If Rachel was up here, she was back in the other room at the gable end. And she was here—I could feel her. I could feel my insides clench with the certainty that she was behind that other door. I went back to it. There was a padlock, this one new, with a new hasp. I listened. No sound from the room. Downstairs I could hear footsteps. I rammed the pry bar in under the hasp and wrenched the thing loose. The adrenaline was pumping, and I popped the whole thing off and ten feet across the attic floor with one lunge. There was saliva on my chin from holding the flashlight. I took the light in my hand and shoved into the room. It stunk. I swept the flashlight around. On an iron-frame bed with a gray blanket around her, half-raised, was Rachel Wallace, and she looked just awful. Her hair was a mess, and she had no make-up, and her eyes were swollen. I reversed the flashlight and shone it on my face.
“It’s Spenser,” I said.
“Oh, my God,” she said. Her voice was hoarse.
The lights went on suddenly. There must have been a downstairs switch, and I’d missed it. The whole attic was bright. I snicked off the flashlight and put it in my pocket and took out my gun and said, “Get under the bed.”
Rachel rolled onto the floor and under the bed. Her feet were bare. I heard footsteps coming up the stairs, and then they stopped. They’d spotted the ruptured door. It sounded like three sets of footsteps. I looked up. The light in this room came from a bare bulb that hung from a zinc fixture in the ceiling. I reached up with the pry bar and smashed the bulb. The room was dark except for the light from beyond the door.
Outside, a woman’s voice said, “Who is in there?” It was an old voice but not quavery and not weak. I didn’t say anything. Rachel made no sound.
The voice said, “You are in trespass in there. I want you out. There are two armed men out here. You have no chance.”
I got down on the floor and snaked along toward the door. In the light at the head of the stairs was Mingo with a double-barreled shotgun and English with an automatic pistol. Between them and slightly forward was a woman who looked like a man, and an ugly, mean man at that. She was maybe five eight and heavy, with a square massive face and short gray hair. Her eyebrows came straight across with almost no arch and met over the bridge of her nose. They were black.
“Give yourself up,” she said. There was no uncertainty in her voice and certainly no fear. She was used to people doing what she said.
From the dark I said, “It’s over, Momma. People know I’m here. They know I was looking for Rachel Wallace. And I found her. Throw down the weapons, and I’ll bring her out and take her home. Then I’ll call the cops. You’ll have that much time to run.”
“Run?” Momma said. “We want you out of there and we’ll have you out now. You and that atrocious queer.” Mingo had brought the shotgun to the ready and was looking into the room.
I said “Last chance,” and rolled right, over once, and came up with my gun raised and steadied with my left hand. Mingo fired one barrel toward where I had been, and I shot him under the right eye. He fell backwards down the stairs. English began to shoot into the room—vaguely, I guess in the direction of my muzzle flash, but panicky and without much time to aim. He squeezed off four rounds into the dark room and I shot him, twice, carefully. One bullet caught him in the forehead and the second in the throat. He made no sound and fell forward. He was probably dead before he landed. I saw Momma start to bend, and I thought she might keel over, but then I realized she was going for the gun, and I lunged to my feet and jumped three jumps and kicked it away from her, and yanked her to her feet by the back of her collar. There was a little bubble of saliva at the corner of her mouth, and she began to gouge at my eyes with her fingers. I held her at arm’s length—my arms were longer than hers—and looked down at Mingo in a tangle at the foot of the stairs. He was dead. He had the look. You see it enough, you know.
I said, “Mrs. English, they’re dead. Both of them. Your son is dead.”
She spat at me and dug her fingernails into my wrist and tried to bite my arm. I said, “Mrs. English, I’m going to hit you.”
She bit my arm. It didn’t hurt, because she was trying to bite through my coat, but it made me mad. I put my gun away, and I slapped her hard across the face. She began to scream at me. No words, just scream and claw and bite and I hit her with my right fist, hard. She fell down and began to snivel, her face buried in her son’s dead back. I picked up English’s gun and stuck it in my pocket and went down the stairs and got Mingo’s shotgun and jacked the remaining shell out and put that in my pocket and went back up the stairs.
Rachel was standing in the doorway of the room, looking at the carnage and squinting in the light. She had the gray blanket wrapped around her and held with both hands closed at the neck.
I walked over to her and said, “Okay, Jane Eyre, I got you.”
Tears began to run down her face, and I put my arms around her, and she cried. And I cried. In between crying I said, “I got you. I got you.”
She didn’t say anything.
30
The first cops to show were cruiser people—three cars’ worth despite the snow emergency—and one of them was, Foley, the young cop with the ribbons and the wise-guy face. They came up the attic stairs with guns drawn, directed by the frightened maid who’d called them. He was first. He knew who Rachel was the first look he took. “Son of a bitch,” he said. “You found her.” His partner with the belly squatted down beside English and felt his neck. Then he and another prowlie half-lifted, half-helped Momma English off her son’s body. While the prowlie held her, the pot-bellied cop got down on his hands and knees and listened to English’s chest. He looked at the young cop and shook his head.
“Gonzo,” he said. “So’s the horse at the bottom.” He nodded at Mingo, still sprawled at the foot of the attic stairs. They must have had to climb over him. “Two in the head,” he said. He stood up and looked at me. I still had my arms around Rachel. “What the hell you crying for?” he said. “Think how these guys feel.”
Foley spun around. “Shut up,” he said. “I know why he’s crying. You don’t. Close your fucking mouth up.”
The older cop shook his head and didn’t say anything.
Foley said to me, “You ace these two guys?”
I nodded.
Foley said, “Chief will want to talk with you about all this. Her, too.”
“Not now,” I said, “now I’m taking her home.”
Foley looked at me for maybe thirty seconds. “Yeah,” he said. “Take her out of here.”
The cop with the belly said, “For crissake, the chief will fry our ass. This clown blasts two guys, one of them Lawrence English, and he walks while we stand around. Foley, we got two stiffs here.”
I said to Foley, “I need a ride.”
He nodded. “Come on.”
His partner said, “Foley, are you fucking crazy?”
Foley put his face close to the older cop’s face. “Benny,” he said, “you’re okay. You’re not a bad cop. But you don’t know how to act, and you’re too old to learn.”
“Chief will have your badge for this and mine for letting you do it.”
Foley said, “Ain’t your fault, Benny. You couldn’t stop me.”
Mom English said, “If you let that murderer escape and allow that corrupt degenerate to go with him, I’ll have every one of your badges.”
There were four other cops besides Foley and Benny. One of them had gone downstairs to call in. One was supporting Mrs. English. The other two stood uncertainly. One of them had his gun out, although it hung at his side and he’d probably forgotten he had it in his hand.