"What's going to stop him from biting hell out of us?" Jack said.
"I expect you'll shoot him 'fore he gets a chance at that," the old man said.
Jack saw the cat first, yellowish orange and brown and curled up on some hay, and quiet. It looked at them and didn't move, but then it opened its mouth and hissed without sound.
"That don't look like a mad cat to me," Jack said.
"You didn't see it bite on my wife or leap on the lampshade and then try to run up the curtain. Maybe it's quiet 'cause I whacked it with the fork. Maybe I knocked it lame."
"It looks like Sugarpuss," Eddie said.
"I know," Jack said. "I'm not going to kill it."
The mad cat looked at the men, orange and silent and no longer disturbed by their intrusion or fearful of their menace.
"You shoot it if you want," Jack said.
"I don't want to shoot it," Eddie said.
"Look out," old man Van Wie said, pushing past the brothers and sticking his pitchfork through the cat, which squealed and wriggled and tried to leap off the fork. But it was impaled and the farmer held it out to the brothers, an offering.
"Now shoot it," the old man said.
Jack kept his arm at his side, pistol down, watching the cat squeal and squirm upside down on the fork. Eddie put three bullets in its head, and the old man, saying only "Obliged" and grabbing a shovel off a nail, carried the carcass out to the yard to bury what remained of madness. And Jack then was triggered into his second cat memory of eighteen years before, when he was twelve, when he said to Eddie that he wanted to furnish the warehouse and Eddie did not understand. The warehouse was enormous, longer than some city blocks, empty for as long as they had been, alive. It's was made of corrugated metal and wooden beams and had scores of windows that could be broken but not shattered. Jack discovered it, and with Eddie, they imagined its vast empty floor space full of automobiles and machinery and great crated mysteries. At one end an office looked down on the emptiness from second-story level. There was no staircase to it, but Jack found a way. He rigged a climbing rope, stolen from a livery stable, over a wooden crossbeam, the stairway's one remnant. He worked two hours to maneuver a loop upward that would secure the rope, then shinnied up. It was 1909 and his mother had been dead two months. His brother was eight and spent two days learning how to shinny up to the office. The brothers looked out the office windows at a fragment of Philadelphia's freight yards, at lines of empty boxcars, stacks of crossties, piles of telegraph poles covered with creosote. They watched trains arrive and then leave for places they knew only from the names painted on the cars-Baltimore and Ohio, New York Central, Susquehanna, Lackawanna, Erie, Delaware and Hudson, Boston and Albany-and they imagined themselves in these places, on these rivers. From the windows they saw a hobo open a freight-car door from inside, and they assumed he'd just awakened from a night's sleep. They saw him jump down and saw that a bull saw, too, and was chasing him. The hobo had only one shoe, the other foot wrapped in newspaper and tied with string. The bull outran him and beat him with a club, and when the hobo went down, he stayed down. The bull left him where he fell.
"The bastard," Jack said. "He'd do the same to us."
But the Diamond brothers always outran the bulls. Out scrambled them beneath the cars.
Jack brought a chair to the office and a jug of water with a cork in it, candles, matches, a slingshot with a supply of stones, half a dozen pulp novels of the wild West, a cushion, and, when he could steal it from his father's jug, some dago red. He kept the hobo's hat, which was worn through at the crown from being fingered and had spots of blood on the brim. Jack took it off the hobo after he and Eddie went down to help him and found he was dead. The hobo was a young man, which shocked the brothers. Jack hung the hat on a nail in the office and let no one wear it. The brothers were asleep in the office the day the orange cat came in. It had climbed one of the wooden pillars and found its way along a crossbeam. A dog was after it, barking at the foot of the pillar. Jack gave it water in the candle dish, petted it, and called it Sugarpuss. The dog kept barking and Jack fired stones at it with his slingshot. When it wouldn't leave, Jack shinnied down, clubbed it with a two-by-four, cut its throat, and threw it out by the crossties.
Sugarpuss remained the mascot of the brothers and the select group of friends they allowed up the rope. It lived in the warehouse, and all the gang brought it food. During the winter Jack found Sugarpuss outside, frozen in the ice, its head almost eaten off where another animal had gotten it. He insisted it be given a decent burial and immediately got another cat to replace it. But the second cat ran away, an early lesson in subtraction for Jack.
We came out of the woods onto the highway and walked back toward Jack's house. A car passed us, and a middle-aged man and woman waved and tooted at Jack, who explained they were neighbors and that he'd had an ambulance take their kid to Albany Hospital, some thirty miles away, about six months back when the local sawbones didn't know what ailed the boy. Jack footed the bill for examinations and a week's stay in the hospital, and the kid came out in good shape. An old woman down the road had a problem with her cow after her shed collapsed, and so Jack paid for a new shed. People in Acra and Catskill told these stories when the papers said Jack was a heartless killer.
Jack's Uncle Tim was working on the rosebushes when we reached the house. The lawn had been freshly cut, some grass raked into piles on the front walk. Tamu was watering the flower beds of large and small marigolds, dahlias, snapdragons, on the sunny side of the brown shingled house. The Bowers reached up toward a second-story window where, it was authoritatively reported in the press at a later date, Jack had his machine guns mounted. The fortress notion was comic but not entirely without foundation, for Jack did have floodlights on the house to illuminate all approaches, and the maple trees on the lawn were painted white to a point higher than a man, so anyone crossing in front of one was an instant target. Jack installed the lights back in l928 when he was feuding with Schultz and Rothstein, right after a trio of hirelings tried to kill Eddie in Denver. Eddie went to Denver because the Catskills hadn't solved his lung problems, and Denver must have helped, for when they shot at him he leaped out of his car and outran the killers. One killer, when he saw Eddie'd gotten away, grabbed a bull terrier pup in front of somebody's house and shot off one of its paws, an odd substitute for murder. But then I guess in any realm of life you solve your needs any way you can.
Jack and I stood on the lawn and watched the grooming of the landscape. Domestic felicity. Back to the soil. Country squirearch. It didn't conform to my preconceptions of Jack, but standing alongside him, I had to admit it didn't sit so badly on him either.
"Pretty good life you've got here," I told him. He wanted to hear that.
"Beats hell out of being at the bottom of the river," he said.
"A striking truth."
"But this is nothing, Marcus, nothing. Give me a year, maybe even six months, you'll see something really special."
"The house, you mean, the purple house?"
"The house, the grounds, this whole goddamn county."
He squinted at me then and I waited for clarification.
"It's a big place, Marcus, and they pack in the tourists all summer long. You know how many speakeasies in this one county? Two hundred and thirty. I don't even know how many hotels yet, but I'm finding out. And every goddamn one of them can handle beer. Will handle beer."