Ian stopped speaking. His voice had been perfectly even, but there was so much finality about the way he spoke that after he finished there was a pause in the room while Tyburn and Breagan stared at him as if they had both been tranced. Then the silence, echoing in Tyburn's ears, jolted him back to life.
"I don't see what all this has to do with James Kenebuck, then," said Tyburn. "Brian committed some... military crime, and was executed for it. You say you gave the order. If anyone's responsible for Brian Kenebuck's death then, it seems to me it'd be you. Why connect it with someone who wasn't even there at the time, someone who was here on Earth all the while, James Kenebuck?"
"Brian," said Ian, "was his brother."
The emotionless statement was calm and coldly reasonable in the silent, brightly-lit office. Tyburn found his open hands had shrunk themselves into fists on the desk top. He took a deep breath and began to speak in a flat, official tone.
"Commandant," he said, "I don't pretend to understand you. You're a man of the Dorsai, a product of one of the splinter cultures out among the stars. I'm just an old-fashioned Earthborn - but I'm a policeman in the Manhattan Complex and James Kenebuck is... well, he's a taxpayer in the Manhattan Complex."
He found he was talking without meeting Ian's eyes. He forced himself to look at them - they were dark un-moving eyes.
"It's my duty to inform you," Tyburn went on, "that we've had intimations to the effect that you're to bring some retribution to James Kenebuck, because of Brian Kenebuck's death. These are only intimations, and as long as you don't break any laws here on Earth, you're free to go where you want and see whom you like. But this is Earth, Commandant."
He paused, hoping that Ian would make some sound, some movement. But Ian only sat there, waiting.
"We don't have any Mercenaries Code here, Commandant," Tyburn went on harshly. "We haven't any feud-right, no droit-de-mmn. But we do have laws. Those laws say that, though a man may be the worst murderer alive, until he's brought to book in our courts, under our process of laws, no one is allowed to harm a hair of his head. Now, I'm not here to argue whether this is the best way or not; just to tell you that that's the way things are." Tyburn stared fixedly into the dark eyes. "Now," he said, bluntly, "I know that if you're determined to try to kill Kenebuck without counting the cost, I can't prevent it."
He paused and waited again. But Ian still said nothing.
"I know," said Tyburn, "that you can walk up to him like any other citizen, and once you're within reach you can try to kill him with your bare hands before anyone can stop you. I can't stop you in that case. But what I can do is catch you afterwards, if you succeed, and see you convicted and executed for murder. And you will be caught and convicted, there's no doubt about it. You can't kill James Kenebuck the way someone like you would kill a man, and get away with it here on Earth - do you understand that, Commandant?"
"Yes," said Ian.
"All right," said Tyburn, letting out a deep breath. "Then you understand. You're a sane man and a Dorsai professional. From what I've been able to learn about the Dorsai, it's one of your military tenets that part of a man's duty to himself is not to throw his life away in a hopeless cause. And this cause of yours to bring Kenebuck to justice for his brother's death, is hopeless."
He stopped. Ian straightened in a movement preliminary to getting up.
"Wait a second," said Tyburn.
He had come to the hard part of the interview. He had prepared his speech for this moment and rehearsed it over and over again - but now he found himself without faith that it would convince Ian.
"One more word," said Tyburn. "You're a man of camps and battlefields, a man of the military; and you must be used to thinking of yourself as a pretty effective individual. But here, on Earth, those special skills of yours are mostly illegal. And without them you're ineffective and helpless. Kenebuck, on the other hand, is just the opposite. He's got money - millions. And he's got connections, some of them nasty. And he was born and raised here in Manhattan Complex." Tyburn stared emphatically at the tall, dark man, willing him to understand. "Do you follow me? If you, for example, should suddenly turn up dead here, we just might not be able to bring Kenebuck to book for it. Where we absolutely could, and would, bring you to book if the situation were reversed. Think about it."
He sat, still staring at Ian. But Ian's face showed no change, or sign that the message had gotten through to him.
"Thank you," Ian said. "If there's nothing more, I'll be going."
"There's nothing more," said Tyburn, defeated. He watched Ian leave. It was only when Ian was gone, and he turned back to Breagen that he recovered a little of his self-respect. For Breagan's face had paled.
Ian went down through the Terminal and took a cab into Manhattan Complex, to the John Adams Hotel. He registered for a room on the fourteenth floor of the transient section of that hotel and inquired about the location of James Kenebuck's suite in the resident section; then sent his card up to Kenebuck with a request to come by to see the millionaire. After that, he went on up to his own room, unpacked his luggage, which had already been delivered from the spaceport, and took out a small, sealed package. Just at that moment there was a soft chiming sound and his card was re turned to him from a delivery slot in the room wall. It fell into the salver below the slot and he picked it up, to read what was written on the face of it. The penciled note read:
Come on up -
K.
He tucked the card and the package into a pocket and left his transient room. And Tyburn, who had followed him to the hotel, and who had been observing all of Ian's actions from the second of his arrival, through sensors placed in the walls and ceilings, half rose from his chair in the room of the empty suite directly above Kenebuck's, which had been quietly taken over as a police observation post. Then, helplessly, Tyburn swore and sat down again, to follow Ian's movements in the screen fed by the sensors. So far there was nothing the policeman could do legally - nothing but watch.
So he watched as Ian strode down the softly carpeted hallway to the elevator tube, rose in it to the eightieth floor and stepped out to face the heavy, trans parent door sealing off the resident section of the hotel. He held up Kenebuck's card with its message to a concierge screen beside the door, and with a soft sigh of air the door slid back to let him through. He passed on in, found a second elevator tube, and took it up thirteen more stories. Black doors opened before him - and he stepped one step forward into a small foyer to find himself surrounded by three men.
They were big men - one, a lantern-jawed giant, was even bigger than Ian - and they were vicious. Tyburn, watching through the sensor in the foyer ceiling that had been secretly placed there by the police the day before, recognized all of them from his files. They were underworld muscle hired by Kenebuck at word of Ian's coming; all armed, and brutal and hair-trigger - mad dogs of the lower city. After that first step into their midst, Ian stood still. And there followed a strange, unnatural cessation of movement in the room.
The three stood checked. They had been about to put their hands on Ian to search him for something, Tyburn saw, and probably to rough him up in the process. But something had stopped them, some abrupt change in the air around them. Tyburn, watching, felt the change as they did; but for a moment he felt it without understanding. Then understanding came to him.
The difference was in Ian, in the way he stood there. He was, saw Tyburn, simply... waiting. That same patient indifference Tyburn had seen upon him in the Terminal office was there again. In the split second of his single step into the room he had discovered the men, had measured them, and stopped. Now, he waited, in his turn, for one of them to make a move.