"Where did his money come from?" I asked. "From the trade."
"The trade?"
"All wealth in Massilia comes from the slave and wine trade. The Gauls ship slaves down the Rhodanus River for sale to Italy; the Italians ship wine from Ostia and Neapolis to sell to the Gauls. Slaves for wine, wine for slaves, with Massilia in the middle, providing ships and taking her cut. That's the foundation of all wealth in Massilia. My great-grandfather began our fortune. My grandfather increased it. My father increased it more. He owned many ships.
"Then the bad times came. I was still quite young-too young to know the details of my father's business. He told my mother that he had been betrayed by others, cheated by men among the Timouchoi whom he had considered his friends. He had to sell his ships, one by one, to pay his creditors. It wasn't enough. Then our warehouse near the harbor burned to the ground. My father's enemies accused him of setting the fire himself to destroy records and avoid debts. My father denied it." Hieronymus paused for a long moment. "If only I had been older, able to understand all that was happening. I'll never know the truth-whether my father was responsible for his own ruin, or whether others destroyed him. It's a painful thing, never to know the whole truth."
"What became of him?"
"He was suspended from the Council of Fifteen. The Timouchoi began proceedings to expel him."
"Were there criminal charges?"
"No! It was worse than that. He had lost all his money, don't you see? In Massilia there's no greater scandal. What matters to a Roman most?"
"His dignity, I suppose."
"Then imagine a Roman stripped completely of his dignity, and you may understand. Without wealth, a man in Massilia is nothing. To have possessed wealth and to have lost it-such a thing could happen only to the worst of men, men so vile they've offended the gods. A man like that must be shunned, despised, spat upon."
"What became of him?"
"We have a law in Massilia. I imagine it was devised for just such men as my father. Suicide is forbidden, with penalties exacted upon the suicide's family-unless a man applies to the Timouchoi for permission."
"Permission to take one's own life?"
"Yes. My father applied. The Timouchoi took up the matter as they might have taken up a trade bill. It saved them the embarrassment of expelling him, you see. The vote was unanimous. They were even so kind as to supply him with a dose of hemlock. But he didn't take it."
"No?"
"He chose the harder way. Down there, where the land meets the sea, do you see that finger of rock that juts up through the city wall, so massive they had to build the wall around it?"
"Yes." The rock was naked of vegetation, its summit stark white against the blue sea.
"Its official name is the Sacrifice Rock. Sometimes people call it Suicide Rock, or Scapegoat Rock. If you're agile enough, you can climb onto it from the battlements of the city wall. If you're fit enough, you can climb from the base to the top without using the walls at all. It's not as steep as it looks, and there are plenty of footholds. But once you reach the top, it's a frightening place. The view over the edge is dizzying-a long, sheer drop to the sea. When the wind is high at your back, it's all a man can do to keep from being blown off."
"Your father jumped?"
"I remember that morning vividly. It was the day after the Timouchoi approved his request. He dressed in black and left the house without a word. My mother wept and tore her hair, but she didn't try to follow him. I knew where he was headed. I went up on the roof and watched. I saw when he reached the foot of the rock. A crowd had gathered to watch him climb. He looked so small from our roof-a tiny black figure scaling a white finger of rock. When he reached the top, he didn't hesitate, not even for an instant. He stepped over the edge and vanished. One moment there, the next-gone. My mother was watching from a window below me. She let out a scream the moment he vanished."
"How terrible," I said. From old habit, I sifted the unresolved details of his story. "What became of the hemlock?" As soon as I asked, I knew the answer.
"Creditors came to drive us out of the house the next day. My mother could never have borne that. They found her in her bed, as peaceful as if she slept. She broke the law by drinking the hemlock provided for my father; broke the law as well by mixing it with wine, because wine is strictly forbidden to women in Massilia. But no one sought to prosecute her. There was nothing left to confiscate, and no one left to punish but me. I suppose they thought I had already been punished enough for the sins of my parents." He took a deep breath. "I resent her, sometimes, for not staying with me. I resent him, as well. But I can't blame them. Their lives were over."
