We are back in the mouth of the whale. The bats have all flown at last, the tourists have disappeared. The speaker is silent. There is no music. Just the ancient cave.
A great column of limestone stands at the cave-mouth, moulded by the forces of water. Orchestral strings wake in startlement as two figures mysteriously appear on either side of the column. One of them — she moves forward, smiling — is a golden girl in a bikini, her blonde hair bouncing about her shoulders. She goes barefoot. The other figure remains unmoving. With his back to the light, we see him merely as a brutal silhouette. He rests one arm nonchalantly on the limestone, waiting.
‘These two are our Sex Symbol and our Dark Figure. They represent the two poles of life and death, and will be with us as we explore the familiar. They both loom large in our minds, as they do in the world, and they dominate how we feel about those questions of tone, form, smell, and colour which shape our preferences.’
The caves are left behind. Sea glints through the trees. The viewpoint rises past mountain peaks remote in their encampments of cloud. Soon we are flying over the isle-spattered sea.
‘No part of the globe is more beautiful than South East Asia; nowhere can life be more pleasant than in Malaysia. The climate is tolerable, the food good, the scenery superb, and the people kind and friendly. What’s more, just south of Malaysia lies the most extraordinary city in the world — Singapore.’
As we rush across the waters of the South China Sea, we can observe Squire for the first time. He is a tall sun-tanned man in his late forties, with grey in his thin crop of sandy hair. His is what is called a strong countenance, but there is possibly little outstanding about him. Nor does he dress obtrusively. He wears only a blue short-sleeved shirt, rather faded, shapeless cotton trousers, and a pair of sandals. His manner is cool but sociable as he speaks to camera.
‘In 1818, Mary Shelley published her novel, Frankenstein. It was something more than the Gothic novel it superficially resembled. It portrayed the scientist in a role we recognize today, or at least we did yesterday, as a man who strikes out for himself, discarding old authorities, caring little for the social consequences of his inventions. The result is a reign of confusion by the creature that Frankenstein, the scientist, has created. The welter of mass-produced goods which surrounds us can be described as Frankenstein’s legacy.’
Singapore and its skyscrapers glitter beneath us. The river flashes a signal from the sun, then we are down.
‘This marvellous city, too, is part of the legacy. It is as much a technological product as a digital quartz watch.’
A pleasant quayside, shaded by trees. The busy river beyond. In the background barges, boats, old buildings, a jumble of roofs, glittering high-rise structures beyond. In the foreground, a statue of a man gazing inland.
‘This is reputedly the spot where Sir Stamford Raffles first stepped ashore. It is decent and undoctrinaire of the Chinese to have left the statue in place when they took over from the old British colonial regime which created the city. But I find Singapore an enlightened place. Raffles landed here a year after Frankenstein was published, in 1819. He turned this island into one of the liveliest places on Earth. Just a few fishermen lived here when he landed. Now, in one of the cleanest and most prosperous of cities, there are two and a half million citizens. The principle of free trade which Raffles laid down is still observed. This is definitely a Chinese and Malayan and Indian city, not a Western one. They have our crazy worship of speed, but don’t share our veneration for open space, so they indulge neither in building sprawling suburbs, which are anti-city, nor in shooting men to the Moon; the Chinese in particular live happily in high densities, and the death rate is one of the world’s lowest.’
We are moving into the business centre of the city. The shops and hotels are bright, and sparkle with electronic clutter in a rapture of newness. The streets are lined with trees and flowers; they shimmer with well-nourished automobiles.
‘Singapore trades with the world. It survives on the principles of hard work and strict discipline. There are fines for dropping litter, imposed immediately, fines for contravening strict laws of hygiene, and the press is censored, like the press throughout most of the world today. Some find the Prime Minister of this city state, Mr Lee Kuan Yew, autocratic, and exercise their consciences on behalf of his subjects. In my opinion, anyone conversant with the history of this part of the world must admire what Mr Lee and his energetic subjects have achieved.’
He has stopped before an open-air food stall, and eats a sizzling satay from a stick. Beside him, the Sex Symbol appears and sinks two rows of white teeth into a similar skewer full of meat.
‘You can eat where you wish and not get ill from contaminated food. Good for trade.
‘We in the West no longer care so much for work and discipline. That is why places like Singapore represent the coming century, the twenty-first century, while the nations of Europe sink back towards the nineteenth. Singapore is winning the economic war, as work and discipline always do. Singapore plays globally something of the role played by London in the last century. I know which city I’d rather live in.
‘To my mind, Singapore is the dishiest workshop ever invented, where people are on the whole as happy and as handsome as people can ever be at our present stage of evolution. It is no utopia. What it is is a shining example of capitalism, unmatched in the communist world. It is a staggering work of man’s imagination. It is also the biggest mass-produced goodie in the history of the world. Whether or not you like it is a question — the sort of question we want to explore — a matter of taste.’
We are crossing Merdeka Bridge, driving along the fast Nicholl Highway in dense traffic. The sun is going down. The city lies in front of us, suddenly insubstantial as sunset brightens behind it.
1. The International Congress
Two men were walking in Mediterranean sunlight only four blocks from their hotel.
An observer following behind them would have learnt much from their backs. One was a comparatively small-built man, with thick heels on his shoes to compensate for a lack of height. He was thin almost to the point of being emaciated, so that, as he talked, which he did with a wealth of gesture, his shoulder blades could be seen moving beneath his jacket like two ferrets working back and forth in a cage.
He wore a brown suit with a faint yellow stripe, a neat suit light enough in weight for the climate, but somewhat worn. It was shiny round the seat. It was an expressive suit, the jacket flapping slightly as its owner vigorously demonstrated a point, or looked up sharply laughing, to see if his companion was also enjoying the joke. This sideways glance would have enabled an observer to catch a glimpse of a thin yellowish cheek belonging to a man slightly on the shady side of forty, and a neat beard shot through with grey.
The feature that announced the man in most companies, however, was his flow of copper hair. As if to compensate for the meagreness of his stature, the colourlessness of his cheek, his hair blazed. He wore it amply, down to his collar. In the sixties, it had trailed considerably further down his backbone. Now as then, it showed no white hairs.