'That patron,' she was vehemently proceeding, when he checked her.
'Names! Call him Mr Frederick Dorrit. No more evasions.'
'That Frederick Dorrit was the beginning of it all. If he had not been a player of music, and had not kept, in those days of his youth and prosperity, an idle house where singers, and players, and such-like children of Evil turned their backs on the Light and their faces to the Darkness, she might have remained in her lowly station, and might not have been raised out of it to be cast down. But, no. Satan entered into that Frederick Dorrit, and counselled him that he was a man of innocent and laudable tastes who did kind actions, and that here was a poor girl with a voice for singing music with. Then he is to have her taught. Then Arthur's father, who has all along been secretly pining in the ways of virtuous ruggedness for those accursed snares which are called the Arts, becomes acquainted with her. And so, a graceless orphan, training to be a singing girl, carries it, by that Frederick Dorrit's agency, against me, and I am humbled and deceived!—Not I, that is to say,' she added quickly, as colour flushed into her face; 'a greater than I. What am I?'
Jeremiah Flintwinch, who had been gradually screwing himself towards her, and who was now very near her elbow without her knowing it, made a specially wry face of objection when she said these words, and moreover twitched his gaiters, as if such pretensions were equivalent to little barbs in his legs.
'Lastly,' she continued, 'for I am at the end of these things, and I will say no more of them, and you shall say no more of them, and all that remains will be to determine whether the knowledge of them can be kept among us who are here present; lastly, when I suppressed that paper, with the knowledge of Arthur's father—'
'But not with his consent, you know,' said Mr Flintwinch.
'Who said with his consent?' She started to find Jeremiah so near her, and drew back her head, looking at him with some rising distrust. 'You were often enough between us when he would have had me produce it and I would not, to have contradicted me if I had said, with his consent. I say, when I suppressed that paper, I made no effort to destroy it, but kept it by me, here in this house, many years. The rest of the Gilbert property being left to Arthur's father, I could at any time, without unsettling more than the two sums, have made a pretence of finding it. But, besides that I must have supported such pretence by a direct falsehood (a great responsibility), I have seen no new reason, in all the time I have been tried here, to bring it to light. It was a rewarding of sin; the wrong result of a delusion. I did what I was appointed to do, and I have undergone, within these four walls, what I was appointed to undergo. When the paper was at last destroyed—as I thought—in my presence, she had long been dead, and her patron, Frederick Dorrit, had long been deservedly ruined and imbecile. He had no daughter. I had found the niece before then; and what I did for her, was better for her far than the money of which she would have had no good.' She added, after a moment, as though she addressed the watch: 'She herself was innocent, and I might not have forgotten to relinquish it to her at my death:' and sat looking at it.
'Shall I recall something to you, worthy madame?' said Rigaud. 'The little paper was in this house on the night when our friend the prisoner—jail-comrade of my soul—came home from foreign countries. Shall I recall yet something more to you? The little singing-bird that never was fledged, was long kept in a cage by a guardian of your appointing, well enough known to our old intriguer here. Shall we coax our old intriguer to tell us when he saw him last?'
'I'll tell you!' cried Affery, unstopping her mouth. 'I dreamed it, first of all my dreams. Jeremiah, if you come a-nigh me now, I'll scream to be heard at St Paul's! The person as this man has spoken of, was jeremiah's own twin brother; and he was here in the dead of the night, on the night when Arthur come home, and Jeremiah with his own hands give him this paper, along with I don't know what more, and he took it away in an iron box—Help! Murder! Save me from Jere-mi-ah!'
Mr Flintwinch had made a run at her, but Rigaud had caught him in his arms midway. After a moment's wrestle with him, Flintwinch gave up, and put his hands in his pockets.
'What!' cried Rigaud, rallying him as he poked and jerked him back with his elbows, 'assault a lady with such a genius for dreaming! Ha, ha, ha! Why, she'll be a fortune to you as an exhibition. All that she dreams comes true. Ha, ha, ha! You're so like him, Little Flintwinch. So like him, as I knew him (when I first spoke English for him to the host) in the Cabaret of the Three Billiard Tables, in the little street of the high roofs, by the wharf at Antwerp! Ah, but he was a brave boy to drink. Ah, but he was a brave boy to smoke! Ah, but he lived in a sweet bachelor– apartment—furnished, on the fifth floor, above the wood and charcoal merchant's, and the dress-maker's, and the chair-maker's, and the maker of tubs—where I knew him too, and wherewith his cognac and tobacco, he had twelve sleeps a day and one fit, until he had a fit too much, and ascended to the skies. Ha, ha, ha! What does it matter how I took possession of the papers in his iron box? Perhaps he confided it to my hands for you, perhaps it was locked and my curiosity was piqued, perhaps I suppressed it. Ha, ha, ha! What does it matter, so that I have it safe? We are not particular here; hey, Flintwinch? We are not particular here; is it not so, madame?'
Retiring before him with vicious counter-jerks of his own elbows, Mr Flintwinch had got back into his corner, where he now stood with his hands in his pockets, taking breath, and returning Mrs Clennam's stare. 'Ha, ha, ha! But what's this?' cried Rigaud. 'It appears as if you don't know, one the other. Permit me, Madame Clennam who suppresses, to present Monsieur Flintwinch who intrigues.'
