I regarded her steadily. "I work for lots of different kinds of people," I said. I turned to go, and this time Mookie Preston didn't detain me.
As I was assembling cheese, crackers, and fruit for a quick lunch in my own—thank God, spotless and silent—kitchen, the doorbell rang. I glanced out my living room window before answering the door. A pink van was parked in my driveway, with FANCY FLOWERS painted on the side.
It was surely the first time that particular vehicle had been to my place.
I opened the door, ready to tell the delivery person that she needed the apartment building next door, and the perky young woman on my doorstep said, "Miss Bard?"
"Yes?"
"These are for you."
"These" were a beautiful arrangement of pink roses, baby's breath, greenery, and white carnations.
"Are you sure?" I said doubtfully.
" ‘Lily Bard, Ten Track Street,' " the woman read from the back of the envelope, her smile fading a bit.
"Thank you." I took the bowl and turned away, shutting the door behind me with one foot. I hadn't gotten flowers in... well, I just couldn't remember. Carefully, I set the bowl on my kitchen table and pulled the gift envelope out of the pronged plastic holder. I noticed it had been licked and shut rather carefully, and after I extracted the card and read it I appreciated the discretion. "I miss you. Claude," it read, in a slanted, sprawling hand.
I searched inside myself for a reaction and found I had no idea how to feel. I touched a pink rose with one fingertip. Though I wear plastic gloves when I work, my hands still get rough, and I was anxious I would damage the delicate smoothness of the flower. Next I touched a white ball of baby's breath. I slowly positioned the bowl in the exact middle of the table, and reached up a hand to wipe my cheeks.
I fought an impulse to call the florist and send some flowers right back to him, to show him how he'd touched me. But Claude wanted this to be a purely masculine gesture, and I would let it be.
When I left to bring order into the Winthrops' chaos, I could feel a faint smile on my face.
Luck continued with me—up to a point—that afternoon. Since the weather was clear, I parked in front of the Winthrop house on the street. I only used the garage when it was snowing or raining, because my car had an apparently incurable oil leak and I didn't want to spot the immaculate Winthrop garage floor. I'd driven by the garage, which opened onto a side street, and seen it was empty. Good. None of the Winthrops were home.
Beanie, a lean, attractive woman somewhere in her mid-forties, was likely to be playing tennis or doing volunteer work. Howell Winthrop, Jr., would be at Winthrop Sporting Goods or Winthrop Lumber and Home Supply, or even at Winthrop Oil. Amber Jean and Howell Three (that was what the family called him) were in junior high and high school. Bobo was at work at Body Time, or attending classes in the U of A extension thirty-five minutes away in Montrose. Though the Winthrops were very wealthy, no Winthrop child would consider going anywhere but the University of Arkansas, and my only surprise was that Bobo was going to the Montrose campus rather than the mother ship up north in Fayetteville. The razorback hog, symbol of the University of Arkansas, featured prominently in the Winthrops' design scheme.
On Fridays, I dusted, mopped, and vacuumed. I'd already done the laundry, ironing, and bathrooms on my first visit of the week on Tuesday morning. The Winthrop kids had gotten pretty good about washing any clothing item they just had to have between my visits, but they'd never learn to pick up their rooms properly. Beanie was pretty neat with her things, and Howell wasn't home enough to make a mess.
I paused in my dusting to examine the portrait of Beanie and Howell Jr. that had been their most recent anniversary present to each other. I could count on the fingers of one hand the number of times I'd seen Howell at home during the three years I'd worked for the family. He was balding, pleasantly good-looking, and perhaps twenty pounds overweight. The artist had concealed that nicely. Howell was the same age as his wife, but not working quite as hard at concealing it. He spent a lot of time at the even more impressive home of his parents, Howell Sr. and Arnita, the uncrowned king and queen of Shakespeare. Howell Sr., though nominally retired, still had a say in every Winthrop enterprise, and the Seniors still led a very active role in the social and political life of the town. They had a full-time black housemaid, Callie Gandy.
As if thinking of Howell Jr. had conjured him up, I heard a key in the lock and he came in from the carport. Following behind him was the man who'd been out walking last night.
Now that I saw him in the daylight, I was sure he was also the man who'd been working out with Darcy Orchard the day Raphael had left Body Time.
The two men were each carrying a long, heavy black bag with a shoulder strap.
Howell stopped in his tracks. His face reddened, and he was obviously flustered.
"I'm sorry to disturb you at your work," he said. "I didn't see your car."
"I parked in front." Howell must have pulled into the garage from the side street.
"We won't get in your way," he said.
My eyes narrowed. "Okay," I said cautiously. It was his house.
I looked past Howell at his companion. I was close enough to see his eyes. They were hazel. He was wearing a poly-filled vest, deep green, with a Winthrop Sporting Goods sweatshirt under it. The Winthrop sweats and tees, worn by all employees, were dark red with gold and white lettering. The man was eyeing me as intently as I was looking at him.
He didn't look like I would expect a friend of Howell's to look. This man was far too dangerous. I recognized that, but I also knew that I was not afraid of him. I nearly forgot Howell was there until he cleared his throat, said, "Well, we'll be ..." and walked into the living room to cross to his study. With a backward glance, the man in the red sweatshirt followed him, and the study door closed behind him. I was left to finish dusting the living room and bedroom, all the while trying to figure out what was going on. It crossed my mind that Howell might be gay, but when I recalled Black Pony-tail's eyes, I jettisoned the idea.
I had to cross the living room one more time, and I saw that the door to Howell's study was still shut. At least, I thought with obscure relief, I'd already dusted and vacuumed Howell's study. It was one of my favorite rooms in the house. Its walls were paneled, with bookcases galore. A leather chair was flanked by a reading lamp, Ducks Unlimited prints were hanging on the walls, and a very important-looking desk that was hell to polish stood before the bay window with its window seat.
I didn't want to look nosy, so I worked hard and fast trying to finish and get out of there before they emerged, but I didn't make it. The study door opened and out they came, just as I was mopping the kitchen. They were empty-handed.
Howell and the stranger stood in the middle of the floor making footprints I'd have to mop over. I was wearing yellow plastic gloves, my nose was surely shiny, and I was wearing my oldest jeans and an equally ancient T-shirt. All I wanted was for them to leave, and all Howell wanted was to obscure the oddity of the situation by making conversation.
"I hear you're the one who found poor Del?" Howell was asking sympathetically.
"Yes."
"You're going with Marshall Sedaka, I hear? You have a key to Body Time?"
"No," I said firmly, without being sure which question I was answering. "I opened that morning for Marshall as a favor. He was sick."
"My son admires you a great deal. He mentions you often."