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He rode at that same speed straight to the place which he sought and which he had found out of a whole night and almost a whole half of a county, though it was not that far distant. He had gone hardly four miles when he heard music ahead and then he saw beside the road lights in a school house, a oneroom building. He had known where the building was, but he had had neither reason nor manner of knowing that there would be a dance held in it. But he rode straight to it and into the random shadows of parked cars and buggies and saddled horses and mules which filled the grove which surrounded the school, and dismounted almost before the horse had stopped. He did not even tether it. He got down, and in the carpet slippers and the dangling braces and his round head and his short, blunt, outraged beard ran toward the open door and the open windows where the music came and where kerosenelit shadows passed in a certain orderly uproar.

Perhaps, if he were thinking at all, he believed that he had been guided and were now being propelled by some militant Michael Himself as he entered the room. Apparently his eyes were not even momentarily at fault with the sudden light and the motion as he thrust among bodies with turned heads as, followed by a wake of astonishment and incipient pandemonium, he ran toward the youth whom he had adopted of his own free will and whom he had tried to raise as he was convinced was right. Joe and the waitress were dancing and Joe had not seen him yet. The woman had never seen him but once, but perhaps she remembered him, or perhaps his appearance now was enough. Because she stopped dancing and upon her face came an expression very like horror, which Joe saw and turned. As he turned, McEachern was upon them. Neither had McEachern ever seen the woman but once, and very likely then he had not looked at her, just as he had refused to listen when men spoke of fornication. Yet he went straight to her, ignoring Joe for the moment. “Away, Jezebel!” he said. His voice thundered, into the shocked silence, the shocked surrounding faces beneath the kerosene lamps, into the ceased music, into the peaceful moonlit night of young summer. “Away, harlot!”

Perhaps it did not seem to him that he had been moving fast nor that his voice was loud. Very likely he seemed to himself to be standing just and rocklike and with neither haste nor anger while on all sides the sluttishness of weak human men seethed in a long sigh of terror about the actual representative of the wrathful and retributive Throne. Perhaps they were not even his hands which struck at the face of the youth whom he had nurtured and sheltered and clothed from a child, and perhaps when the face ducked the blow and came up again it was not the face of that child. But he could not have been surprised at that, since it was not that child’s face which he was concerned with: it was the face of Satan, which he knew as well. And when, staring at the face, he walked steadily toward it with his hand still raised, very likely he walked toward it in the furious and dreamlike exaltation of a martyr who has already been absolved, into the descending chair which Joe swung at his head, and into nothingness. Perhaps the nothingness astonished him a little, but not much, and not for long.

Then to Joe it all rushed away, roaring, dying, leaving him in the center of the floor, the shattered chair clutched in his hand, looking down at his adopted father. McEachern lay on his back. He looked quite peaceful now. He appeared to sleep: bluntheaded, indomitable even in repose, even the blood on his forehead peaceful and quiet.

Joe was breathing hard. He could hear it, and also something else, thin and shrill and far away. He seemed to listen to it for a long time before he recognised it for a voice, a woman’s voice. He looked and saw two men holding her and she writhing and struggling, her hair shaken forward, her white face wrung and ugly beneath the splotches of savage paint, her mouth a small jagged hole filled with shrieking. “Calling me a harlot!” she screamed, wrenching at the men who held her. “That old son of a bitch! Let go! Let go!” Then her voice stopped making words again and just screamed; she writhed and threshed, trying to bite the hands of the men who struggled with her.

Still carrying the shattered chair Joe walked toward her. About the walls, huddling, clotted, the others watched him the girls in stiff offcolors and mail-order stockings and heels; the men, young men in illcut and boardlike garments also from the mail-order, with hard, ruined hands and eyes already revealing a heritage of patient brooding upon endless furrows and the slow buttocks of mules. Joe began to run, brandishing the chair. “Let her go!” he said. At once she ceased struggling and turned on him the fury, the shrieking, as if she had just seen him, realised that he was also there.

“And you! You brought me here. Goddamn bastard clodhopper. Bastard you! Son of a bitch you and him too. Putting him at me that never ever saw—” Joe did not appear to be running at anyone in particular, and his face was quite calm beneath the uplifted chair. The others fell back from about the woman, freeing her, though she continued to wrench her arms as if she did not yet realise it.

“Get out of here!” Joe shouted. He whirled, swinging the chair; yet his face was still quite calm. “Back!” he said, though no one had moved toward him at all. They were all as still and as silent as the man on the floor. He swung the chair, backing now toward the door. “Stand back! I said I would kill him some day! I told him so!” He swung the chair about him, calmfaced, backing toward the door. “Don’t a one of you move, now,” he said, looking steadily and ceaselessly at faces that might have been masks. Then he flung the chair down and whirled and sprang out the door, into soft, dappled moonlight. He overtook the waitress as she was getting into the car in which they had come. He was panting, yet his voice was calm too: a sleeping face merely breathing hard enough to make sounds. “Get on back to town,” he said. “I’ll be there soon as I …” Apparently he was not aware of what he was saying nor of what was happening; when the woman turned suddenly in the door of the car and began to beat him in the face he did not move, his voice did not change: “Yes. That’s right. I’ll be there soon as I—” Then he turned and ran, while she was still striking at him.

I He could not have, known where McEachern had left the horse, nor for certain if it was even there. Yet he ran straight to it, with something of his adopted father’s complete faith in an infallibility in events. He got onto it and swung it back toward the road. The car had already turned into the road. He saw the taillight diminish and disappear.

The old, strong, farmbred horse returned home at its slow and steady canter. The youth upon its back rode lightly, balanced lightly, leaning well forward, exulting perhaps at that moment as Faustus had, of having put behind now at once and for all the Shalt Not, of being free at last of honor and law. In the motion the sweet sharp sweat of the horse blew, sulphuric; the invisible wind flew past. He cried aloud, “I have done it! I have done it! I told them I would!”

He entered the lane and rode through the moonlight up to the house without slowing. He had thought it would be dark, but it was not. He did not pause; the careful and hidden rope were as much a part of his dead life now as honor and hope, and the old wearying woman who had been one of his enemies for thirteen years and who was now awake, waiting for him. The light was in hers and McEachern’s bedroom and she was standing in the door, with a shawl over her nightdress. “Joe?” she said. He came down the hall fast. His face looked as McEachern had seen it as the chair fell. Perhaps she could not yet see it good. “What is it?” she said. “Paw rode away on the horse. I heard …” She saw his face then. But she did not even have time to step back. He did not strike her; his hand on her arm was quite gentle. It was just hurried, getting her out of the path, out of the door. He swept her aside as he might have a curtain across the door.