One way or another, despite DEPRAC’s best efforts, the black market for artifacts remained strong. And it seemed that, with the wretched Harold Mailer, I’d stumbled upon one of its main supply lines.
What to do about it, though? Whoever Mailer’s contacts were, it was likely the trail would lead to the criminal Winkman family. Flo had seen the mummified head in their possession, after all. If I could gain proof of the connection between the Winkmans and the theft of Sources from the furnaces, I would make a decent name for myself.
But that wasn’t my main priority. If it had been, I probably would just have nipped along to Scotland Yard, seen Inspector Barnes, and gotten him to do the work.
No, what I wanted, most particularly, was to retrieve the whispering skull.
You heard me right. I wanted the skull back. That wasn’t a statement I’d ever have expected to make.
In many ways, the ghost in the jar had been a thorn in my side for ages. When I’d first encountered it, upon joining Lockwood’s company, I’d reacted with instant horror and distaste; and these feelings only intensified when it began to speak to me. It was thoroughly, defiantly, exultantly reprehensible; in fact, if you wrote down the ten most unsavory character traits you could imagine, the skull possessed the nine worst on the list, and it only lacked the tenth because that one wasn’t quite bad enough. The ghost’s name was unknown, and much of its past a mystery, though since what little we knew of its pre-death career involved grave-robbing, black magic, and cold-blooded murder, that wasn’t altogether a shame. No one else could hear it speak, so the skull had formed a special bond with me. Since it had the language of a longshoreman and the morals of a weasel, I’d had to cope with constant psychic sarcasm and abuse, and also learned plenty of new words.
And yet, despite disliking it so much, I’d come to rely on that ghost.
At the basic level, it did help me, fairly often, when I was out at work. Its insights, no matter how fleeting, had saved me many times. It had pinpointed Emma Marchment’s ghost, for instance, just a day or two before, and perhaps stopped me from blundering straight into her clutches. And last night it had dropped a hint—a pretty belated one, admittedly—about the location of the Source in the Ealing Cannibal affair. This was supernatural assistance that other operatives didn’t have.
Which brought me to the wider point, the more profound reason why I hung around in Clerkenwell that day, hoping against hope that Harold Mailer wouldn’t betray me. The skull was a Type Three ghost, one that could communicate fully with the living, and that made it incredibly rare. And I was rare, too; I alone had the ability to hear it. With such a powerful artifact at my side, I was uniquely successful; the first person since Marissa Fittes to genuinely talk with ghosts. All my confidence, such as it was, stemmed from this simple fact. Without it? I was an ordinary agent once again—skilled, but unspectacular.
Like it or not, the whispering skull helped define me. It was part of who I was. And now some grubby criminals were trying to take it from me.
But I wasn’t going to lose it without a fight.
The Winkmans and their operation were formidable; I knew that from experience. But if I trailed them tonight and found their storehouse, they would discover I was formidable, too.
So I sat, drinking tea and dozing, while the sun went down beyond the houses. As dusk came, I put on my coat, tightened the straps of my rapier, and set off for St. James’s churchyard.
Don’t think I hadn’t cased the place earlier, by the way. It had been the first thing I’d done after Mailer had scampered. I’d headed up toward the church, through the old iron gates, and into the square of open ground, where a few lunchtime picnickers lingered in the cool spring sunlight. It was almost entirely grass, that old yard, still undulating and irregular from where the graves had been removed in the great purge many years before, and it was surrounded on all sides by buildings. St. James’s neoclassical facade loomed to the north; elsewhere were the backs of houses, high churchyard walls, and locked iron gates. One entrance opened onto Sekforde Street, and another onto Clerkenwell Green; these were connected by a simple concrete path. A second, smaller path ran from the church to a narrow alley in the south. Where the two paths crossed, roughly in the center of the churchyard, sat a single black wooden bench.
I’d walked past that bench a number of times, deep in thought. It was a curious choice for a meeting place, being both extremely exposed and actually—when you considered the churchyard overall—quite shut in. I didn’t mind being out in the open, but I did dislike the ring of walls all around.
What had Lockwood once told me about making sure that you always had a way out? Before engaging with any psychic phenomena, it’s vital to establish the terrain. Get a grip on the layout—particularly the exits and dead ends. Why? Because you’ve got to know how to vamoose if you lose control of the situation. I reckoned what applied to ghosts applied equally to crooked furnace workers.
I’d completed several circuits of that churchyard, making calculations, measuring distances, checking and rechecking till I was happy. When I’d finally headed for the café, I could have drawn the whole site from memory. Now, four hours later, I was ready to put my mental map to good use.
With the onset of dusk, the streets of Clerkenwell had emptied fast. The shops were closing, iron barriers were rattling down. Thanks to the sunny day, and the numerous ghost-lamps in the vicinity, a few pedestrians were still abroad, hastening to catch the final Tube trains. Some night-watch kids were already present. In St. James’s Church, wardens tolled the curfew bell.
The churchyard was unlit. Lamps burned at three of its gates, with the black space between them suspended like a hammock. There were lit windows, too, high up in the buildings, which cast scattered squares of brightness across the lawns. I entered from the Sekforde Street gate, which was farthest from the central bench, and swiftly found a dark spot near the wall, where my eyes could adjust to the complex patterns of the half-light.
Was he here?
The path beside me curved faint and pale across the grass like a shining rib bone, and by following it, I saw where it crossed the other one. Close by, I could just see the low black bench and, by frowning, squinting—yes—make out someone sitting there.
So he had come. Good. But was he alone?
I took my time surveying the churchyard, letting my eyes roam the featureless ground. Everything was silent, everything fine. I could see no one else between the bench and the surrounding walls.
Keeping off the path, avoiding the illuminated squares of spotlighted grass, I began walking slowly toward the bench. I kept my eyes fixed on the figure sitting there. It was Harold Mailer, all right; I recognized his raincoat and his narrow, spindly frame. He was sitting quietly, just waiting, staring at the ground.
My boots brushed through dark grass; soundlessly I moved toward him.
When still a ways off, I adjusted my approach so that I angled around behind him. Even from the back I could see how relaxed he was, his arms stretched out along the top of the bench, head slightly tilted, like a man taking a gentle doze.