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Then there is no sound; neither the man nor the woman have heard, apparently. Byron does not expect the man to hear. ‘He don’t need any help,’ he thinks. ‘Not him. It’s hindrance he needs’; thinking remembering the comastate of dreamy yet maniacal suspension in which the old man had moved from place to place a little behind the woman since he had met them twelve hours ago. ‘It’s hindrance he needs. I reckon it’s a good thing for more folks than her that he is wellnigh helpless.’ He is watching the woman. He says quietly, almost gently: “Go on. Tell him what you want. He wants to know what you want him to do. Tell him.”

“I thought maybe—” she says. She speaks without stirring. Her voice is not tentative so much as rusty, as if it were being forced to try to say something outside the province of being said aloud, of being anything save felt, known. “Mr. Bunch said that maybe—”

“What?” Hightower says. He speaks sharply, impatiently, his voice a little high; he too has not moved, sitting back in the chair, his hands upon the armrests. “What? That what?”

“I thought …” The voice dies again. Beyond the window the steady insects whirr. Then the voice goes on, flat, toneless, she sitting also with her head bent a little, as if she too listened to the voice with the same quiet intentness: “He is my grandson, my girl’s little boy. I just thought that if I … if he …” Byron listens quietly, thinking It’s right funny. You’d think they had done got swapped somewhere. Like it was him ‘that had a nigger grandson waiting to be hung The voice goes on. “I know it ain’t right to bother a stranger. But you are lucky. A bachelor, a single man that could grow old without the despair of love. But I reckon you couldn’t never see it even if I could tell it right. I just thought that maybe if it could be for one day like it hadn’t happened. Like folks never knew him as a man that had killed …” The voice ceases again. She has not stirred. It is as though she listened to it cease as she listened to it begin, with the same interest, the same quiet unastonishment.

“Go on,” Hightower says, in that high impatient voice; “go on.”

“I never saw him when he could walk and talk. Not for thirty years I never saw him. I am not saying he never did what they say he did. Ought not to suffer for it like he made them that loved and lost suffer. But if folks could maybe just let him for one day. Like it hadn’t happened yet. Like the world never had anything against him yet. Then it could be like he had just went on a trip and grew man grown and come back. If it could be like that for just one day. After that I would not interfere. If he done it, I would not be the one to come between him and what he must suffer. Just for one day, you see. Like he had been on a trip and come back, telling me about the trip, without any living earth against him yet.”

“Oh,” Hightower says, in his shrill, high voice. Though he has not moved, though the knuckles of the hands which grip the chairarms are taut and white, there begins to emerge from beneath his clothing a slow and repressed quivering. “Ah, yes,” he says. “That’s all. That’s simple. Simple. Simple.” Apparently he cannot stop saying it. “Simple. Simple.” He has been speaking in a low tone; now his voice rises. “What is it they want me to do? What must I do now? Byron! Byron? What is it? What are they asking of me now?” Byron has risen. He now stands beside the desk, his hands on the desk, facing Hightower. Still Hightower does not move save for that steadily increasing quivering of his flabby body. “Ah, yes. I should have known. It will be Byron who will ask it. I should have known. That will be reserved for Byron and for me. Come, come. Out with it. Why do you hesitate now?”

Byron looks down at the desk, at his hands upon the desk. “It’s a poor thing. A poor thing.”

“Ah. Commiseration? After this long time? Commiseration for me, or for Byron? Come; out with it. What do you want me to do? For it is you: I know that. I have known that all along. Ah, Byron, Byron. What a dramatist you would have made.”

“Or maybe you mean a drummer, a agent, a salesman,” Byron says. “It’s a poor thing. I know that. You don’t need to tell me.”

“But I am not clairvoyant, like you. You seem to know already what I could tell you, yet you will not tell me what you intend for me to know. What is it you want me to do? Shall I go plead guilty to the murder? Is that it?”

Byron’s face cracks with that grimace faint, fleeting, sardonic, weary, without mirth. “It’s next to that, I reckon.” Then his face sobers; it is quite grave. “It’s a poor thing to ask. God knows I know that.” He watches his slow hand where it moves, preoccupied and trivial, upon the desk top. “I mind how I said to you once that there is a price for being good the same as for being bad; a cost to pay. And it’s the good men that can’t deny the bill when it comes around. They can’t deny it for the reason that there ain’t anyway to make them pay it, like a honest man that gambles. The bad men can deny it; that’s why don’t anybody expect them to pay on sight or any other time. But the good can’t. Maybe it takes longer to pay for being good than for being bad. And it won’t be like you haven’t done it before, haven’t already paid a bill like it once before. It oughtn’t to be so bad now as it was then.”

“Go on. Go on. What is it I am to do?”

Byron watches his slow and ceaseless hand, musing. “He ain’t never admitted that he killed her. And all the evidence they got against him is Brown’s word, which is next to none. You could say he was here with you that night. Every night when Brown said he watched him go up to the big house and go in it. Folks would believe you. They would believe that, anyway. They would rather believe that about you than to believe that he lived with her like a husband and then killed her. And you are old now. They wouldn’t do anything to you about it that would hurt you now. And I reckon you are used to everything else they can do.”

“Oh,” Hightower says. “Ah. Yes. Yes. They would believe it. That would be very simple, very good. Good for all. Then he will be restored to them who have suffered because of him, and Brown without the reward could be scared into making her child legitimate and then into fleeing again and forever this time. And then it would be just her and Byron. Since I am just an old man who has been fortunate enough to grow old without having to learn the despair of love.” He is shaking, steadily; he looks up now. In the lamplight his face looks slick, as if it had been oiled. Wrung and twisted, it gleams in the lamplight; the yellowed, oftwashed shirt which was fresh this morning is damp with sweat. “It’s not because I can’t, don’t dare to,” he says; “it’s because I won’t! I won’t! do you hear?” He raises his hands from the chairarms. “It’s because I won’t do it!” Byron does not move. His hand on the desk top has ceased; he watches the other, thinking It ain’t me he is shouting at. It’s like he knows there is something nearer him than me to convince of that Because now Hightower is shouting, “I won’t do it! I won’t!” with his hands raised and clenched, his face sweating, his lip lifted upon his clenched and rotting teeth from about which the long sagging of flabby and puttycolored flesh falls away. Suddenly his voice rises higher yet. “Get out!” he screams. “Get out of my house! Get out of my house!” Then he falls forward, onto the desk, his face between his extended arms and his clenched fists. As, the two old people moving ahead of him, Byron looks back from the door, he sees that Hightower has not moved, his bald head and his extended and clenchfisted arms lying full in the pool of light from the shaded lamp. Beyond the open window the sound of insects has not ceased, not faltered.

Chapter 17

That was Sunday night. Lena’s child was born the next morning. It was just dawn when Byron stopped his galloping mule before the house which he had quitted not six hours ago. He sprang to the ground already running, and ran up the narrow walk toward the dark porch. He seemed to stand aloof and watch himself, for all his haste, thinking with a kind of grim unsurprise: ‘Byron Bunch borning a baby. If I could have seen myself now two weeks ago, I would not have believed my own eyes. I would have told them that they lied.’