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XXIV

Sometimes there was the dribbling of fountains into their basins, sometimes only the sound of the fast-running spring water under the stones, behind the walls. Occasionally a single large night-bird dipped toward the ground near a lamp, its crazy shadow running swiftly over the white walls; each time, Dyar started with nervousness, cursing himself silently for not being able to dislodge the fear in him. He walked slowly now, overtaking no one. Ahead, when the way was straight enough, he sometimes caught sight of two men in dark robes, walking hand in hand. They were singing a song with a short vigorous refrain which kept recurring at brief intervals; in between was a lazy variation on the refrain which followed like a weak, uncertain answer to the other. This in itself Dyar surely would not have noticed, had it not been for the fact that each time the meandering section began, just for the first few notes, he had the distinct impression that the sound came from somewhere behind him. By the time he had stopped to listen (his interest aroused not by the music, but by his own fear) the two ahead had always started in again. Finally, in order to be sure, he stood quite still for the space of several choruses, while little by little the voices of the two ahead grew fainter. There was no longer any doubt in his mind; a querulous falsetto voice was singing the same song, coming along behind him. He could hear it more plainly now, like a mocking shadow of the music that went on ahead. But from the strategic spaces that were left in the design of the melody and rhythm by the two men for the single voice in the rear to fill in, he knew immediately that they were conscious of the other’s participation in the song. He stepped back into a recess between the houses, where there was a small square tank with water pouring into it, and waited for the owner of the single voice to go by. From in here he could hear nothing but the hollow falling of the water into the cistern beside him, and he strained, listening, to see if the other, on noticing his disappearance, would stop singing, change the sound of his voice, or in some other manner send a signal to those who went ahead. If only he had a good-sized flashlight, he thought, or a monkey-wrench, he could hit him on the back of the head as he went past, drag him into the dark here, and go back quickly in the other direction. But when the lone vocalist appeared, he turned out to be accompanied by a friend. Both were youths in their teens, and they stumbled along with the air of not having a thought in their heads, beyond that of not losing the thread of the song that floated back through the street to them. He waited until they had gone past, counted to twenty, and peered around the corner of the house: they were still going along with the same careless, unsteady gait. When they had disappeared he turned and went back, still by no means convinced that when they noticed his absence ahead of them, they would not hurry to confer with the other couple and set out with them to look for him.

Because fear is without any true relationship to reality each time he left a lighted patch of street and entered the dark, he now expected the singers and their friends to be somewhere there waiting, having taken a short cut and got there before him. An iron arm would reach out of an invisible doorway and yank him inside before he knew what was happening, a terrific blow from behind would fell him, and he would come to in some deserted alley, lying in a pile of garbage, his money gone, his passport gone, his watch and clothes gone, with no one to help him either here or in Tangier or anywhere else. No one to cover his nakedness or to provide him with even tomorrow morning’s meal. From the jail where they would lodge him they would telephone the American Legation, and he would soon see Tangier again, a thousand times more a victim than ever.

Going by each side street and passageway he opened his eyes wider and stared, as if that might help him to see through the darkness. Back on the main street, climbing the long stairs, where the light from the stalls spilled across the steps, he felt a little better, even though his legs were hollow and seemed not to want to go where he tried to direct them. There was some comfort in being back among people; all he had to do here was walk along with his head down and not look up into their faces. When he had got almost back up to the place where he had eaten, he heard drums beating out a peculiar, breathless rhythm. Here the street made several abrupt turns, becoming a series of passageways that led through the buildings. He glanced up at the second-story window overlooking the entrance to one of these tunnels, and saw, through the iron grillework, the back of a row of turbaned heads. At the same instant a peremptory voice in the street behind him called out, «Hola, señor! Oiga!» He turned his head quickly and saw, fifty feet back, a native in what looked like a policeman’s uniform and helmet, and there was no doubt that the man was trying to attract his attention. He plunged ahead into the darkness, made the first turn with the street, and seeing a partially open door on his right, pushed against it.

The light came from above. A steep stairway led up. The drums were there, and also a faint, wheezing music. He stood behind the door at the foot of the stairs, not having pushed it any further shut than it had been. He waited; nothing happened. Then a man appeared at the top of the stairs, was about to come down, saw him, motioned to another, who presently also came into view. Together they beckoned to him. «Tlah. Tlah. Agi,» they said. Because their faces were unmistakably friendly, he slowly started to mount the steps.

It was a small, very crowded café with benches along the walls. The dim light came from a bulb hung above a high copper samovar which stood on a shelf in a corner. All the men wore white turbans, and they looked up with interest as Dyar entered, making room for him at the end of a bench by the drummers, who sat in a circle on the floor at the far end of the room. Over here it was very dark indeed, and he had the impression that something inexplicable was taking place on the floor almost at his feet. The men were looking downward through the smoke at a formless mass that quaked, jerked, shuddered and heaved, and although the room shook with the pounding of the drums, it was as if another kind of silence were there in the air, an imperious silence that stretched from the eyes of the men watching to the object moving at their feet. As his own eyes grew accustomed to the confused light, Dyar saw that it was a man, his hands locked firmly together behind him as if they were chained there. Until this moment he had been writhing and twisting on the floor, but now slowly he was rising to his knees, turning his head desperately from side to side, an expression of agony on his tortured face. Even when, five minutes later, he had finally got to his feet, he did not alter the position of his hands, and always the spasms that forced his body this way and that, in perfect rhythm with the increasing hysteria of the drums and the low cracked voice of the flute, seemed to come from some secret center far inside him. Dyar watched impassively. He was completely hidden by the ranks of the men who stood near him looking at the spectacle, and more of whom kept crowding up; from the door he was invisible, and the consciousness of that gave him momentary relief. Someone passed him a glass of tea from the other end of the long table. As he held it under his nose, the sharp fumes of hot spearmint cleared his head, and he became aware of another odor in the air, a spicy resinous smell which he traced to a brazier behind one of the drummers; a heavy smudge of sweet smoke rose constantly. The man had begun to cry out, softly at first, and then savagely; his cries were answered by rhythmical calls of «Al-lah!» from the drummers. Dyar stole a glance around at the faces of the spectators. The expression he saw was the same on all sides: utter absorption in the dance, almost adoration of the man performing it. A lighted kif pipe was thrust in front of him. He took it and smoked it without looking to see who had offered it to him. His heart, which had been beating violently when he came in, had ceased its pounding; he felt calmer now.