Stefan molded powerful charges of plastique into hollow spaces toward the back of the stacked supplies and brought all of the wires to the screened ventilation chase down which he had dropped the attic wires the previous night, and as he worked, he felt the animals watching with unusual intensity, as if they knew they had less than twenty-four hours to live. His cheeks flushed with guilt, which strangely he had failed to feel when contemplating the deaths of the men who worked in the institute, perhaps because the animals were innocent and the men were not.
By four o'clock in the morning, Stefan had finished both the job in the basement and the work he had to do in his office on the third floor. Before leaving the institute, he went to the main lab on the ground floor and for a minute stared at the gate.
The gate.
The scores of dials and gauges and graphs in the gate's support machinery all glowed softly orange, yellow, or green, for the power to it was never turned off. The thing was cylindrical, twelve feet long and eight feet in diameter, barely visible in the dim light; its stainless-steel outer skin gleamed with faint reflections of the spots of light in the machinery that lined three of the room's walls.
He had used the gate scores of times, but he was still in awe of it — not so much because it was an astonishing scientific breakthrough but because its potential for evil was unlimited. It was not a gate to hell, but in the hands of the wrong men, it might as well have been just that. And it was indeed in the hands of the wrong men.
After thanking Viktor for the cake and claiming to have eaten all that he had been given — though in fact he fed the larger part of it to the animals — Stefan drove back to his apartment.
For the second night in a row, a storm raged. Rain slashed out of the northwest. Water foamed out of downspouts into nearby drains, drizzled off roofs, puddled in the streets, and overflowed gutters, and because the city was almost entirely dark, the pools and streams looked more like oil than water. Only a few military personnel were out, and they all wore dark slickers that made them look as if they were creatures from an old Gothic novel by Bram Stoker.
Stefan took a direct route home, making no effort to skirt the known police inspection stations. His papers were in order; his exemption from curfew was current; and he was no longer transporting illegally obtained explosives.
In his apartment he set the alarm on the large bedside clock and fell almost immediately to sleep. He desperately needed his rest because, in the afternoon to come, there would be two arduous journeys and much killing. If he was not fully alert, he might find himself on the wrong end of a bullet.
His dreams were of Laura, which he interpreted as a good omen.
Two
THE ENDURING FLAME
1
Laura Shane was swept from her twelfth through her seventeenth years as if she were a tumbleweed blown across the California deserts, coming to rest briefly here and there in becalmed moments, torn loose and sent rolling again as soon as the wind gusted.
She had no relatives, and she could not stay with her father's best friends, the Lances. Tom was sixty-two, and Cora was fifty-seven, and though married thirty-five years, they had no children. The prospect of raising a young girl daunted them.
Laura understood and bore no grudge against them. On the day in August when she left the Lance house in the company of a woman from the Orange County Child Welfare Agency, Laura kissed both Cora and Tom and assured them that she would be fine. Riding away in the social worker's car, she waved gaily, hoping they felt absolved.
Absolved. That word was a recent acquisition. Absolved: freed from the consequences of one's actions; to set free or release from some duty, obligation, or responsibility. She wished that she could grant herself absolution from the obligation to make her way in the world without the guidance of a loving father, absolution from the responsibility to live and carry on his memory.
From the Lances' house she was conveyed to a child shelter — the Mcllroy Home — an old, rambling, twenty-seven-room Victorian mansion built by a produce magnate in the days of Orange County's agricultural glory. Later it had been converted to a dormitory where children in public custody were housed temporarily between foster homes.
That institution was unlike any she had read about in fiction. For one thing, it lacked kindly nuns in flowing black habits.
And there was Willy Sheener.
Laura first noticed him shortly after arriving at the home, while a social worker, Mrs. Bowmaine, was showing her to the room she would share with — she had been told — the Ackerson twins and a girl named Tammy. Sheener was sweeping a tile-floored hallway with a pushbroom.
He was strong, wiry, pale, freckled, about thirty, with hair the color of a new copper penny and green eyes. He smiled and whistled softly while he worked. "How're you this morning, Mrs. Bowmaine?"
"Right as rain, Willy." She clearly liked Sheener. "This is Laura Shane, a new girl. Laura, this is Mr. Sheener."
Sheener stared at Laura with a creepy intensity. When he managed to speak, the words were thick, "Uhhh… welcome to Mcllroy."
Following the social worker, Laura glanced back at Sheener. With no one but Laura to see, he lowered one hand to his crotch and lazily massaged himself.
Laura did not look at him again.
Later, as she was unpacking her meager belongings, trying to make her quarter of the third-floor bedroom more like home, she turned and saw Sheener in the doorway. She was alone, for the other kids were at play in the backyard or the game room. His smile was different from the one with which he'd favored Mrs. Bowmaine: predatory, cold. Light from one of the two small windows fell across the doorway and met his eyes at such an angle as to make them appear silver instead of green, like the cataract-filmed eyes of a dead man.
Laura tried to speak but could not. She edged backward until she came up against the wall beside her bed.
He stood with his arms at his sides, motionless, hands fisted.
The Mcllroy Home was not air conditioned. The bedroom windows were open, but the place was tropically hot. Yet Laura had not been sweating until she turned and saw Sheener. Now her T-shirt was damp.
Outside, children at play shouted and laughed. They were nearby, but they sounded far away.
The hard, rhythmic rasp of Sheener's breathing seemed to grow louder, gradually drowning out the voices of the children.
For a long time neither of them moved or spoke. Then abruptly he turned and walked away.
Weak-kneed, sweat-soaked, Laura moved to her bed and sat on the edge of it. The mushy mattress sagged, and the springs creaked.
As her thudding heartbeat deaccelerated, she surveyed the gray-walled room and despaired of her circumstances. In the four corners were narrow, iron-framed beds with tattered chenille spreads and lumpy pillows. Each bed had a battered, Formica-topped nightstand, and on each was a metal reading lamp. The scarred dresser had eight drawers, two of which were hers. There were two closets, and she was allotted half of one. The ancient curtains were faded, stained; they hung limp and greasy from rust-spotted rods. The entire house was moldering and haunted; the air had a vaguely unpleasant odor; and Willy Sheener roamed the rooms and halls as if he were a malevolent spirit waiting for the full moon and the blood games attendant thereon.
That night after dinner the Ackerson twins closed the door to the room and encouraged Laura to join them on the threadbare maroon carpet where they could sit in a circle and share secrets.
Their other roomie — a strange, quiet, frail blonde named Tammy — had no interest in joining them. Propped up by pillows, she sat in bed and read a book, nibbling her nails continuously, mouselike.