“’Oratio,” said the Count, “shall we dance at the wedding?”
They made quite a gala occasion of it, a little to the surprise of Hornblower, who had vague and incorrect ideas about the attitude of French seigneurs of the old regime towards their dependants. The barrels of wine were set up in the back courtyard of the château, and quite an orchestra was assembled, of fiddlers, and of pipers from the Auvergne who played instruments something like Scottish bagpipes that afflicted Hornblower’s tone-deaf ear atrociously. The Count led out fat Jeanne in the dance, and the bride’s father led out Marie. There was wine, there were great masses of food, there were bawdy jokes and highfalutin speeches. The countryside seemed to show astonishing tolerance towards this marriage of a local girl to an heretical foreigner—local peasant farmers clapped Brown on the back and their wives kissed his weather-beaten cheeks amidst screams of mirth. But then, Brown was universally popular, and seemed to know the dances by instinct.
Hornblower, unable to tell one note of music from another, was constrained to listen intently to the rhythm, and, intently watching the actions of the others, he was able to scramble grotesquely through the movements of the dances, handed on from one apple-cheeked woman to another. At one moment he sat gorged and bloated with food at a trestle table, at another he was skipping madly over the courtyard cobbles between two buxom maidens, hand in hand with them and laughing unrestrainedly. It was extraordinary to him—even here he still had moments of self-analysis—that he could ever enjoy himself so much. Marie smiled at him from under level brows.
He was amazingly weary and yet amazingly happy when he found himself back again in the salon of the château, his legs stretched out in inelegant ease while Felix, transformed again into the perfect major-domo, took the orders of him and the Count.
“There is an odd rumour prevalent,” said the Count, sitting upright in his chair apparently as unwearied and as dapper as ever. “I did not wish to disturb the fête by discussing it there. People are saying that Bonaparte has escaped from Elba and has landed in France.”
“That is indeed odd,” agreed Hornblower lazily, the import of the news taking some time to penetrate his befogged brain. “What can he intend to do?”
“He claims the throne of France again,” said the Count, seriously.
“It is less than a year since the people abandoned him.”
“That is true. Perhaps Bonaparte will solve the problem for us that we were discussing a few nights ago. There is no doubt that the King will have him shot if he can lay hands on him, and that will be an end of all possibility of intrigue and disturbance.”
“Quite so.”
“But I wish—foolishly perhaps—that we had heard of Bonaparte’s death at the same time as we heard of his landing.”
The Count appeared grave, and Hornblower felt a little disturbed. He knew his host to be an acute political observer.
“What is it you fear, sir?” asked Hornblower, gradually gathering his wits about him.
“I fear lest he gain some unexpected success. You know the power of his name, and the King—the King or his advisers—has not acted as temperately as he might have done since his restoration.”
The entrance of Marie, smiling and happy, interrupted the conversation, nor was it restarted when they resumed their seats. There were moments during the next two days when Hornblower felt some slight misgivings, even though the only news that came in was a mere confirmation of the rumour of the landing with no amplification. It was a shadow across his happiness, but so great and so intense was the latter that it took more than a slight shadow to chill it. Those lovely spring days, wandering under the orchard blossoms, and beside the rushing Loire; riding—how was it that riding was a pleasure now when always before he had detested it?—through the forest; even driving into Nevers on the one or two ceremonial calls his position demanded of him; those moments were golden, every one of them. Fear of Bonaparte’s activity could not cloud them—not even fear of what would be said to him in a letter that must inevitably soon come from Vienna could do that. On the surface Barbara had nothing to complain about; she had gone to Vienna, and during her absence Hornblower was visiting old friends. But Barbara would know. Probably she would say nothing, but she would know.
And great as was Hornblower’s happiness it was not untrammelled, as Brown’s happiness was untrammelled—Hornblower found himself envying Brown and the public way in which Brown could claim his love. Hornblower and Marie had to be a little furtive, a little guarded, and his conscience troubled him a little over the Count. Yet even so, he was happy, happier than he had ever been in his tormented life. For once self-analysis brought him no pangs. He had doubts neither about himself nor about Marie, and the novelty of that experience completely overlaid all his fears and misgivings about the future. He could live in peace until trouble should overtake him—if a spice to his happiness were necessary (and it was not), it was the knowledge that trouble lay ahead and that he could ignore it. All that guilt and uncertainty could do was to drive him more madly still into Marie’s arms, not consciously to forget, but merely because of the added urgency they brought.
This was love, unalloyed and without reservations. There was an ecstasy in giving, and no amazement in receiving. It had come to him at last, after all these years and tribulations. Cynically it might be thought that it was merely one more example of Hornblower’s yearning for the thing he could not have, but if that was the case Hornblower for once was not conscious of it. There was some line from the prayer-book that ran in Hornblower’s head during those days—’Whose service is perfect freedom’. That described his servitude to Marie.
The Loire was still in flood; the cataract where once he had nearly drowned—the cataract which was the cause of his first meeting with Marie—was a rushing slope of green water, foam-bordered. Hornblower could hear the sound of it as he lay in Marie’s arms in her room in the turret; often they walked beside it, and Hornblower could contemplate it without a tremor or a thrill. That was all over. His reason told him that he was the same man as boarded the Castilla, the same man who faced el Supremo’s wrath, the man who fought to the death at Rosas Bay, the man who had walked decks awash with blood, and yet oddly he felt as if those things had happened to someone else. Now he was a man of peace, a man of indolence, and the cataract was not a thing that had nearly killed him.
It seemed perfectly natural when the Count came in with good news.
“The Count d’Artois has defeated Bonaparte in a battle in the south,” he said. “Bonaparte is a fugitive, and will soon be a prisoner. The news is from Paris.”
That was as it should be; the wars were over.
“I think we can light a bonfire tonight,” said the Count, and the bonfire blazed and toasts were drunk to the King.
But it was no later than next morning that Brown, as he put the breakfast tray beside Hornblower’s bed, announced that the Count wished to speak to him as early as convenient, and he had hardly uttered the words when the Count came in, haggard and dishevelled in his dressing-gown.
“Pardon this intrusion,” said the Count—even at that moment he could not forget his good manners—“but I could not wait. There is bad news. The very worst.”
Hornblower could only stare and wait, while the Count gathered his strength to tell his news. It took an effort to say the words.
“Bonaparte is in Paris,” said the Count. “The King has fled and Bonaparte is Emperor again. All France has fallen to him.”