Dmitri Likhachev, exempted from call-up for medical reasons, did military training alongside his colleagues from Pushkin House.
We ‘white-ticketers’ were enlisted into the Institute self-defence detachments, issued with double-barrelled shotguns and drilled in front of the History Faculty building. I remember B. P. Gorodetsky and V. V. Gippius among the marchers. The latter walked in comical fashion on his toes, leaning his whole body forward. Our instructor laughed silently along with everyone else…
Far-sightedly, Likhachev also stocked up on food, insisting that his family claim their whole, initially generous, bread ration, and dry slices on a sunny windowsill until they had enough to fill a pillowcase, which they hung on a wall out of reach of mice. He also insisted that they buy everything they could from the rapidly emptying shops, whose windows were now blocked with double screens of earth-filled planking. Later, he was to wish that they had bought more.
In winter, lying in bed, I thought of one thing until my head hurt: there, on the shelves in the shops, there had been canned fish. Why hadn’t I bought it? Why had I bought only eleven jars of cod-liver oil, and not gone to the chemist’s a fifth time to get another three? Why hadn’t I bought a few vitamin C and glucose tablets? These ‘whys’ were terribly tormenting. I thought of every uneaten bowl of soup, every crust of bread thrown away, every potato peeling, with as much remorse and despair as if I’d been the murderer of my own children. But all the same, we did as much as we could, and believed none of the reassuring announcements on the radio.{20}
Georgi Knyazev, director of the Academy of Sciences archive, was confined to a wheelchair by paralysis of the legs. Each day he pushed himself along the same 800-metre stretch of the Vasilyevsky Island embankment, from the bronze-plaqued ‘Academicians’ Building’ where he lived, past a pair of sphinxes imported from Luxor by Nicholas I, the gabled Menshikov Palace and lime tree-filled Rumyantsev Square to the portico of the Academy. On the opposite bank spread the classic Petersburg panorama: to the left, beyond Palace Bridge, the rococo hulks of the Hermitage and Winter Palace; just visible behind them, the Palace Square angel and topmost candy-swirl of the Cathedral of Our Saviour of the Spilled Blood; ahead, the Admiralty building with its needle spire; to the right, the egg-shaped dome of St Isaac’s and Falconet’s famous equestrian statue of Peter the Great—the ‘Bronze Horseman’—rearing from its granite boulder. This stretch of pavement, this view, was what Knyazev called his ‘small radius’, the narrow aperture through which he was to observe the whole of the siege. Prosy and conventional (his diary is addressed, with unintentional irony, to ‘you, my distant friend, member of the future Communist society, to whom all war will be as inherently loathsome as cannibalism is to us’{21}), he spent the first days of the war listening to the radio (‘The peoples of Europe must surely rise in rebellion!’) sorting out a first-aid kit (‘for use in the event of burns or wounds’), and attempting to energise his staff, who showed a tendency to ‘guard the sofa in the President’s office’ instead of the archive’s depository. On 2 July he visited the archive administration headquarters, in the old Senate Building:
On the staircase which once heard the rap of Guards Officer Lermontov’s sabre… there now hangs a length of rail on a thick cord, and next to it a metal rod—a beater. This is for use in the event of a gas alarm. On the upper landing it was dark, although blue lamps were burning. Walking along the corridor, which was in almost total darkness, I felt as though I were in a Meyerhold production.
The IRLI [Institute of Russian Literature] repository was a dreadful sight. I hardly recognised the workrooms. Everything was in chaos… Behind a statue of Aleksandr Vsevolovsky stood two large barrels of water, one of which was already leaking. There were boxes of sand and spades all over the place, and a fire hose stretched along the corridor. Outside the Pushkin room stood storage boxes, some empty, some full. I had to do them justice—Pushkin’s manuscripts were packed perfectly… But there was a lot of fuss and agitation. Right next to the boxes, a staff member was dictating an article on fascism to a typist. Someone else was writing out a list of what had to be packed… Everywhere, there were crowds of people carrying sandbags.
Yelena Skryabina decided to escape the war—and reduce her chances of arrest—by renting a dacha (their price had plummeted) near Pushkin, the town, formerly Tsarskoye Selo or ‘Royal Village’, that had grown up around the tsars’ summer palaces. There she and her children spent their time wandering in the sunshine round the folly-dotted Catherine Palace park. ‘Blue sky, blue lake, and the green frame of the shore. Peaceful. No voices audible. No one strolling the paths. Only somewhere, far away, the silvery walls of the palaces sparkling through the greenery.’{22} On weekly visits back to the city, though, it was impossible to shut out reality. She worried about gas attacks (unnecessarily as it turned out; gas masks were issued but never had to be used), and about famine, ‘because all those newspaper reassurances about our massive food supplies are barefaced lies’. Her neighbour Kurakina whispered of the beatings her newly returned but now half-deaf and fearful husband had endured in camp; up in the cloudless sky high-flying planes left vapour trails, a sinister novelty to Leningraders, who thought them some sort of targeting device.
Not until 3 July, eleven days after the invasion, did Stalin make his first wartime broadcast. Unpolished but immediate—the rim of the glass clicking against his teeth as he took sips of water—it was, in the words of the BBC’s Moscow correspondent Alexander Werth, ‘a great pull-yourselves-together speech, a blood-sweat-and-tears speech, with Churchill’s post-Dunkirk speech its only parallel’.{23} Opening with novel, almost beseeching informality—‘Comrades, citizens, brothers and sisters! I appeal to you, my friends!’—it called the nation to total war in the tradition of the struggle against Napoleon. Production was to go into overdrive, and ‘whiners, cowards, deserters and panic-mongers’ were to be put in front of military tribunals. Not a ‘single railway truck, not a pound of bread nor pint of oil’ was to be left in the path of the fascist enslavers’ advance, and behind their lines partisans were to blow up roads, bridges and telephone wires and set fire to forests, stores and road convoys. ‘Intolerable conditions’ were to be created for ‘the enemy and his accomplices’, who were to be ‘persecuted and destroyed at every step’. ‘All the strength of the people’, Stalin rounded off with sledgehammer emphasis, ‘must be used to smash the enemy. Onward to Victory!’
The speech had a steadying effect, in Leningrad as elsewhere. In Moscow’s cinemas, Werth remembered, audiences broke into frantic cheering whenever Stalin appeared on a newsreel, ‘which, in the dark, people presumably wouldn’t do unless they felt like it’.{24} Though in reality Stalin had grossly understated the success of Barbarossa, claiming heavy German losses, Russians now felt that they had heard the worst, and stood on firm ground. The seventy-year-old watercolourist Anna Ostroumova-Lebedeva (who had studied under Repin, Bakst and Whistler, and seen out three tsars) listened with her maid Nyusha in their flat near Finland Station on Leningrad’s Vyborg Side. ‘Today’, she wrote in her diary, ‘I listened, with heartfelt anxiety, to the wise words of Comrade Stalin. His words pour feelings of calm, hope and cheer into the soul.’{25}