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The main problem was that the proposed word used to describe Christ in Greek was homoiusios—meaning “of like substance” with the Father. This was, of course, the Arian position that the two members of the trinity were similar not equal, and the other bishops objected to it strenuously. Seeing that the Arians were clearly in the minority, Constantine turned against them and proposed a solution. Dropping an “i,” he changed the word to homousios—meaning “of one substance” with the Father. The Arians were upset with this ringing condemnation of their view, but with the emperor (and his soldiers) standing right there, they could hardly show their displeasure. The Arian bishops started to waver, and when Constantine assured them that equality with the Father could be interpreted in its “divine and mystical” sense, they bowed to the inevitable. The emperor had given them a way out—to interpret homousios however they wanted to—and the Arians left the council to return to their homes with their dignity intact. Arius was condemned, his books were burned, and Christian unity was restored.

The Nicene Creed that Constantine had overseen was more than a simple statement of faith. It became the official definition of what it meant to be a Christian, and defined what the true (orthodox) and universal (catholic) church believed. Even today, it can be heard in all Protestant, Orthodox, and Catholic churches, a dim reflection of a time when Christianity was unified. In the East, where the Byzantine Empire survived, the Council of Nicaea defined the relationship between secular and religious leaders: The bishops alone could decide on church matters, and the emperor’s role was that of an enforcer. Constantine was the sword arm of the church, rooting out heresy and guarding the faith from schism. His successors would try to manipulate unity to varying degrees, but the underlying principle remained unchanged. The emperor’s duty was to listen to the voice of the whole church; what that voice said was for the bishops to decide.

Now that Constantine’s enemies—both theological and military—lay vanquished at his feet, he decided to build a suitable monument to his glory. He had already embellished Rome, adding the finishing touches to a massive basilica and seating a gigantic forty-foot-high statue of himself inside it. Now he added several churches and donated a palace on the Lateran Hill as a church for the pope. Rome, however, was filled with too many pagan ghosts to be the splendid center of his reign, and they couldn’t be overcome with a thin Christian facade. Besides, Rome wasn’t the city it had been, and the empire no longer rotated around it.

Far away from the empire’s frontiers, Rome had long since ceased to be a practical capital, and had only been sporadically visited by the short-lived emperors of the third century. In the interests of military efficiency, Diocletian had insisted that his court travel with him, declaring that the capital of the empire wasn’t in a particular city, but rather wherever the emperor happened to be. He was only saying out loud what had long been the uncomfortable truth. Unable to base themselves miles away from the troubled frontiers, emperors had gone their separate ways, and power had followed in the imperial wake. Diocletian himself, busy in his eastern court of Nicomedia, only set foot in the eternal city once, and his reforms reduced it to a symbolically important backwater.

Constantine was determined to give the drifting empire new roots and began looking for a fresh start. He would later claim (as usual) that he was led by a divine voice to the ancient city of Byzantium, but surely no prophetic voice was needed to pick the site. Nearly a thousand years old, the Greek colony was perfectly situated halfway between the eastern and western frontiers. Possessing a superb deep-water harbor, the city could control the lucrative trade routes between the Black Sea and the Mediterranean that brought amber and wood from the far north and oil, grain, and spices from the east. Surrounded on three sides by water, its natural defenses were so obvious that the founding fathers of a nearby colony were ridiculed as blind for having failed to recognize the superiority of its splendid acropolis. Most important to Constantine, however, the gentle slopes of Byzantium had witnessed his final victory over Licinius, where he had achieved his life’s dream.* There could be no better spot to build an edifice to his greatness.

Trailed by all the courtiers who regularly cling to those in power, Constantine climbed one of Byzantium’s hills and cast his eyes over the simple Greek colony that he would transform into the capital of the world. This was to be more than just another imperial city; it was to be the center of Christ’s government here on earth, the beating heart of Christendom. He had chosen a site with seven hills to mimic the famous seven hills of Rome, and on this site, unfettered by a pagan past, he would build Nova Roma—New Rome—that would refound the empire on a Christian, eastern axis.

There was more than a touch of arrogance to this desire to establish a city in a single lifetime. Rome, after all, wasn’t built in a day. But Romulus didn’t have the resources of Constantine. The emperor was the master of the civilized world, and he was determined to move heaven and earth to finish his masterpiece. Artisans and resources from the length and breadth of the empire were marshaled for the project, and the city seemed to spring up almost overnight. Slopes once covered by grass soon sported baths and columns, universities and forums, even a magnificent palace and a vast hippodrome. Senators wanting to remain close to the halls of power were tempted east by the excitement of new opportunities, and were loaded with honors and installed in an expansive new Senate House. More than just the rich came, however. Constantinople was a new city as yet unclogged by centuries of tradition and blue blood, and therefore tremendous social mobility was possible. Public grants were made available to the poor who flocked to the Bosporus, and enough free grain was provided to feed more than two hundred thousand inhabitants. Water was provided by public cisterns, multiple harbors supplied fresh fish, and wide avenues led through squares dotted with beautiful sculptures culled from all over the empire.

The energy of the city was palpable, but despite its flash and youth, New Rome was born old. The famous serpent column commissioned to celebrate the Greek victory over the Persians in BC 479 was brought from Delphi, an Egyptian obelisk from Karnak was set up in the Hippodrome, and the forum was packed with statues of famous figures from Alexander the Great to Romulus and Remus. They gave the city a feeling of gravitas, rooting it in the familiar traditions of antiquity and (Constantine hoped) providing an unsurpassed prestige. The speed of its completion took the watching world’s breath away. Only six years after construction began, the new capital was ready for dedication.

The emperor had already given the people of his new city bread, and now he made sure they would have their circuses as well. Official factions were appointed to oversee the festivities, sponsoring lavish chariot races in the Hippodrome while handing out clothing and money to the spectators.* The assembled populace was treated to an array of events, each more astounding than the last. Graceful gymnasts leaped over wild animals or astonished the crowd by walking along wires suspended high above the ground, bears were goaded into fighting each other, and painted actors delighted with lively pantomimes or bawdy songs. After the displays, the cheering senators and assembled dignitaries who filled the marble seats closest to the track could join citizens from all strata of society in a grand new bathhouse that the emperor unveiled in the central square of the city. The wealthiest, of course, had private baths in their mansions sprawling between the triumphal arches that lined the Mese—the central thoroughfare of the city—but even they couldn’t fail to be impressed with the sheer opulence of Constantine’s new public buildings.