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Alexandra Vladimirovna said nothing.

'Just think,' he went on in a quiet voice, 'you only have to get talking over a glass of tea and everyone's full of suspicion, you get summoned you know where…'

Alexandra Vladimirovna said nothing. Karimov looked at her questioningly, as though inviting her to speak. He realized that she was waiting for him to tell her the rest.

'So there we are,' he said.

Alexandra Vladimirovna still didn't say anything.

'Oh yes,' he said. 'There's one thing I forgot. This comrade asked if we'd ever talked about the freedom of the press. We had indeed. Yes, and then they asked if I knew Lyudmila Nikolaevna's younger sister and her ex-husband… Krymov or something? I've never set eyes on them in my life and Viktor Pavlovich has never so much as mentioned them to me. And that's what I told them. Yes, and then they asked if Viktor Pavlovich had ever talked to me personally about the situation of the Jews. I asked why he should have talked about that to me. They answered: "You understand. You're a Tartar and he's a Jew…"'

Later, after Karimov had put on his hat and coat and was standing in the doorway, tapping the letter-box where Lyudmila had once found the letter telling her that Tolya had been wounded, Alexandra Vladimirovna said: 'It's strange. Why should they ask about Zhenya?'

But neither she nor Karimov had any idea why a Chekist in Kazan should suddenly take an interest in Zhenya, who lived in Kuibyshev, or in her ex-husband, who was now at the front.

People trusted Alexandra Vladimirovna and she had heard many similar stories and confessions. She had grown all too used to feeling that something important had been left unsaid. She didn't see any point in warning Viktor; it would merely cause him fruitless anxiety. Nor was there any point in trying to guess which of the group had talked carelessly or had informed. In situations like this it nearly always turned out to be the person you least suspected. And very often the matter had come to the attention of the NKVD in some quite unexpected manner: through a veiled hint in a letter, a joke, a few careless words in the communal kitchen… But why should the investigator have asked Karimov about Zhenya and Nikolay Gri-gorevich?

That night she was unable to sleep. She wanted something to eat. She could smell food in the kitchen. They must be frying potato-cakes – she could hear the clatter of tin plates and the calm voice of Semyon Ivanovich. God, how hungry she felt! What awful soup they'd served for lunch in the canteen! Now, though, she very much regretted not having finished it. She couldn't even think clearly; her desire for food kept interrupting her train of thought.

On her way in to work next morning she met the director's secretary, a middle-aged woman with an unpleasantly masculine face.

'Comrade Shaposhnikova,' she said, 'come round to my office during the lunch-break.'

Alexandra Vladimirovna felt surprised. Surely the director couldn't already have answered her request for a transfer? She walked through the yard. Suddenly she said out loud:

'I've had enough of Kazan. It's time to go home, to Stalingrad.'

31

Chalb, the head of the military police, had called company commander Lenard to the Headquarters of the 6th Army.

Lenard arrived late. A new order of Paulus's had forbidden the use of petrol for personal transport. All their supplies of fuel were now at the disposition of General Schmidt, the chief of staff. And he'd rather see you die ten deaths than sign you an order for five litres of petrol. There wasn't enough fuel for the officers' cars, let alone for the soldiers' cigarette-lighters.

Lenard had to wait till evening, when he could get a lift with the courier. The small car drove slowly over the frost-covered asphalt. The air was still and frosty; thin wisps of almost transparent smoke rose from the dug-outs and trenches of the front line. There were wounded soldiers walking along the road with towels and bandages round their heads. And then there were other soldiers, also with bandages round their heads and rags round their feet, who were being transferred to the area round the factories.

The driver stopped the car near the corpse of a dead horse and began digging about inside the engine. Lenard watched the anxious, unshaven men hewing off slabs of frozen horsemeat with hatchets. One soldier, standing between the horse's exposed ribs, looked like a carpenter up in the rafters of an unfinished roof. A few yards away, in the middle of a ruined building, was a fire with a black cauldron hanging down from a tripod. Round it stood a group of soldiers wrapped up in shawls and blankets, helmets and forage caps on their heads, tommy-guns and hand-grenades hanging from their shoulders and belts. The cook prodded with his bayonet at the pieces of meat that came to the surface. A soldier sitting on the roof of a dug-out was gnawing at a large bone; it looked for all the world like an improbably vast harmonica.

Suddenly the road and the ruined house were caught in the rays of the setting sun. The empty eye-sockets of the burnt-out building seemed to fill with frozen blood. The ploughed-up, soot-covered snow turned golden. The dark red cave of the horse's innards was lit up. The snow eddying across the road turned into a whirl of bronze.

The light of evening can reveal the essence of a moment. It can bring out its emotional and historical significance, transforming a mere impression into a powerful image. The evening sun can endow patches of soot and mud with thousands of voices; with aching hearts we sense past joys, the irrevocability of loss, the bitterness of mistakes and the eternal appeal of hope.

It was like a scene from the Stone Age. The grenadiers, the glory of the nation, the builders of the New Germany, were no longer travelling the road to victory. Lenard looked at these men bandaged up in rags. With a poetic intuition he understood that this twilight was the end of a dream.

Life must indeed conceal some strangely obtuse inertial force. How was it that the dazzling energy of Hitler and the terrible power of a people moved by the most progressive of philosophies had led to the quiet banks of a frozen Volga, to these ruins, to this dirty snow, to these windows filled with the blood of the setting sun, to the quiet humility of these creatures watching over a steaming cauldron of horsemeat?

32

Paulus's headquarters were now in the cellar of a burnt-out department store. The established routine continued as usuaclass="underline" superior officers came and went; orderlies prepared reports of any change in the situation or any action undertaken by the enemy.

Telephones rang and typewriters clattered. Behind the partition you could hear the deep laughter of General Schenk, the head of the second section. The boots of the staff officers still squeaked on the stone floors. As he walked down the corridor to his office, the monocled commanding officer of the tank units still left behind him a smell of French perfume – a smell that blended with the more usual smells of tobacco, shoe-polish and damp, and yet somehow remained distinct from them. Voices and typewriters still suddenly fell silent as Paulus walked down the narrow corridor in his long, fur-collared greatcoat; dozens of eyes still stared at his thoughtful face and aquiline nose. Paulus himself still kept to the same habits, still allowed the same amount of time after meals for a cigar and a talk with his chief of staff. The junior radio-officer still burst into Paulus's office with the same plebeian insolence, walking straight past Colonel Adam with a radio message from Hitler marked: 'To be delivered personally.'

This continuity, of course, was illusory; a vast number of changes had imposed themselves since the beginning of the encirclement. You could see these changes in the colour of the coffee, in the lines of communication stretching out to new sectors of the front, in the new instructions regarding the expenditure of ammunition, in the cruel, now daily spectacle of burning cargo-planes that had been shot down as they tried to break the blockade. And a new name was now on everyone's lips – the name of Manstein.