suppose Carol's even heard. I'dVe got the shock of my life if she'd showed up at the funeral.
Lenny says, 'They might all've come along too. Joan was all set But I suppose if Amy—'
I say, 'I don't know how we'dVe squeezed in seven of us, Lenny, even into this thing.'
Vince says, 'Four of us is comfy. Maybe it's a blokes' job anyway.'
I say, 'Five.'
Vince says, 'Five.' Then he says, 'It aint a thing, Raysy, it's a Mercedes.'
Lenny looks at me then at the traffic all around us. 'Still, aint no car built yet that'll beat a jam, is there, Big Boy?'
Lenny's a stirrer.
Vie says, 'Pam was all for doing us sandwiches and a thermos but I said I thought we were old enough to take care of ourselves.' He's holding the box like it might be his lunch.
Vince says, 'She's a good 'un, Vie. It was good to see her.'
Lenny says, 'Joan was dead set'
We creep forward five yards then stop. People are walking past us on the pavement, slipping into the station entrance like it's an ordinary day. We should have a flashing sign up:
ASHES.
Lenny says, 'Every car's the same in a snarl-up, aint it?'
Vince drums his fingers on the steering wheel.
Vie says, 'Anyhow Pam says he's got a good guard-of-honour.'
We all straighten up, as if we've got to be different people, as if we're royalty and the people on the pavement ought to stop and wave.
Vince
It's a 380 S-Class, that's what it is. V8, automatic. It's six years old but it could do a hundred and thirty without a wobble. Though not in the New Cross Road it won't.
Custom paintwork, all-leather upholstery.
So Hussein better buy it soon, cash, he better just. Otherwise I'm out of readies.
I'm not telling no one, not Amy, not Mandy, about Jack's little last request, or about my little hand-out. I always said, Don't come running to me, Jack, don't expect me to do any shelling out.
Seems to me the only time a man can get what he asks is when he's dying. Though he didn't ask for an S-Class Merc, extra long wheelbase, walnut dash. So I hope he damn well appreciates it, I hope he damn well does.
Hussein better damn well an' all.
It's got white-walled tyres. It needs some air in the front near-side.
I said, 'Let me get you another, Jack, then I'm off home. Family man now, aint I?' But he looks at me, holding up his hand sudden like everyone should shut up, like it was that last remark that did it, and I see Ray and Lenny start peering into their beers.
But it was true. Me, Mand and little Kath. She was still in short socks then.
He says, 'Excuse us, gents, Vince and me have got to have a private word,' and he jostles me over to a table in the corner. He says it's been a tough week and could I spare him a fiver, just so he can buy Ray and Lenny there a drink and not look a fool, but I knew it wasn't the five quid, I knew it wasn't why he'd asked me to call by in the first place. Five quid- Five large might be nearer the mark. If you're going to plead, plead straight.