However, New Orleans has begun—just this moment, as one may say. When completed, the new Cotton Exchange will be a stately and beautiful building; massive, substantial, full of architectural graces; no shams or false pretenses or uglinesses about it anywhere. To the city, it will be worth many times its cost, for it will breed its species. What has been lacking hitherto, was a model to build toward; something to educate eye and taste; a SUGGESTER, so to speak.
The city is well outfitted with progressive men—thinking, sagacious, long-headed men. The contrast between the spirit of the city and the city's architecture is like the contrast between waking and sleep. Apparently there is a 'boom' in everything but that one dead feature. The water in the gutters used to be stagnant and slimy, and a potent disease-breeder; but the gutters are flushed now, two or three times a day, by powerful machinery; in many of the gutters the water never stands still, but has a steady current. Other sanitary improvements have been made; and with such effect that New Orleans claims to be (during the long intervals between the occasional yellow-fever assaults) one of the healthiest cities in the Union. There's plenty of ice now for everybody, manufactured in the town. It is a driving place commercially, and has a great river, ocean, and railway business. At the date of our visit, it was the best lighted city in the Union, electrically speaking. The New Orleans electric lights were more numerous than those of New York, and very much better. One had this modified noonday not only in Canal and some neighboring chief streets, but all along a stretch of five miles of river frontage. There are good clubs in the city now—several of them but recently organized—and inviting modern-style pleasure resorts at West End and Spanish Fort. The telephone is everywhere. One of the most notable advances is in journalism. The newspapers, as I remember them, were not a striking feature. Now they are. Money is spent upon them with a free hand. They get the news, let it cost what it may. The editorial work is not hack-grinding, but literature. As an example of New Orleans journalistic achievement, it may be mentioned that the 'Times-Democrat' of August 26, 1882, contained a report of the year's business of the towns of the Mississippi Valley, from New Orleans all the way to St. Paul—two thousand miles. That issue of the paper consisted of forty pages; seven columns to the page; two hundred and eighty columns in all; fifteen hundred words to the column; an aggregate of four hundred and twenty thousand words. That is to say, not much short of three times as many words as there are in this book. One may with sorrow contrast this with the architecture of New Orleans.
I have been speaking of public architecture only. The domestic article in New Orleans is reproachless, notwithstanding it remains as it always was. All the dwellings are of wood—in the American part of the town, I mean—and all have a comfortable look. Those in the wealthy quarter are spacious; painted snow-white usually, and generally have wide verandas, or double-verandas, supported by ornamental columns. These mansions stand in the center of large grounds, and rise, garlanded with roses, out of the midst of swelling masses of shining green foliage and many-colored blossoms. No houses could well be in better harmony with their surroundings, or more pleasing to the eye, or more home-like and comfortable-looking.
One even becomes reconciled to the cistern presently; this is a mighty cask, painted green, and sometimes a couple of stories high, which is propped against the house-corner on stilts. There is a mansion-and-brewery suggestion about the combination which seems very incongruous at first. But the people cannot have wells, and so they take rain-water. Neither can they conveniently have cellars, or graves,{footnote [The Israelites are buried in graves—by permission, I take it, not requirement; but none else, except the destitute, who are buried at public expense. The graves are but three or four feet deep.]} the town being built upon 'made' ground; so they do without both, and few of the living complain, and none of the others.
Chapter XLII
Hygiene and Sentiment
Beautiful Grave-yards.—Chameleons and Panaceas.—Inhumation and Infection.—Mortality and Epidemics.—The Cost of Funerals.
THEY bury their dead in vaults, above the ground. These vaults have a resemblance to houses—sometimes to temples; are built of marble, generally; are architecturally graceful and shapely; they face the walks and driveways of the cemetery; and when one moves through the midst of a thousand or so of them and sees their white roofs and gables stretching into the distance on every hand, the phrase 'city of the dead' has all at once a meaning to him. Many of the cemeteries are beautiful, and are kept in perfect order. When one goes from the levee or the business streets near it, to a cemetery, he observes to himself that if those people down there would live as neatly while they are alive as they do after they are dead, they would find many advantages in it; and besides, their quarter would be the wonder and admiration of the business world. Fresh flowers, in vases of water, are to be seen at the portals of many of the vaults: placed there by the pious hands of bereaved parents and children, husbands and wives, and renewed daily. A milder form of sorrow finds its inexpensive and lasting remembrancer in the coarse and ugly but indestructible 'immortelle'—which is a wreath or cross or some such emblem, made of rosettes of black linen, with sometimes a yellow rosette at the conjunction of the cross's bars—kind of sorrowful breast-pin, so to say. The immortelle requires no attention: you just hang it up, and there you are; just leave it alone, it will take care of your grief for you, and keep it in mind better than you can; stands weather first-rate, and lasts like boiler-iron.
On sunny days, pretty little chameleons—gracefullest of legged reptiles—creep along the marble fronts of the vaults, and catch flies. Their changes of color—as to variety—are not up to the creature's reputation. They change color when a person comes along and hangs up an immortelle; but that is nothing: any right-feeling reptile would do that.
I will gradually drop this subject of graveyards. I have been trying all I could to get down to the sentimental part of it, but I cannot accomplish it. I think there is no genuinely sentimental part to it. It is all grotesque, ghastly, horrible. Graveyards may have been justifiable in the bygone ages, when nobody knew that for every dead body put into the ground, to glut the earth and the plant-roots, and the air with disease-germs, five or fifty, or maybe a hundred persons must die before their proper time; but they are hardly justifiable now, when even the children know that a dead saint enters upon a century-long career of assassination the moment the earth closes over his corpse. It is a grim sort of a thought. The relics of St. Anne, up in Canada, have now, after nineteen hundred years, gone to curing the sick by the dozen. But it is merest matter-of-course that these same relics, within a generation after St. Anne's death and burial, MADE several thousand people sick. Therefore these miracle-performances are simply compensation, nothing more. St. Anne is somewhat slow pay, for a Saint, it is true; but better a debt paid after nineteen hundred years, and outlawed by the statute of limitations, than not paid at all; and most of the knights of the halo do not pay at all. Where you find one that pays—like St. Anne—you find a hundred and fifty that take the benefit of the statute. And none of them pay any more than the principal of what they owe—they pay none of the interest either simple or compound. A Saint can never QUITE return the principal, however; for his dead body KILLS people, whereas his relics HEAL only—they never restore the dead to life. That part of the account is always left unsettled.