"Perhaps you would like to take tea?"
Conway wondered at first if this were intended ironically, but it soon appeared not; the afternoon had passed swiftly, and Chang, though frugal in eating, had the typical Chinese fondness for tea-drinking at frequent intervals. Miss Brinklow, too, confessed that visiting art galleries and museums always gave her a touch of headache. The party, therefore, fell in with the suggestion, and followed Chang through several courtyards to a scene of quite sudden and unmatched loveliness. From a colonnade steps descended to a garden, in which a lotus pool lay entrapped, the leaves so closely set that they gave an impression of a floor of moist green tiles. Fringing the pool were posed a brazen menagerie of lions, dragons, and unicorns, each offering a stylized ferocity that emphasized rather than offended the surrounding peace. The whole picture was so perfectly proportioned that the eye was entirely unhastened from one part to another; there was no vying or vanity, and even the summit of Karakal, peerless above the blue-tiled roofs, seemed to have surrendered within the framework of an exquisite artistry. "Pretty little place," commented Barnard, as Chang led the way into an open pavilion which, to Conway's further delight, contained a harpsichord and a modern grand piano. He found this in some ways the crowning astonishment of a rather astonishing afternoon. Chang answered all his questions with complete candour up to a point; the lamas, he explained, held Western music in high esteem, particularly that of Mozart; they had a collection of all the great European compositions, and some were skilled performers on various instruments.
Barnard was chiefly impressed by the transport problem. "D'you mean to tell me that this pi-anno was brought here by the route we came along yesterday?"
"There is no other."
"Well, that certainly beats everything! Why, with a phonograph and a radio you'd be all fixed complete! Perhaps, though, you aren't yet acquainted with up-to-date music?"
"Oh, yes, we have had reports, but we are advised that the mountains would make wireless reception impossible, and as for a phonograph, the suggestion has already come before the authorities, but they have felt no need to hurry in the matter."
"I'd believe that even if you hadn't told me," Barnard retorted. "I guess that must be the slogan of your society, 'No hurry.'" He laughed loudly and then went on: "Well, to come down to details, suppose in due course your bosses decide that they DO want a phonograph, what's the procedure? The makers wouldn't deliver here, that's a sure thing. You must have an agent in Pekin or Shanghai or somewhere, and I'll bet everything costs plenty by the time you handle it."
But Chang was no more to be drawn than on a previous occasion. "Your surmises are intelligent, Mr. Barnard, but I fear I cannot discuss them."
So there they were again, Conway reflected, edging the invisible borderline between what might and might not be revealed. He thought he could soon begin to map out that line in imagination, though the impact of a new surprise deferred the matter. For servants were already bringing in the shallow bowls of scented tea, and along with the agile, lithe-limbed Tibetans there had also entered, quite inconspicuously, a girl in Chinese dress. She went directly to the harpsichord and began to play a gavotte by Rameau. The first bewitching twang stirred in Conway a pleasure that was beyond amazement; those silvery airs of eighteenth-century France seemed to match in elegance the Sung vases and exquisite lacquers and the lotus pool beyond; the same death-defying fragrance hung about them, lending immortality through an age to which their spirit was alien. Then he noticed the player. She had the long, slender nose, high cheekbones, and eggshell pallor of the Manchu; her black hair was drawn tightly back and braided; she looked very finished and miniature. Her mouth was like a little pink convolvulus, and she was quite still, except for her long-fingered hands. As soon as the gavotte was ended, she made a little obeisance and went out.
Chang smiled after her and then, with a touch of personal triumph, upon Conway. "You are pleased?" he queried.
"Who is she?" asked Mallinson, before Conway could reply.
"Her name is Lo-Tsen. She has much skill with Western keyboard music. Like myself, she has not yet attained the full initiation."
"I should think not, indeed!" exclaimed Miss Brinklow. "She looks hardly more than a child. So you have women lamas, then?"
"There are no sex distinctions among us."
"Extraordinary business, this lamahood of yours," Mallinson commented loftily, after a pause. The rest of the tea-drinking proceeded without conversation; echoes of the harpsichord seemed still in the air, imposing a strange spell. Presently, leading the departure from the pavilion, Chang ventured to hope that the tour had been enjoyable. Conway, replying for the others, seesawed with the customary courtesies. Chang then assured them of his own equal enjoyment, and hoped they would consider the resources of the music room and library wholly at their disposal throughout their stay. Conway, with some sincerity, thanked him again. "But what about the lamas?" he added. "Don't they ever want to use them?"
"They yield place with much gladness to their honored guests."
"Well, that's what I call real handsome," said Barnard. "And what's more, it shows that the lamas do really know we exist. That's a step forward, anyhow, makes me feel much more at home. You've certainly got a swell outfit here, Chang, and that little girl of yours plays the pi-anno very nicely. How old would she be, I wonder?"
"I am afraid I cannot tell you."
Barnard laughed. "You don't give away secrets about a lady's age, is that it?"
"Precisely," answered Chang with a faintly shadowing smile.
That evening, after dinner, Conway made occasion to leave the others and stroll out into the calm, moon-washed courtyards. Shangri-La was lovely then, touched with the mystery that lies at the core of all loveliness. The air was cold and still; the mighty spire of Karakal looked nearer, much nearer than by daylight. Conway was physically happy, emotionally satisfied, and mentally at ease; but in his intellect, which was not quite the same thing as mind, there was a little stir. He was puzzled. The line of secrecy that he had begun to map out grew sharper, but only to reveal an inscrutable background. The whole amazing series of events that had happened to him and his three chance companions swung now into a sort of focus; he could not yet understand them, but he believed they were somehow to be understood.
Passing along a cloister, he reached the terrace leaning over the valley. The scent of tuberose assailed him, full of delicate associations; in China it was called "the smell of moonlight." He thought whimsically that if moonlight had a sound also, it might well be the Rameau gavotte he had heard so recently; and that set him thinking of the little Manchu. It had not occurred to him to picture women at Shangri-La; one did not associate their presence with the general practice of monasticism. Still, he reflected, it might not be a disagreeable innovation; indeed, a female harpsichordist might be an asset to any community that permitted itself to be (in Chang's words) "moderately heretical."
He gazed over the edge into the blue-black emptiness. The drop was phantasmal; perhaps as much as a mile. He wondered if he would be allowed to descend it and inspect the valley civilization that had been talked of. The notion of this strange culture pocket, hidden amongst unknown ranges, and ruled over by some vague kind of theocracy, interested him as a student of history, apart from the curious though perhaps related secrets of the lamasery.