The tale had run around Sarantium by now. She'd intended it to.
A man on a scaffold under a dome with glass in his hands, trying to make a god. More than one, in truth, though that particular truth was not one he proposed to reveal. Crispin was, that day-early winter in Jad's holy city of Sarantium-happy to be alive and not anxious to be burned for heresy. The irony was that he hadn't yet realized or acknowledged his own happiness. It had been a long time since he'd known the feeling; he was a stranger now to such a mood, would have glowered in vexation and snapped off a brittle insult to someone who'd dared make the observation that he seemed content with his lot.
Brow unconsciously furrowed, mouth a line of concentration, he was attempting to finally confirm the colours of his own image of Jad above the emerging skyline of Sarantium on the dome. Other artisans were creating the City for him under his supervision; he himself was rendering the figures, and he was beginning with Jad, that an image of the god might look down upon all who entered here while the dome and semidomes and walls were being achieved. He wanted the god he made to echo, in a tacit homage, the one he'd seen in a small chapel in Sauradia, but not slavishly or too obviously. He was working on a different scale, his Jad a ruling element of a larger scene, not the entirety of the dome, and there were matters of balance and proportion to be worked through.
At the moment, he was thinking about eyes and the lines in the skin above and below them, remembering the wounded, haggard vision of Jad in that chapel he'd seen on the Day of the Dead. He'd fallen down. Had literally collapsed beneath that gaunt, overpowering figure.
His memory for colours was very good. It was flawless, in fact, and he knew this without false humility. He'd worked closely with the head of the Imperial Glassworks to find those hues that most precisely matched the ones he remembered from Sauradia. It helped that he was now in charge of the mosaic decoration for the most important, by far, of all Valerius II's building projects. The previous mosaicist-one Siroes-had been dismissed in disgrace, and had somehow broken the fingers of both hands that same night in an unexplained accident. Crispin, as it happened, did know something about that. He wished he didn't. He remembered a tall, fair-haired woman in his bedroom at dawn, murmuring, I can attest that Siroes was not in a position to hire assassins tonight. And she'd added, very calmly, Trust me in this.
He did. In that, if in nothing else. It was the Emperor, however, not the yellow-haired woman, who had shown Crispin this dome and offered it to him. What Crispin asked for now he tended to receive, at least insofar as tesserae were concerned.
In the other spheres of his life, down among the men and women of the City, he hadn't yet decided what it was he even wanted. He only knew that he had a life below this scaffolding, as well, with friends, enemies-attempts on his life within days of his arrival-and complexities that could, if allowed, distract him dangerously from what he needed to do up here on this dome that an Emperor and an architect of genius had given to him.
He ran a hand through his thick red hair, rendering it even more haphazard than usual, and decided that the eyes of his god would be dark brown and obsidian like those of the figure in Sauradia, but that he would not evoke the pallor of the other Jad with grey hues in the skin of the face. He would pick up the two shades again when he did the long, thin hands, but would not make them ruined, as the other's had been. An echoing of elements, not a copying. It was pretty much what he'd thought before coming back up here-first instincts tended to hold for him.
Having decided as much, Crispin took a deep breath and felt himself relax. He could begin tomorrow, then. With the thought he detected a slight stirring of the scaffold, a swaying movement, which meant someone was climbing.
This was forbidden. It was utterly and absolutely forbidden to the apprentices and artisans. To everyone, in fact, including Artibasos, who had built this Sanctuary. A rule: when Crispin was up here, no one climbed his scaffolding. He had threatened mutilation, dismemberment, death. Vargos, who was proving to be as competent an assistant here as on the road, had been scrupulous in preserving Crispin's sanctity aloft.
Crispin looked down, more stunned by the breach than anything else, and saw that it was a woman-she had discarded a cloak for easier movement-who was ascending the scaffold rungs towards him. He saw Vargos among those far below on the marble tiles. His Inici friend spread his hands, helplessly. Crispin looked at the climber again. Then he blinked and caught his breath, gripping the low railing tightly with both hands.
Once before he had looked down from this great height, just after arriving, when he'd been using his fingers like a blind man to map this dome where he intended to make the world, and had seen a woman far below, feeling her very presence as an irresistible pulclass="underline" the force and draw of the world where men and women went about their lives.
That time it had been an Empress.
He had gone down to her. Not a woman to be resisted, even if she simply stood below, waiting. Had gone down to speak of dolphins and of other things, to rejoin and be reclaimed by the living world from the place where love lost to death had taken him.
This time, staring in mute stupefaction at the climber's steady, quite competent progress, Crispin tried to deal with who this was. Too astonished to call out or even know how to react, he simply waited, heart pounding, as his own queen came to him, high above the world, but in plain sight of all below.
She reached the last rung, then the scaffold itself and-ignoring his hastily extended hand-stepped onto it, a little flushed, breathless, but visibly pleased with herself, bright-eyed and unafraid, to stand in this place of absolutely private speech on a precarious platform just under Artibasos's dome. However many listening ears there might be in dangerous Sarantium, there were none here.
Crispin knelt and lowered his head. He had last seen this young, beleaguered woman in her own palace, in his own city far to the west. Had kissed her foot in farewell and felt her hand brush his hair. Then he had left, having somehow promised to try to deliver a message to an Emperor. And he'd learned the morning after that she'd had six of her own guards killed-simply to preserve the secret of their encounter.
On the scaffolding below the dome, Gisel of the Antae brushed his hair again with a light, slow hand. Kneeling, he trembled.
"No flour this time," his queen murmured. "An improvement, artisan. Bur I prefer the beard, I think. Has the east claimed you so soon? Are you lost to us? You may stand, Caius Crispus, and tell what you have to tell."
"Your Majesty," Crispin stammered, rising, feeling himself flushing, terribly unsettled. The world, coming up to him, even here. "This is… this is not a safe place for you, at all!"
Gisel smiled. "Are you so dangerous, artisan?"
He wasn't. She was. He wanted to say that. Her hair was golden, her gaze a deep, remembered blue-she had the same colouring, in fact, as another of the very dangerous women he knew here. But where Styliane Daleina was ice with an edge of malice, Gisel, the daughter of Hildric the Great, showed something wilder and sadder, both.
He'd known she was here, of course. Everyone had heard of the arrival of the Antae queen. He'd wondered if she'd send for him. She hadn't. She'd climbed up to find him, instead, graceful and assured as an experienced mosaicist. This was Hildric's daughter. An Antae. Could hunt, shoot, ride, probably kill with a dagger secreted somewhere on her person. No delicate, sheltered court lady, this.
She said, "We are waiting, artisan. We have come a long way to see