Becca emerged from the bathroom wrapped in a robe. Even fresh from the shower, she was groomed.
"Lily," she said, surprised to see me. "When did you get here?"
"About ten minutes ago," I said.
"You should have called me," Becca told Anthony, punching him in the shoulder. "I could have hurried."
I waited for her to work her way around to the reason she'd wanted me to come over. She had arranged for the bank to send me a check for the building maintenance, and she assured me the checks would keep arriving until she returned to town and rescinded the order. She'd arranged for the utilities to be paid by automatic withdrawal, and she'd included extra in my check to pay for unexpected repairs.
Then I noticed that Anthony Whitley was looking at me a little too long, making more of a response to everything I said than it was worth. Could Becca have asked me to come over because her brother had an attraction to me? Could that have been the reason for her prolonged stay in the bathroom? The idea made me very uneasy. Some women enjoy all the male attention shown them. I am not one of those women.
I gradually worked my way out of the conversation and closer to the door. I had it half-open when Becca asked me if I had the tapes from Deedra's apartment. I nodded, and kept right on inching out of the apartment.
"If you come across a tape I'm in, would you please let me know?" Becca asked.
I stared at her, thinking of the kind of home movies Deedra had made. "Sure," I said. "But I've almost finished looking at them, and you weren't in a one. Remember, I had to go through them for Marlon?"
Becca looked puzzled. "That's funny. I borrowed Deedra's camera to tape myself doing the first five katas so I could see what I was doing wrong. When I returned it, I'm afraid I left the tape in the camera. I wondered if it was up there."
She looked so sincere. I was perplexed. Was she covering up in front of her brother, not wanting to say that she and Deedra had engaged in some girl-girl activities? Or was she serious about filming her katas so she could improve her form?
"The sheriff opened the camera and it was empty. If I come across a tape featuring you, I'll bring it over," I told her, covering all the bases. That made a good closing line, so I shut the door and turned to leave the building. I glanced down at my watch. I would be late for my next appointment if I didn't hurry.
When I looked up, there was a large, angry man standing in my way.
Jerrell Knopp looked twice as big and three times as mean when he was angry, and he was very, very upset.
"Lily, why you stickin‘ your nose in somebody's business?" he asked furiously.
I shook my head. This was my day for confusion. What could I have done to Jerrell?
"You gone and told the police about that day I fought with Deedra, that day the boy wrote on her car."
"I did no such thing," I said promptly.
Jerrell didn't expect that. He looked at me suspiciously.
"You shittin‘ me, girl?" He'd certainly taken off the polite face he wore around his wife.
"I would never," I told him.
"Someone told the police that I fought with Deedra. Would you consider that morning as fighting? I told her a few home truths that she needed to hear from someone, sure enough, but as far as fighting... hell, no!"
That was true enough. He'd told his stepdaughter quite bluntly that she needed to keep her pants on, and she especially needed to be discreet if she was sleeping with a man of another color. He'd also, if I was remembering correctly, told her she was nothing but a whore who didn't get paid.
"I didn't tell anyone about that morning," I repeated.
"Then how come the police know about it? And why the hell did Lacey just pack my bag and tell me to go to a motel?" Jerrell's face, rugged and aging and handsome, crinkled in baffled anger.
The sheriff's department could only have found out from someone else who'd been in the apartment building at the time the quarrel had occurred. My money would be on Becca. Voices had been raised, and she lived right below Deedra. But I had my own idea about why Lacey had told Jerrell to move out. "Maybe Lacey'd heard that you slept with Deedra before you started dating her," I suggested. This was strictly a stab in the dark, but it looked like I'd hit an artery. Jerrell went white. I saw him sway as if I'd struck him. If he got any shakier, I'd have to grab hold of him so he wouldn't fall, and I didn't want to do that. I just plain didn't like Jerrell Knopp, any more than he liked me.
"Who's been saying that?" he asked me, in a choked voice that made me more worried about him than I wanted to be.
I shrugged. While he was thinking of more words, I was walking away.
I was sure he wouldn't follow me, and I was right.
There was a message on my answering machine when I returned home about five o'clock. Jump Farraclough, Claude's second-in-command, wanted me to come to the police station to sign my statement about the night I'd pulled Joe C from his house, and he wanted to ask me a few more questions. I'd forgotten all about signing the statement; too much had happened. I replayed the message, trying to read Jump's voice. Did he sound hostile? Did he sound suspicious?
I was reluctant to go to the police station. I wanted to erase the traces of Deedra Dean from my life, I wanted to think about Jack coming to live with me, I wanted to read or work out—anything, rather than answer questions. I performed a series of unnecessary little tasks to postpone answering Jump's summons.
But you don't ignore something you're told to do by the police, at least if you want to keep living and working in a small town.
Shakespeare's police station was housed in a renovated ranch-style house right off Main Street. The old police station, a squat redbrick building right in front of the jail, had been condemned. While Shakespeareans balked over raising the money to build a new station, the town police were stuck in this clumsily converted house about a block from the courthouse. This particular house had formerly been the perquisite of the jailer, since it backed onto the jail.
I came in quietly and peered over the counter to the left. The door to Claude's office was closed and the window in it was dark, so Claude hadn't yet come back to work, or maybe he'd left early. I didn't like that at all.
An officer I didn't know was on desk duty. She was a narrow-faced blonde with crooked teeth and down-slanting, tobacco-colored eyes. After taking my name, she sauntered to the partitioned rear of the big central room. Then she sauntered back, waving a hand to tell me I should come behind the counter.
Jump Farraclough was waiting in his own cubbyhole, marked out with gray carpeted panels, and the fire chief was with him. Frank Parrish looked better than he had the last time I'd seen him in his working clothes, sweating in their heat and streaked with smoke from Joe C's fire, but he didn't seem any happier. In fact, he looked downright uncomfortable.
I reminded myself there were other people in the building, while at the same time I made fun of myself for the sense of relief that gave me. Did I seriously fear harm from the assistant police chief and the fire chief? I told myself that was ridiculous.
And it might be. But I'd never feel comfortable in any kind of isolated situation with men. A glance out the window told me the sun was setting.
Jump indicated an uncomfortable straight-back chair opposite his desk. Frank Parrish was sitting to Jump's left.