"This is correct."
"And did you happen to use it on Thirty-eighth Street last night?"
"That is also correct."
"And can I assume that you're not working for Kemel?"
"Correct again… although I do not understand how you are so familiar to use the first name of a man you should not even know about."
I'm so familiar with him, Jack thought, I've been assuming it was his last name.
He settled back in his seat as he turned onto Broadway and joined the downtown crawl. He'd wondered who Kemel had meant by "the wrong hands," and had assumed he'd meant Israel. But this guy was anything but Israeli. He looked Japanese.
"I tell you these things," the gunman went on, "because I do not wish to be placed in the condition where I must kill you. Condition—that is the correct word?"
Swell, Jack thought. He's got a gun on me and he wants me to help him with his English.. But then, he does have the gun.
"'Position' might be better."
"Position… yes, that is better. Because I am very admiring of how you disposed of your attackers last night. You are very clever."
That's me… Mr. Clever.
"Was that you following me to the Clayton house last night?"
"You saw me?"
He sounded offended. Time to repay a compliment in kind.
"No. Not once. Sensed you but didn't see you. You're very good."
Let's form a mutual admiration society, he thought.
"Thank you. What is your name?"
"Jack."
"Jack what?"
He thought a moment. "Jack-san."
Jack saw the gunman's eyes narrow, then crinkle as he smiled. "Ah, yes. Jack-san. That is very humorful."
"I'm a bundle of laughs."
"And now you will please give me the envelopes you brought from the bank."
So polite… but despite how "admiring" this guy said he was, Jack had no doubt he'd end up like the two corpses outside the Clayton house if he tried anything. Might end up like them anyway.
With that pleasant thought bobbing through his brain, Jack handed the envelopes over the seat.
The pistol muzzle was removed from his neck. Jack watched the gunman glance down at his lap as he fumbled with the envelopes. This might be his chance… but he vetoed the thought. No sense in precipitating something right now. Take it easy and see how this played out.
More rustling as other envelopes were opened.
That's what I want to be doing, Jack thought.
He kept glancing at the rearview trying to read the gunman's expression. His narrowed eyes, his grimace, as if someone had shoved a rotten fish under his nose.
The blare of a horn jerked Jack's attention to the road and he saw that he'd been drifting toward a Volvo with a very frightened-looking woman behind the wheel.
"I warned you," said the gunman.
"Sorry," Jack said, giving the Volvo an apologetic wave. "Not on purpose. It's just that I was really looking forward to poking through those envelopes myself."
"Then, these are not yours?"
He checked out the gunman's expression as he opened more envelopes. The nearest Jack could describe it was… disgust.
What was going on?
"Well, they were for a few minutes. Now they're yours, I guess."
"How did you acquire them?"
Should he tell, or play dumb? He had a feeling dumb wouldn't work with this guy, and what harm in telling him what he'd probably figured out on his own?
"From old man Clayton's safe deposit box. I found the key in the house last night."
"Then, these belonged to Ronald Clayton?"
Why do I feel like I'm on trial? "Yes."
"And this was all you found?"
"Absolutely."
"And you do not know what is in them?"
"I was hoping to find out."
"You wish to see them?" the gunman said.
Something strange in his voice. Almost… fatigue.
"Uh… yeah." Where was this leading?
The envelopes dropped unceremoniously onto the front seat.
"Then you shall. Find a place to stop where no one will see us and you may look all you wish."
Normally that would have set off a chorus of alarm bells in Jack's head, but strangely enough, it didn't.
Something weird going down here.
He turned off Broadway in the Thirties and headed west. He found a deserted stretch of curb past the post office and stopped, but left the engine idling. He glanced into the rear of the car and saw the gunman staring out the window, but he didn't seem to be focused on anything in particular. His pistol was out of sight. Farther behind them, on the corner, an Oriental woman stood on the sidewalk with her video camera trained on the columned front of the post office building.
Lady, he thought, moving pictures were designed to record things that move. That's why they call them "movies."
Jack picked up the top envelope, reached inside the open flap, and pulled out a pile of negatives and three-by-five photos. He let the negatives drop back in and checked out the prints.
His stomach turned.
"Oh, jeez."
Children… naked children… having sex with each other.
He dropped them onto his lap, then picked them up again for a closer look at the little girl.
"Aw, no."
Alicia… no question about it… seven years old, maybe eight, the face was pudgy, but it was she. And the boy she was with looked about twelve, and he was unquestionably Thomas.
He let his head drop back and closed his eyes. He swallowed hard, afraid he'd lose his morning coffee.
When was the last time he'd cried? He couldn't remember. But he felt like crying now.
That innocent little face looking out at him as her brother…
The sheer monstrousness of it, the utter evil, the mind-numbing rottenness of a soul that could besmirch the innocence of any child like that… but your own daughter… someone who trusts you, looks up to you, depends on you for guidance and protection from the nastiness of the world… to take that trust, that responsibility and do… this…
Jack had run across the scum of the earth in his day, but Ronald Clayton took the prize. If he weren't already dead, Jack might consider correcting that situation.
This confirmed what he'd suspected about Alicia. Now he understood why she wanted nothing to do with her father or her brother or that house, why she'd looked ready to jump out of her skin last night.
What a thing to have trailing after you all your life.
"Are they all like this?"
"Yes," said the gunman.
"Poor Alicia."
"And these are all that you found?"
"Every last thing." He sure as hell wasn't going to tell him about the weird little Rover, even if it meant nothing.
"You would not lie to me?"
Jack fished the key out of his shirt pocket and tossed it onto the backseat.
"Go back and check yourself."
The gunman sighed. "No. That will not be necessary."
He's as frustrated as I am, Jack thought. And he knows more, damn it.
Which gave him a crazy idea.
"All right," Jack said. "Tell me what this is all about. What's so goddamn important about that house?"
What the hell? he thought. Can't shoot me for asking. Can he?
"I do not know."
"Come on. You've got to know more than me. How come it's a Japanese guy against the Arabs and not someone from Mossad? Tell me what you do know."
He watched the gunman's eyes as he stared back at Jack.
I'll be damned, Jack thought. I do believe he's going to tell me.
5.
Yoshio considered this ronin, this Jack-san.
Tell me what this is all about.