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Roger Curtis

LIGHTS IN A WESTERN SKY

For my grandsons Elias and Finley

in their later years

A staircase spiralling Through generations Chimney-like In brick and stone But measured in time In its wall, vertically Apertures, permitting Glimpses Of emanations From men and their affairs Lifting from the earth Becoming Lights in a western sky

PREFACE

The twenty stories presented here are from the same stable that produced Murchison’s Fragment, a collection of short plays on the theme of trial and tribulation, with most having a twist at the end or an unexpected denouement. If they contain a message at all it is of the frailty and waywardness of the human condition, where what we do is seldom determined by a clear concept of good and evil but instead is influenced by the situations in which we find ourselves and the people that we encounter.

Most of the stories are original and unpublished, but four of them were precursors of plays in the above collection – three under different titles – and appear here because, in the author’s opinion, they sit more comfortably in the present format. They are: Snow in Winter (The Pagoda), Chemosit (Murchison’s Fragment), Johnny’s Ride to Town (same title) and Judas Thomas (The Gospel of Judas Thomas). Notes accompanying the plays are to be found in Murchison’s Fragment.

Three of the stories included here are based upon events surrounding the last days of the biblical Jesus. To those adhering strictly to the authenticity of the New Testament stories they may not be appealing. But for others uncomfortable with supernatural explanations for the miracles and the resurrection of Jesus they are attempts to show that rational explanations are possible, though no claim is made that they are more than illustrative. Since some background information is necessary for their full appreciation additional material is given in an appendix to the main text.

Although some of the stories may owe their origin to situations or incidents experienced or observed by the author, all characters are treated fictitiously. With the exception of brief mentions of publicly known figures no characters are identifiable with real individuals, living or dead. Similarly, existing or pre-existing places and locations mentioned in the text are treated fictitiously.

THE PHYSIC GARDEN

It was a rare Sunday in June, in the year 1781. The oppressive heat of the previous day had carried over into the bright morning and brought forth an abundance of winged life to populate an air already thick with heady perfume. Clutching his stick, and with Rosa, his nurse, supporting his elbow, Dr Pentarius steadied himself at the entrance to the garden and raised the trembling fingers of his free hand to halt their progress. He stood framed within the arch of box, staring and still, allowing the garden to play with his damaged senses.

‘I told you summer had come,’ Rosa said, squeezing his arm. ‘You didn’t believe me did you?’

Dr Pentarius smiled, dimly remembering her promise.

They followed the gravel path to a point where the vegetation grew highest, forming a bower from within which neither the house nor noises from the Thames – in fact no other trace of human activity besides the creation that was the garden itself – could be perceived. Grasping Rosa’s arm, Dr Pentarius lowered himself into his cushioned wooden chair. His eyes followed the path leading across to the fountain and became fixed upon its bright and convulsing column.

‘Call me if you need me,’ Rosa said, picking up a little bell lying on the table and shaking it close to his face. ‘I will bring your drink and a pastry at ten.’ Then she added, ‘Amelia is coming today – you’ll like that, won’t you?’

Dr Pentarius’ eyes widened at the mention of the five-year-old child who now came often to play in his garden. ‘Yes,’ he replied, incorporating her image into the tapestry of floral colour, buzzing insects and sparkling water spread out before him.

On another summer morning six years earlier, the garden – or, rather, what was to be a garden within a garden – still existed only in Dr Pentarius’ imagination and on scribbled plans scattered amongst his papers.

Seen from the river, the house on Mortlake Terrace stood back, square and regular, behind iron railings. Its fashionable symmetry had become softened by the twenty-year-old birches planted on the very day that the newly crowned George III married Charlotte-Sophia. The greensward in their shade swept around the side of the house, encompassing a miscellany of younger growths, fresh and bright in the sunlight.

There was a familiar commotion around the steps leading down to the water’s edge. There, a decorated barge, pennants flying, lay ready to depart on the high tide. Oars waved aloft were challenged by antenna-like poles, their bearers barely visible beyond the parapet.

From the window of his study beside the front door, Dr Pentarius observed this activity as an entomologist might scrutinise the waving appendages of a captured insect. He noted with satisfaction the tall and handsome figure of Charles, third son of Lord Somerset, looking on impassively while the bulky figure of his mother – Pentarius’ patient – was coaxed into the barge. A little apart now, Margaret, his comely daughter, stood deep in thought. Minutes earlier he had watched the young man’s hand hover within an inch of her waist, battling against its owner’s better judgement, while she had turned her head away, demurely, flushing pink. With a third son Dr Pentarius considered that his own indeterminate status and his daughter’s youthful beauty might yet render a social barrier surmountable.

On top of that, it seemed that at last Lady Somerset’s acne was improving; and goodwill, too, was important in the equation. On this occasion he had prepared the tinctures with his own hand, releasing Margaret from the routine chore in the dispensary. The thought prompted him to wander into the adjoining room, where the walls were fronted by row upon row of jars and bottles, tidily arranged, their labels mostly in Margaret’s neat hand. On the central table an array of blocks, mortars, pestles and flasks flecked and smeared with diverse plant residues emitted a complex bouquet which Dr Pentarius sniffed as he might a rare and cherished wine.

Margaret had followed him, unnoticed, and now stood at his elbow. He turned and they exchanged wry smiles. But the implications of their complicity were for the future. Just now there were more immediate matters to attend to.

Side by side they looked out into the garden beside the house. The bare earth square of twenty-five paces might have been the foundations of a new building, were it not for the lines of tiny box plants marking its margin. Within its confines, Kingsland, the gardener, was raking the earth of beds whose irregularity contrasted with the geometric precision of the perimeter. Towards the far side a ragged hole suggested a pond under construction; nearer, a raised circle of bricks and mortar anticipated a statue or sundial. Only the previous day, from this same position, Margaret had been amused to see her father standing motionless on this very pedestal, eyes skyward, one hand clutching a herbal to his chest, the other grasping a lapel.

‘It was fortuitous, Margaret, that with the appointment of Forsyth as Gardener, the Chelsea Physic Garden adopted a more liberal approach to the release of plants.’