Martinez hadn't even considered strapping on the curved ceremonial knife. The situation would be tense enough without that.
Marsden and Kazakov arrived, each wearing full dress. "My lady," Martinez said to the premiere, "please let Master Machinist Gawbyan know that we are about to inspect his department."
Kazakov made the call as Martinez led the procession to the machine shop, where Gawbyan, breathless because he'd rushed from the petty officers' mess just ahead of them, braced at the door.
Martinez gave the machine shop a thorough inspection, questioned the machinists on their work, and made note of carelessness in the matter of waste disposal. If the ship had to make a course change, cease acceleration, or otherwise go weightless, the trash would go all over the shop.
Gawbyan accepted the criticism with a grim set to his fleshy features that suggested that he was going to fall on one of his recruits like an avalanche the second Martinez was out of the room.
When the inspection was over, Martinez found that he'd taken up very little of his morning, and so he called a second inspection, this time of Missile Battery Two. This review lasted longer, with time spent examining missile loaders and watching damage control robots maneuver under the command of their operators. Despite the presence of officers and the stress of the inspection the mood of the crew was nearly cheerful, and Martinez couldn't help but compare it with the foreboding and terror that drenched the atmosphere during Fletcher's inspection two days earlier.
Seeing the sunny spirits among the crew, he felt a suspicion that they might be taking him too lightly. He wanted the crew to view him seriously; and if they weren't, he was prepared to become a complete bastard until they did. Intuition suggested, however, that this wasn't necessary. The holejumpers just seemed pleased to have him in charge.
He was a winner, after all. He'd masterminded both of the Fleet's victories over the Naxids. The crew understood a winner better than they understood whatever it was that Fletcher was.
Martinez found the inspections valuable. He realized this was the best and fastest way he had of finding out about his ship.
"I'd like to see the lieutenants after supper," Martinez told Kazakov as they left the battery. "We'll have an informal meeting in my dining room. Please arrange for a qualified warrant officer or cadet to take the watch."
"Yes, my lord."
"Feel free to move into your old quarters. I thank your hospitality, involuntary though it was."
She returned his smile. "Yes, my lord."
He went into his old office, opened the safe, removed its contents, and left the door of the safe open for Kazakov. He cast a farewell glance over the putti, hoping he would never see their sweet faces again, and then went into the captain's office-his office-and looked at the statues, still stolid and arrogant in their armor, and the display cabinets, and the murals of elegant figures writing in scrolls with quills or reading aloud from open scrolls to a rapt audience. Martinez opened his new safe, changed the combination, and put his papers in it along with Fletcher's book and the little statue of the woman dancing on the skull.
In the sleeping cabin he found a welcome change. The gruesome Narayanguru was gone, as was the pieta, the snarling beast, and the bathing woman. The blue-skinned flute player remained, though he'd been shifted to a brighter-lit area. Next to him a seascape showed a ground-effect vehicle thundering over a white-topped swell in a blast of spume. Over the dressing table was a landscape of snow-topped mountains standing over a village of shaggy Yormaks and their shaggier cattle.
Pride of place went to a dark old picture that showed mostly murky empty space. The composition was unusuaclass="underline" a sort of frame had been painted around the edges; or perhaps it was meant to be the proscenium of a stage, since a painted curtain rod stretched over the whole scene, with a painted red curtain pulled open to the right. Against the darkness on the left were the small figures of a young mother and the infant she had just taken from her cradle. The woman's dress, though hardly contemporary, nevertheless gave the impression of being comfortably middle-class. The infant wore red pajamas. Neither were paying much attention to the little cat that squatted next to a small open fire at the center of the picture. The cat bore a sullen expression and was looking at a red bowl, which had something in it that didn't seem to please him.
Martinez was struck by the contrast between the elaborate presentation, the painted frame and red curtain, with the ordinary domesticity of the scene. The red curtain, the red bowl, the red pajamas. The young mother's round face. The sulky cat with its ears pinned back. The odd little fire in the middle of the room, presumably on an earthen floor. Martinez kept looking at the picture while wondering why it seemed so worth looking at.
There was a movement in the corner of his eye, and he turned to see Perry in the door.
"Your dinner's ready, my lord," he said, "whenever you're ready."
"I'll eat now," Martinez said, and with a last glance at the painting made his way to the dining room, where he ate alone at Fletcher's grand table with its golden centerpiece and its long double row of empty places.
After dinner Martinez reported to Michi for a report on the status of the investigation. Kazakov was there already, still in full dress, sitting next to Xi, who looked even more rumpled and abstracted by comparison. Garcia arrived a few minutes later with a datapad and his notes.
Xi began with a report on the fingerprints found in Fletcher's office. "Most belonged to the captain," he said. "The rest were those of Marsden, the secretary, and the captain's servants Narbonne and Buckle, who had cleaned and tidied the room the previous day. Three prints belonged to Constable Garcia and were presumably left in the course of his investigation."
Xi's face screwed into an expression that probably intended to express wry amusement.
"Five stray prints belonged to me. And four prints, the fingers of the left hand, were found pressed under the rim of the desk top at the front of the desk." He made a movement with his hand, palm up, in the direction of Michi's desk to show how this could happen.
"The prints belonged to Lieutenant Prasad. Of course they could have been left at any time, since the servants wouldn't necessarily polish daily under the rim of the desk."
Or, Martinez couldn't help thinking, the prints could have been made when Chandra held onto the desk with her left hand while slamming Captain Fletcher's head into it with her right.
Michi betrayed no evidence that this idea might have occurred to her. "Make anything of the hair or fiber evidence?"
"I haven't had time, but it's not going to prove anything unless we already have a suspect."
Michi turned to Garcia.
"Any information on the movements of the crew?"
Garcia consulted his datapad, an unnecessary gesture considering the contents of his report.
"My lady, aside from the few on watch, most of the crew were asleep. Those on watch in Command vouch for each other. Of those in bed, the only people who admit moving at all say they were visiting the toilet."
"No reports of anyone moving outside the crew compartments? None at all?"
"No, my lady." Garcia's tongue flicked anxiously over his lips. "Of course, we only have their word for it, and that's all we're going to get…" He cleared his throat. "Unless we find an informant."
Michi's eyes hardened. She turned to Kazakov.
"Lieutenant?" she said.
Kazakov's tone was faintly apologetic. "It's the same situation with the lieutenants and warrant officers, my lady. Those on duty vouch for one another, and those asleep were-" Martinez saw the motion of Kazakov's shoulders that began a shrug, then saw her consciously suppress it. "-were asleep. I have no information that contradicts their stories."