“I told him your loins were clearly burning, and he should man up and make a move.”
“You did not!”
“I did. And if he doesn’t, then I suggest you jump
his
bones. My brother, in case you haven’t noticed, is kind of an idiot about these things.”
Cricket has left a new message for me in his window. It’s written in his usual black marker but with one addition—a crayon rubbing of my name, imprinted from the sidewalk corners on Dolores Street.
The sign reads: GO TO THE DANCE DOLORES
I am going to the dance.
“I heard about Calliope,” Norah says on Friday night. “Sixth place?”
I sigh. “Yep.” In her post-short-program interview, Calliope was quiet but poised. A professional. “I’m disappointed,” she said, “but I’m grateful to have another chance.”
“That’s a shame,” Norah says.
“It’s not over yet.” My voice is sharp. “She still has a shot.”
Norah gives me a wary look. “You think I don’t know that? Nothing is ever over.”
My family, Lindsey, and I are gathered around the television. Everyone is working on my Marie Antoinette gown. The last few decorative details are all that remain, and I appreciate the help as we wait for Calliope’s long program to begin.
The ladies’ short program was two nights ago. We saw the end from the beginning, in the moment the camera cut to Calliope’s first position. It was in her eyes and underneath her smile.
Fear.
The music started, and it was clear that something was wrong.
It happened so quickly.
Her most difficult sequences were in the beginning—they usually are, so that a skater has full strength to perform them—and the commentators were in a tizzy over her triple jump, which she hadn’t been landing in practice.
Calliope landed it, but she fell on the combination.
The expression on her face—only for a moment, she picked herself up instantly—was terrible. The commentators made pitying noises as she bravely skated to the other end of the rink, but our living room was silent. An entire season’s worth of training. For nothing.
And then she fell
again.
“It’s not all about talent,” the male commentator said. “It’s also about your head. She’s not been able to do what people have expected of her, and it’s taken its toll.”
“There’s no greater burden than potential,” the female commenter added.
But as if Calliope heard them, as if she said
enough,
determination grew in every twist of her muscles, every push of her skates. She nailed an extra jump and earned additional points. Her last two-thirds were solid. It’s not impossible for her to make the Olympic team, but she’ll need a flawless long program tonight.
“I can’t watch.” Andy sets down his corner of my Marie Antoinette dress. “What if she doesn’t medal? In Lola’s costume?”
This has been bothering me, too, but I don’t want to make Andy even more nervous, so I give him a shrug. “Then it won’t be my fault. I only made the outfit. She’s the one who has to skate in it.”
The rest of us abandon my dress as the camera cuts to her coach Petro Petrov, an older gentleman with white hair and a grizzled face. He’s talking with her at the edge of the rink. She’s nodding and nodding and nodding. The cameraman can’t get a good shot of her face, but . . . her costume looks
great.
I’m on TV! Sort of!
“You made that in one day?” Norah asks.
Nathan leans over and squeezes my arm. “It’s phenomenal. I’m so proud of you.”
Lindsey grins. “Maybe you should have made my dress.”
We went shopping earlier this week for the dance. I’m the one who found her dress. It’s simple—a flattering cut for her petite figure—and it’s the same shade of red as her Chuck Taylors. She and Charlie have decided to wear their matching shoes.
“You’re going to the dance?” Norah is surprised. “I thought you didn’t date.”
“I don’t,” Lindsey says. “Charlie is merely a friend.”
“A cute friend,” I say. “Whom she hangs out with on a regular basis.”
She smiles. “We’re keeping things casual. My educational agenda comes first.”
The commentators begin rehashing Calliope’s journey. About how it’s a shame someone with such
natural talent
always
chokes.
They criticize her constant switching of coaches and make a bold statement about a misguided strive for perfection. We boo the television. I feel sadness for her again, for having to live with such constant criticism. But also admiration, for continuing to strive. No wonder she’s built such a hard shell.
I’m yearning for the network to show her family, which they didn’t do AT ALL during the short program. Shouldn’t a twin be notable? I called him yesterday, because he’s still too shy to call me. He was understandably stressed, but I got him laughing. And then he was the one who encouraged me to invite Norah today.
“She’s family,” he said. “You should show encouragement whenever you can. People try harder when they know that someone cares about them.”
“Cricket Bell.” I smiled into my phone. “How did you get so wise?”
He laughed again. “Many, many hours of familial observation.”
As if the cameramen heard me . . . HIM. It’s him! Cricket is wearing a gray woolen coat with a striped scarf wrapped loosely around his neck. His hair is dusted with snow and his cheeks are pink; he must have just arrived at the arena. He is winter personified. He’s the most beautiful thing I’ve ever seen.
The camera cuts to Calliope, and I have to bite my tongue to keep from shouting at the television to go back to Cricket. Petro takes ones of Calliope’s clenched hands, shakes it gently, and then she glides onto the ice to the roar of thousands of spectators, cheering and waving banners. Everyone in my living room holds their breath as we wait for the first clear shot of her expression.
“And would you look at that,” the male commentator says. “Calliope Bell is here to fight!”
It’s in the fierceness of her eyes and the strength of her posture as she waits for her music to begin. Her skin is pale, her lips are red, and her dark hair is pulled into a sleek twist. She’s stunning and ferocious. The music starts, and she melts into the romance of it, and she
is
the song. Calliope
is
Juliet.
“Opening with a triple lutz/double toe,” the female says. “She fell on this at World’s last year . . .”
She lands it.
“And the triple salchow . . . watch how she leans, let’s see if she can get enough height to finish the rotation . . .”
She lands it.
The commentators drift into a mesmerized hush. Calliope isn’t just landing the jumps, she’s performing them. Her body ripples with intensity and emotion. I imagine young girls across America dreaming of becoming her someday like I once did. A gorgeous spiral sequence leads into a dazzling combination spin. And soon Calliope is punching her arms in triumph, and it’s over.
A flawless long program.
The camera pans across the celebrating crowd. It cuts to her family. The Bell parents are hugging and laughing and crying. And beside them, Calliope’s crazy-haired twin is whooping at the top of his lungs. My heart sings. The camera returns to Calliope, who hollers and fist-pumps the air.
No! Go back to her brother!
The commentators laugh. “Exquisite,” the man says. “Her positions, her extensions. There’s no one like Calliope Bell when she’s on fire.”