If a psychiatrist had been present (and why the hell wasn’t she present?) to ask me who I was, undoubtedly I would have answered with my slightly manicured but still thick Russian accent, Doctor, I am Gary Gnu the Third, ruler of the Holy Gnuish Empire, author of the Holy Gnorah and commander of the Mighty Gnuish Imperial Army.
How do things come to such a pass?
In 1982, I decide that I can no longer be me. The name “Gary” is a fig leaf, and what I really am is a fucking Red Gerbil, a Commie. A year later the Soviets will shoot down Korean Air Lines flight 007, and the topical New York pop-radio station 95.5 WPLJ will play a parody of the hit song “Eye of the Tiger” by the important American rock band Survivor, only instead of “Eye of the Tiger” the song will be renamed “The Russians Are Liars.” (“As those Communist killers / try to sleep late at night …”)
And as awful as those lyrics are, I can’t stop singing them. In the shower beneath our amazing frosted window opening out on the Deepdale Gardens parking garage, in my father’s car on the way to SSSQ, both of us morning-moody and unfriendly, even beneath the slurs and swipes of my classmates. The Russians are liars, The Russians are liars, The Russians are liars.
The Soviet leadership are liars; that much I now understand. Latin Lenin in Moscow Square was not always on the up and up. Fine. But am I a liar? No, I am truthful most of the time. Except when one day after one Commie comment too many, I tell my fellow pupils that I wasn’t born in Russia at all. Yes, I just remembered it! It had all been a big misunderstanding! I was actually born in Berlin, right next to Flughafen Berlin-Schönefeld, surely you’ve heard of it.
So here I am, trying to convince Jewish children in a Hebrew school that I am actually a German.
And can’t these little bastards see that I love America more than anyone loves America? I am a ten-year-old Republican. I believe that taxes should only be levied on the poor, and the rest of Americans should be left alone. But how do I bridge that gap between being a Russian and being loved?
I start to write.
Papa’s space opera, The Planet of the Yids, is high on my mind when I open up a Square Deal Composition Notebook, 120 pages, Wide Ruled with Margin, and begin my first unpublished novel in English. It is called The Chalenge [sic]. On the first page “I give aknowlegments [sic] to the book Manseed [probably sic] in this issue of Isac [sic] Isimov [sic] Siance [sic] Fiction magazine. I also give thanks to the makers of Start [sic] Treck [sic].”
The book, much like this one, is dedicated “To Mom and Dad.”
The novel — well, at fifty-nine pages let’s call it a novella — concerns a “mistirious* race” which “began to search for a planet like Earth and they found one and called it Atlanta.”
Yes, Atlanta. We have recently heard from some fellow immigrants that the cost of living in Georgia’s largest city is much lower than New York’s, and one can even own a house and a swimming pool in the suburbs of that fast-growing metropolis for about the price of our garden apartment in Queens.
Opposite the celestial body that is Atlanta with its conservative politics and strong retail base shimmers an alien planet named Lopes, sometimes more correctly spelled as Lopez. “Lopes was a hot world. It was a wonder it didn’t explode … It also contained many parrots.” Somehow I have restrained myself from giving the steamy proto-Latinos of Planet Lopez a set of transistor radios to play at full blast, but I did endow them with three legs each.
There is also an evil, wisecracking scientist named, of course, Dr. Omar. “Hello,” Omar says, “I’m Dr. Omar it’s no pleasure meeting you, now if you mind zipping up that big whole in the middle of your face I can show you my discovery.”
Dr. Omar’s discovery is the “Chalenge Machine” that “perhaps will prove which race is the right one”: the Atlantans with their corporate tax breaks or the Lopezians with their parrots and weak academic records?
As I reread The Chalenge, I want to cry out to its ten-year-old author, Jesus Christ, why can’t you just doodle in the corner of your notebook, dream of Star Wars action figures, and play pick-up sticks with your friends? (Therein, I suppose, lies the answer: what friends?) Why at this young age does it have to already be a race war in outer space and one without the self-deprecating humor of Papa’s Planet of the Yids? What the hell are you talking about, you who have never met a Lopez or an Omar on the wild streets of Little Neck?
The hero of The Chalenge is a space fighter pilot named Flyboy, modeled after a kid who has just transferred into SSSQ, a kid so blond and handsome and retroussé-nosed it’s hard for some of us to believe he’s fully Jewish. Flyboy’s best friend is fellow pilot Saturn, and the love of his life is a fly girl named Iarda. Even at this early stage of my writing career, I realize the importance of a love triangle: “Flyboy smiled his best smile which the other two were jelous off. It of course was clear [Iarda] liked him best.”
“Oh no,” Iarda says. “Fourteen more ships from the other side.”
“Look,” says Saturn. “Twenty more ships in Atlanta battle formachions. Our kind.”
“It hit the electronic scanner shaft and all the scanners and other equipment apart.”
“Well how stupit can people get?” Flyboy wonders.
And then, once the space battle is complete, and our kind has won: “The fourth ship was bound to come. On Atlanta things were going wild.”
I write dutifully, excitedly, asthmatically. I get up every weekend morning even if the Lightman has kept me awake all night, the little pinpricks of light that form his hand spilling out of the cracks between closet door and jamb, reaching out for me, scared breathless on my foldout couch. Five years earlier I had written the novel Lenin and His Magical Goose for my grandmother Galya, who is now six years away from a horrible death back in Leningrad. But now I know to avoid anything even remotely Russian. My Flyboy is as Atlantan as apple pie. And his Iarda, while vaguely Israeli sounding (a reference to the Yordan, the River Jordan?), is also a hot, principled taxpayer who can blow a Lopez or a Rodriguez out of the sky as surely as Ronald Reagan will soon joke, “We begin bombing [the Soviet Union] in five minutes.” Bombing Grandma Galya back in Leningrad, he means, and the rest of us Russian liars.
I write because there is nothing as joyful as writing, even when the writing is twisted and full of hate, the self-hate that makes writing not only possible but necessary. I hate myself, I hate the people around me, but what I crave is the fulfillment of some ideal. Lenin didn’t work out; joining the Komsomol youth league didn’t work out; my family — Papa hits me; my religion — children hit me; but America/Atlanta is still full of power and force and rage, a power and force and rage I can fuel myself with until I feel myself zooming for the stars with Flyboy and Saturn and Iarda and Secretary of Defense Caspar Weinberger.
There is a teacher at school, a Ms. S, who has just transferred in to substitute for some Mrs. A — Z, and who herself won’t last long within the unique educational environment of SSSQ. Ms. S is as nice to me as the liberals’ son. She has, like almost all the women at the school, an enormous weight of spectacular Jewish hair and a small pretty mouth. On one of her first days on the job, Ms. S asks us all to bring in our favorite items in the world and to explain why they make us who we are. I bring in my latest toy, a dysfunctional Apollo rocket whose capsule pops off with the press of a lever (but only under certain atmospheric conditions, humidity must be below 54 percent), and explain that who I am is a combination of my father’s Planet of the Yids tales and the complicated stories in Isaac Asimov’s Science Fiction Magazine by the likes of Harlan Ellison and Dr. Asimov himself, and that I have even written my own novel. This passes largely unremarked as the latest batch of Star Wars X-Wing fighters and My Little Ponies are paraded around.