Mr Flintwinch, unpocketing one of his hands to scrape his jaw, advanced a step or so in that attitude, still returning Mrs Clennam's look, and thus addressed her:
'Now, I know what you mean by opening your eyes so wide at me, but you needn't take the trouble, because I don't care for it. I've been telling you for how many years that you're one of the most opinionated and obstinate of women. That's what YOU are. You call yourself humble and sinful, but you are the most Bumptious of your sex. That's what YOU are. I have told you, over and over again when we have had a tiff, that you wanted to make everything go down before you, but I wouldn't go down before you—that you wanted to swallow up everybody alive, but I wouldn't be swallowed up alive. Why didn't you destroy the paper when you first laid hands upon it?
I advised you to; but no, it's not your way to take advice. You must keep it forsooth. Perhaps you may carry it out at some other time, forsooth. As if I didn't know better than that! I think I see your pride carrying it out, with a chance of being suspected of having kept it by you. But that's the way you cheat yourself. just as you cheat yourself into making out that you didn't do all this business because you were a rigorous woman, all slight, and spite, and power, and unforgiveness, but because you were a servant and a minister, and were appointed to do it. Who are you, that you should be appointed to do it? That may be your religion, but it's my gammon. And to tell you all the truth while I am about it,' said Mr Flintwinch, crossing his arms, and becoming the express image of irascible doggedness, 'I have been rasped—rasped these forty years—by your taking such high ground even with me, who knows better; the effect of it being coolly to put me on low ground. I admire you very much; you are a woman of strong head and great talent; but the strongest head, and the greatest talent, can't rasp a man for forty years without making him sore. So I don't care for your present eyes. Now, I am coming to the paper, and mark what I say. You put it away somewhere, and you kept your own counsel where. You're an active woman at that time, and if you want to get that paper, you can get it. But, mark. There comes a time when you are struck into what you are now, and then if you want to get that paper, you can't get it. So it lies, long years, in its hiding-place. At last, when we are expecting Arthur home every day, and when any day may bring him home, and it's impossible to say what rummaging he may make about the house, I recommend you five thousand times, if you can't get at it, to let me get at it, that it may be put in the fire. But no—no one but you knows where it is, and that's power; and, call yourself whatever humble names you will, I call you a female Lucifer in appetite for power! On a Sunday night, Arthur comes home. He has not been in this room ten minutes, when he speaks of his father's watch. You know very well that the Do Not Forget, at the time when his father sent that watch to you, could only mean, the rest of the story being then all dead and over, Do Not Forget the suppression. Make restitution! Arthur's ways have frightened you a bit, and the paper shall be burnt after all. So, before that jumping jade and Jezebel,' Mr Flintwinch grinned at his wife, 'has got you into bed, you at last tell me where you have put the paper, among the old ledgers in the cellars, where Arthur himself went prowling the very next morning. But it's not to be burnt on a Sunday night. No; you are strict, you are; we must wait over twelve o'clock, and get into Monday. Now, all this is a swallowing of me up alive that rasps me; so, feeling a little out of temper, and not being as strict as yourself, I take a look at the document before twelve o'clock to refresh my memory as to its appearance—fold up one of the many yellow old papers in the cellars like it—and afterwards, when we have got into Monday morning, and I have, by the light of your lamp, to walk from you, lying on that bed, to this grate, make a little exchange like the conjuror, and burn accordingly. My brother Ephraim, the lunatic-keeper (I wish he had had himself to keep in a strait-waistcoat), had had many jobs since the close of the long job he got from you, but had not done well. His wife died (not that that was much; mine might have died instead, and welcome), he speculated unsuccessfully in lunatics, he got into difficulty about over-roasting a patient to bring him to reason, and he got into debt. He was going out of the way, on what he had been able to scrape up, and a trifle from me. He was here that early Monday morning, waiting for the tide; in short, he was going to Antwerp, where (I am afraid you'll be shocked at my saying, And be damned to him!) he made the acquaintance of this gentleman. He had come a long way, and, I thought then, was only sleepy; but, I suppose now, was drunk. When Arthur's mother had been under the care of him and his wife, she had been always writing, incessantly writing,—mostly letters of confession to you, and Prayers for forgiveness. My brother had handed, from time to time, lots of these sheets to me. I thought I might as well keep them to myself as have them swallowed up alive too; so I kept them in a box, looking over them when I felt in the humour. Convinced that it was advisable to get the paper out of the place, with Arthur coming about it, I put it into this same box, and I locked the whole up with two locks, and I trusted it to my brother to take away and keep, till I should write about it. I did write about it, and never got an answer. I didn't know what to make of it, till this gentleman favoured us with his first visit. Of course, I began to suspect how it was, then; and I don't want his word for it now to understand how he gets his knowledge from my papers, and your paper, and my brother's cognac and tobacco talk (I wish he'd had to gag himself). Now, I have only one thing more to say, you hammer– headed woman, and that is, that I haven't altogether made up my mind whether I might, or might not, have ever given you any trouble about the codicil. I think not; and that I should have been quite satisfied with knowing I had got the better of you, and that I held the power over you. In the present state of circumstances, I have no more explanation to give you till this time to-morrow night. So you may as well,' said Mr Flintwinch, terminating his oration with a screw, 'keep your eyes open at somebody else, for it's no use keeping 'em open at me.'