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It seems that nowhere is there so much hope as in the ghetto. The world is full of events and all these events have the same meaning and the same purpose – the salvation of the Jews. What a wealth of hope!

And the source of all these hopes is one and the same – the life-instinct itself, blindly rebelling against the terrible fact that we must all perish without trace. I look round myself and simply can't believe it: can we really, all of us, already be condemned, about to be executed? The hairdressers, the cobblers, the tailors, the doctors, the stove-repairers are still working. A little maternity home has even been opened – or rather, the semblance of one. People do their washing, linen dries on the line, meals are prepared, the children have been going to school since the first of September, the mothers question the teachers about their children's marks.

Old Spilberg is having some books bound. Alya Sperling does physical training every morning, puts her hair in paper-curlers every evening and quarrels with her father about two lengths of material that she wants for summer dresses.

And I'm busy myself from morning till night – visiting my patients, giving lessons, darning my clothes, doing my washing, preparing for winter, sewing a lining into my winter coat. I hear stories about the terrible punishments Jews have suffered: one woman I know, a lawyer's wife, bought a duck egg for her child and was beaten till she lost consciousness; a boy, the son of Sirota the chemist, was shot in the shoulder for crawling beneath the wire after a ball that had rolled away. And then rumours, rumours, rumours…

What I say now isn't a rumour, however. Today the Germans came and took eighty young men to work in the fields, supposedly to dig potatoes. Some people were glad, imagining the men would be able to bring a few potatoes home for their relatives. But I knew all too well what the Germans meant by potatoes.

Night is a special time in the ghetto, Vitya. You know, my dearest, how I always taught you to tell the truth – a son must always tell the truth to his mother. But then so must a mother tell the truth to her son. Don't imagine, Vityenka, that your mother's a strong woman. I'm weak. I'm afraid of pain and I'm terrified to sit down in the dentist's chair. As a child I was afraid of darkness and thunder. As an old woman I've been afraid of illness and loneliness; I've been afraid that if I fall ill, I won't be able to go back to work again; that I'll become a burden to you and that you'll make me feel it. I've been afraid of the war. Now, Vitya, I'm seized at night by a horror that makes my heart grow numb. I'm about to die. I want to call out to you for help.

When you were a child, you used to run to me for protection. Now, in moments of weakness, I want to hide my head on your knees; I want you to be strong and wise; I want you to protect and defend me. I'm not always strong in spirit, Vitya – I can be weak too. I often think about suicide, but something holds me back – some weakness, or strength, or irrational hope.

But enough of that. I have dreams every night. I often see my mother and talk to her. Last night I dreamed of Sasha Shaposhnikov during our years in Paris. But I haven't once dreamed of you – though I think of you often, even at moments of the most terrible distress. In the morning I wake up and look at the ceiling, then I remember that the Germans are on our land and that I'm a leper – and it's as though I haven't woken up at all, but have just fallen asleep and begun to dream.

A few minutes go by and I hear Alya quarrelling with Lyuba over whose turn it is to go to the well. Then I hear people talking about how, during the night, the Germans smashed in the skull of some old man on the next street.

A girl I knew came round, a student at the teachers' training college for technical subjects, and called me out on a visit. She turned out to be hiding a lieutenant who'd been wounded in the shoulder and burnt in one eye. A sweet, haggard, young man with a thick Volga accent. He'd slipped through the wire at night and found shelter in the ghetto. His eye wasn't seriously injured at all and I was able to check the suppuration. He talked a lot about different battles and how our army had been put to flight. He quite depressed me. He wants to recuperate and then slip through the German front line. Several young men intend to go with him, one of them an ex-student of mine. Oh Vityenka, if only I could go with them too. It was such a joy to me to be able to help that young man – I felt as though I too were taking part in the war against Fascism.

People had brought him some bread, beans and potatoes, and one old woman had knitted him a pair of woollen socks.

The whole day has been full of drama. Yesterday Alya managed, through a Russian friend of hers, to get hold of the passport of a young Russian girl who'd died in hospital. Tonight she's going to leave. And we heard today, from a peasant we know who was driving past the ghetto fence, that the Jews who were sent to dig potatoes are digging deep ditches four versts from the town, near the airfield, on the road to Romanovka. Remember that name, Vitya – that's where you'll find the mass grave where your mother is buried.

Even Sperling understood. He's been pale all day, his lips are trembling and he keeps asking confusedly: 'Is there any hope that specialists will be spared?' In fact I have heard that in some places the best tailors, cobblers and doctors have been left alive.

All the same, this very evening, Sperling summoned the old man who repairs stoves and had a secret cupboard built into the wall for flour and salt. And Yura and I have been reading Lettres de mon moulin. Do you remember how we used to read out loud my favourite story, 'Les Vieux', how we'd look at each other and burst out laughing, how each of us would have tears in our eyes? And after that I set Yura his lessons for the day after tomorrow. But what an ache I felt as I looked at my student's sad little face, as I watched his fingers note down in his exercise-book the numbers of the paragraphs of grammar I had just set.

And what a lot of children like that there are! Children with wonderful eyes and dark curly hair – probably future scientists, physicists, professors of medicine, musicians, even poets…

I watch them running to school in the morning, with a quite unchildlike seriousness, and wide, tragic eyes. Though sometimes they do begin laughing and fighting and romping about; then, rather than feeling happier, I am seized with horror.

They say that children are our own future, but how can one say that of these children? They aren't going to become musicians, cobblers or tailors. Last night I saw very clearly how this whole noisy world of bearded, anxious fathers and querulous grandmothers who bake honey-cakes and goosenecks – this whole world of marriage customs, proverbial sayings and Sabbaths will disappear for ever under the earth. After the war life will begin to stir once again, but we won't be here, we will have vanished – just as the Aztecs once vanished.

The peasant who brought us the news about the mass graves said that his wife had been crying at night. She'd been lamenting: 'They sew, and they make shoes, and they curry leather, and they mend watches, and they sell medicines in the chemist's. What will we do when they've all been killed?'

And how clearly I saw someone walk past our ruined houses and say: 'Once some Jews used to live here. Do you remember? An old stove-repairer called Borukh. On Saturday evenings his old wife sat on the bench and the children played round about.' And someone else said: 'And there was a doctor who used to sit there, beneath that old pear-tree – I can't remember her surname but I once went to her to have my eyes treated. After she'd finished work she used to bring out a wickerwork chair and sit there with a book.' Yes, Vitya, that's how it will be.

As though some terrible breath has passed over people's faces and everyone knows that the end is approaching.