, 14, and Fernández Cifuentes, 98.
“simple, entertaining”:
Pedro Salinas / Jorge Guillén, 124.
“the struggle between” and “a compendium”:
La Nación
(Buenos Aires), November 30, 1933, 11, in OC, III, 472–73.
Xirgu closes
Shoemaker’s Wife:
See
G, II
, 131, and María Francisca Vilches de Frutos and Dru Dougherty,
Los estrenos teatrales de Federico García Lorca
[1920–45] (Madrid: Tabapress, Fundación Federico García Lorca], 1992, 65.
“I don’t know”:
Salvador Dalí escribe a Federico García Lorca
, 95. For FGL’s response see Ontañón and Moreiro,
Unos pocos amigos
, 158.
17. Republic: 1931
“republic based on national sovereignty”:
Díaz-Plaja, 180.
“writers and artists … republic”:
El Sol
(Madrid), February 10, 1931, in Díaz-Plaja, 197–98.
“rumors … about each other”:
Pedro Salinas / Jorge Guillén, 130–31.
“They’re preoccupied”:
Morla Lynch, 45.
Gatherings at Morla Lynch home:
Escobar, 84; Morla Lynch, 51–61, 118–19, 290, 319; Auclair, 165–69; Martínez Nadal,
Federico García Lorca. Mi penúltimo libro
, 68; author interview with Veronica Morla; correspondence from Veronica Morla to author (July 18, 1985).
“Your mother … already started”:
Carlos Morla Lynch to FGL (July 30, 1931), AFFGL.
“volcano”:
Morla Lynch, 48.
FGL and brother:
Fernández-Montesinos, xi; Escobar, 83; Andrés Ruiz Tarazona, “La generación musical del 27 y Federico,”
Primer Acto
205 (September-October 1984), 19; Morla Lynch, 165;
G, II
, 153.
“We were doing”:
Emilio Garrigues Díaz-Cañabate, “Al teatro con Federico García Lorca,”
Cuadernos Hispanoamericanos
340 (Madrid, October 1978), 106–7.
“always off somewhere”:
Pedro Salinas / Jorge Guillén, 133.
“an absurd Charlus … minors?”:
Jorge Guillén to Germaine Guillén (August 3, 1934), papers of Jorge Guillén, Wellesley College Archive.
“I’m just crazy”:
Escobar, 84.
FGL’s behavior at Morla Lynch home:
Morla Lynch, 118–19, 128–29, 143–44; Salinas, “Federico García Lorca”; On FGL’s fondness for Morla’s bathroom, see EC, 718.
“a glass, a pencil holder”:
Ernesto Guerra Da Cal, “Federico García Lorca en el recuerdo,”
Punto y Coma
11 (Madrid, winter 1988–89), 50–54.
“chorpatélico”:
Altolaguirre,
Obras completas
I,
Estudios literarios
, 282.
“pimpavonillas
… typical of Federico”:
Salinas, “Federico García Lorca.”
Morla Lynch’s diary:
Auclair, 96, 164–65; Morla Lynch, 159–60; Ontañón and Moreiro, 117–18; author interview with Veronica Morla; correspondence from Veronica Morla to author (July 18, 1985).
FGL discusses death with Morla Lynch:
Morla Lynch, 158–60.
“These months”:
Pedro Salinas / Jorge Guillén, 134.
April 12 elections:
For FGL’s activities on April 12, see Morla Lynch, 54; Rivas Cherif, January 6, 1957; Francisco Vega Diaz, “Una anécdota del poeta en la calle,”
El Pais
(Madrid), June 5, 1980; Luis Lacasa, “Recuerdo y trayectoria de Federico García Lorca,”
Literatura soviética
(Moscow, 1946), 41; Auclair, 228.
Republic declared:
Thomas, 39–41; Jackson, 7, 24–26; Josep Pla,
Madrid-El advenimiento de la República
(Madrid: Alianza, 1986), 13–27; Alberti,
La arboleda
, 311–12; Díaz-Plaja, 217;
“Federico—1931—republican April”:
FGL,
Dibujos
, 206.
First weeks of republic:
Thomas, 42; Jackson, 28; Byrd, 17; Auclair, 230; Díaz-Plaja, 246–47. For Cardinal Segura’s letter see Thomas, 50, citing
El Sol
(Madrid), May 7, 1931. On FGL and the convent school, see V.S., “Estudiantes de la F.U.E. se echarán a los caminos con ‘La Barraca’”
El Sol
(Madrid), December 2, 1931, 1, in OC, III, 381–82; Gregorio Prieto,
Lorca en color
(Madrid: Editora Nacional, 1969), 54.
“economic position” and “all my things … All the publishers”:
EC
, 694–95.
FGL makes recording with La Argentinita:
EC
,
695;
Pedro Vaquero Sánchez, “‘La Argentinita,’ García Lorca y las canciones populares antiguas,” liner notes,
Colección de Canciones Populares Españoles
, FGL piano, La Argentinita voz (Madrid: Sonifolk, 1990, J-105; Mario Hernández, introduction FGL,
Primeras canciones
, 37–38, 229; FM, 33; Adolfo Salazar, “Discos,”
El Sol
(Madrid), November 27, 1931; Pedro Massa, “Fiesta de arte. Federico García Lorca, el romancillo popular y ‘La Argentinita’”
Crónica
(Madrid), March 20, 1932; Federico de Onís, “La Argentinita,”
Revista Hispánica Moderna
(January-April 1946), 183.
“at all hours”:
EC
, 711.
FGL publishes
Poem of the Deep Song:
Rafael Martínez Nadal, introduction to FGL,
Autógrafos
I, xiii-xv, 25 m; Mario Hernández,
Cronología
, in FGL,
Poema del cante jondo
, 191–203. On advertising for the book, see
El Sol
(Madrid), June 18, 1931, 2. For prefatory note to collection, see FGL,
Poesía
I, ed. Miguel García-Posada, 2nd ed. (Madrid: Akal, 1982), 598–99.
FGL friendship with Martínez Nadaclass="underline"
Vicenta Lorca to FGL (n.d.), AFFGL; Morla Lynch, 81, 228; Martínez Nadal,
Cuatro lecciones
, 24; Auclair, 168–69; Martínez Nadal,
Federico García Lorca: Mi penúltimo libro
, 200, 275, 298–99; Rafael Martínez Nadal to FGL (n.d.), AFFGL.
Critical response to
Deep Song:
Azorín, “Los cuatro dones,”
Crisol
(Madrid), July 2, 1931; Sebastian Gasch, “Un libre de García Lorca,
Poema del cante jondo,” Mirador
(Barcelona), August 20, 1931, 6; Agustín Espinosa, “Escaparate de Libros,”
La Gaceta Literaria
111 (Madrid), August 1, 1931, 14.
“intense attacks … myrtles”:
EC
, 712.