"What became of you?"
"For a while I was grudgingly passed from one relative to another. But they all considered me to be cursed. They didn't want me in their homes for fear that the curse would rub off. At the first sign of trouble-a fire in the kitchen, a sick child, a slump in the family business-I was tossed out. At last I ran out of relatives. I looked for work. My father had given me good tutors. I knew philosophy, mathematics, Latin. I probably knew more about the trade than I realized, having picked it up from my father. But no one among the Timouchoi would hire me. You might think one of these exiled Romans who keep popping up in Massilia would have found me useful, but not one of them would touch me for fear of offending the Timouchoi.
"Now and again I found work as a common laborer. It's not easy for a free man to make a living by manual labor-too many slaves about who can do the same work for no wages. I can't say that I ever succeeded at anything except staying alive. Some years I barely managed that. I've worn other men's cast-off rags, eaten other men's garbage. I've swallowed my shame and begged for alms. For long periods I've had no roof over my head. Sun and wind turned my skin to leather. Just as well; a hard hide served me well when fellows like that old coot Calamitos took a cane to me, calling me a vagrant, a good-for-nothing, a parasite, the son of a cursed father and an impious mother."
"Calamitos-is he one of the Timouchoi?"
"Artemis, no! None of that gang of old fools is rich. They're contemporaries of my father who never amounted to much, When I was a boy they were all afire with ambition and wracked by their jealousy, Calamitos especially, of my father and his success. After my father died, it gave them great pleasure to gloat over my squalor and to vent their cruelty on me. Nothing comforts the wretched like having someone even more wretched to despise."
The sun was lowering and the wind was beginning to rise, The tall trees on either side of us shivered and pitched, and their shadows grew longer.
"A terrible story," I said quietly. "Merely a true one."
"The way you described the Sacrifice Rock-you must have climbed it yourself."
"A few times. The first time was out of curiosity, to see what my father had seen, to know the place where he ended."
"And after that?"
"To follow him, if the moment seemed right. But I never heard the call."
"The call?"
"I don't know how else to explain it. Each time I climbed up, I fully intended to jump. What was there to keep me in this accursed world? But once I reached the top, it never felt right. I suppose I expected to hear my father and mother calling to me, and they never did. But soon now… very soon…"
"What did Calamitos mean when he called you `Scapegoat'?" He smiled bitterly. "That's another of our charming ancient traditions. In times of great crisis-plague, famine, military siege, naval blockade-the priests of Artemis choose a scapegoat, subject to approval by the Timouchoi, of course. Ideally it's the most wretched creature they can find, some pathetic nonentity whom no one will miss. Who better than a child of suicides, the lowest of the low, that irritating beggar who haunts the market square, whom everyone will be glad to be rid of? There's a bit of a ceremony-xoanon Artemis presiding over clouds of incense, chanting priests, that sort of thing. The scapegoat is dressed in green, with a green veil; the goddess has no desire to see his face. Then the priests parade the scapegoat through the city, with all the onlookers dressed in black as if for a funeral, the women ululating laments. But at the end of the procession, the scapegoat arrives, not at a tomb, but at a very fine house especially prepared for his arrival. Slaves bathe him and anoint him with oil, then dress him in fine clothes-all in this particular shade of green, which is the scapegoat's color. More slaves pour costly wine down his throat and stuff him with delicacies. He's free to move about the city, and a fine litter-green, of course-is provided for his use. The only problem is, he might as well be in a tomb. No one will talk to him. They won't even look at him. Even his slaves avert their eyes and say no more than they have to. All this luxury and privilege-it's only a pretense, a sham. The scapegoat lives a sort of death-in-life. Even as he indulges in every physical pleasure, he begins to feel… utterly alone. Slightly… unreal. Invisible, almost. Perhaps that's only to be expected. All this time, if you believe the priests of Artemis, by some mystical means his person is collecting the sins of the entire city. Well, that might make anyone feel a bit out of sorts."