Standing a little apart, both of them sweating lightly in the white sunlight, they looked down into the deep wide valley of the Zambezi. On the edge of their vision, the wide waters of the man-made lake of Kariba glinted softly through the haze of heat and blue smoke from the first bush-fires of the dry season. The troopers came off the path with transparent relief, and Peter Fungabera looked expectantly at Tungata.
"We are ready to go on, Comrade."
"There is not much further to go," Tungata answered him.
Over the crest of the cliff the rock formation had eroded and broken up into buttress and tumbled ramparts, the trees that had found purchase in the cracks and crevices had intertwined their root systems over the rock-face like mating serpents, while their stems were thickened and deformed by the severe conditions of heat and drought.
Tungata led them through the broken rock and tortured forest, into the mouth of a ravine. At the head of the ravine grew an ancient Natalensis, the strangler fig ficus tree, its fleshy limbs of blotched yellow loaded with bunches of bitter fruit. As they approached it a flock of brown parrots, green wings flagged with bright yellow, that had been feasting on the wild figs, exploded into flight. At the base of the ficus tree, the cliff was segmented, and the roots had found the cracks and forced them apart.
Tungata stood before the cliff and Peter Fungabera, suppressing an exclamation of impatience, glanced at him and saw his lips were moving silently, in a prayer or entreaty. Peter Fungabera began to examine the cliff ace more carefully, and realized with rising excitement that the racks in the rock were too regular to be natural.
"Here!" he shouted to his troopers, and when they hurried forward, he pointed out one of the blocks in the face, and they set to work on it with bayonets and bare hands.
Within fifteen minutes of sweaty labour, they had worked the block free, and it was now clear that the face was in reality a wall of carefully fitted masonry. In the depths of the aperture left by the block, they could make out a second wall of masonry.
"Bring the prisoner," Peter ordered. "He will work in the front rank." By the time it was too dark to go on, they had opened an aperture just wide enough for two men to work shoulder to shoulder in the outer wall, and had begun on the inner wall. In the forefront, Tungata was able to confirm what he had guessed on his first visit to the tomb so long ago the signs that he had noticed then and concealed from old grandfather Gideon were even more apparent on the inner wall of the tomb. They helped salve his conscience and ease the pain of oath-breaking.
r Reluctantly Peter Fungabera called a halt on the work for the night. Tungata's hands were raw from contact with the rough blocks and he had lost a fingernail where it had been trapped and torn off in a slide of masonry. He was 9 handcuffed to one of the Third Brigade troopers for the night, but even this could not keep him from dreamless exhaustion-drugged sleep. Peter Fungabera had to kick both him and his guard awake the next morning.
it was still dark and they ate their meagre rations of cold maize cake and sweet tea in silence. They had barely gulped it down before Peter Fungabera ordered them back to the masonry wall.
Tungata's torn hands were clumsy and stiff. Peter Fungabera stood behind him in the opening and when he faltered slashed him with the kiboko, around the ribs, in the soft and sensitive flesh below the armpit. Tungata growled likea wounded lion and lifted a hundredweight block out of the wall.
The sun cleared the crown of the hill, and its golden rays illuminated the cliff-face. With a branch of dead wood, Tungata and one of the Shana troopers levered up another lump of rock, and as it began to move, there was a rumble and a harsh grating and the inner wall collapsed towards them. They jumped clear and stood coughing in the swirl of dust, peering into the aperture that they had made.
The air from the cave stank likea drunkard's mouth, stale and sour, and the darkness beyond was forbidding and menacing.
"You first," Peter Fungabera ordered, and Tungata hesitated. He was overcome with a superstitious awe. He was an educated and sophisticated man, but beneath that, he was African. The sfirits of his tribe and his ancestors guarded this place. He looked at Peter Fungabera and knew that he was experiencing the same dread of the supernatural, even though he was armed with a flashlight, whose batteries he had conserved zealously for this moment.
"Move!" Fungabera ordered. His harsh tone could not disguise his disquiet, and Tungata, to shame him, stepped cautiously over the rock fall into the cave.
He stood for a while until his eyes adjusted to the gloom and he could make out the configuration of the cave. The floor beneath his feet was smooth and worn, but it sloped downwards at a steep angle. Obviously this cave had been the lair of animals and the home of primitive man for tens of thousands of years before it became the tomb of a king.
Peter Fungabera, standing behind Tungata, played the beam of his flashlight over walls and roof. The roof was crusted with the soot of ancient cooking-fires, and the smooth walls were rich with the art of the little yellow Bushmen who had lived here. There were depictions of the wild game that they had hunted and observed so minutely: herds of black buffalo, and tall, dappled giraffe, rhinoceros and homed antelope in glowing colours, all delightfully caricatured. With them the pygmy artist had drawn his own people, sticklike figures with buttocks as pronounced as a camel's hump and imperial erections to boast of their manhood. Armed with bows, they pursued the herds across the rock wall.
Peter Fungabera. flicked the torch beam over this splendid gallery and then held it steady into the inner recesses of the cave where the throat narrowed and the rocky passage turned upon itself and was shrouded in darkness and mysterious shadow far below them.
"Forward!" he ordered, and Tungata moved cautiously down the sloping floor of the chamber.