She rapped, and there was a discussion within. "They're at it already, I believe," she said to Lewisham confidentially. "Mr. Lagune's always at it."
There were sounds of chairs being moved, Smithers' extensive voice making a suggestion and laughing nervously. Lagune appeared opening the door. His grizzled face seemed smaller and his big grey eyes larger than usual.
"We were just going to begin without you," he whispered. "Come along."
The room was furnished even more finely than the drawing-room of the Whortley Grammar School, hitherto the finest room (except certain of the State Apartments at Windsor) known to Lewisham. The furniture struck him in a general way as akin to that in the South Kensington Museum. His first impression was an appreciation of the vast social superiority of the chairs; it seemed impertinent to think of sitting on anything quite so quietly stately. He perceived Smithers standing with an air of bashful hostility against a bookcase. Then he was aware that Lagune was asking them all to sit down. Already seated at the table was the Medium, Chaffery, a benevolent-looking, faintly shabby gentleman with bushy iron-grey side-whiskers, a wide, thin-lipped mouth tucked in at the corners, and a chin like the toe of a boot. He regarded Lewisham critically and disconcertingly over gilt glasses. Miss Heydinger was quite at her ease and began talking at once. Lewisham's replies were less confident than they had been in the Gallery of Old Iron; indeed there was almost a reversal of their positions. She led and he was abashed. He felt obscurely that she had taken an advantage of him. He became aware of another girlish figure in a dark dress on his right.
Everyone moved towards the round table in the centre of the room, on which lay a tambourine and a little green box. Lagune developed unsuspected lengths of knobby wrist and finger directing his guests to their seats. Lewisham was to sit next to him, between him and the Medium; beyond the Medium sat Smithers with Miss Heydinger on the other side of him, linked to Lagune by the typewriter. So sceptics compassed the Medium about. The company was already seated before Lewisham looked across Lagune and met the eyes of the girl next that gentleman. It was Ethel! The close green dress, the absence of a hat, and a certain loss of colour made her seem less familiar, but did not prevent the instant recognition. And there was recognition in her eyes.
Immediately she looked away. At first his only emotion was surprise. He would have spoken, but a little thing robbed him of speech. For a moment he was unable to remember her surname. Moreover, the strangeness of his surroundings made him undecided. He did not know what was the proper way to address her—and he still kept to the superstition of etiquette. Besides—to speak to her would involve a general explanation to all these people …
"Just leave a pin-point of gas, Mr. Smithers, please," said Lagune, and suddenly the one surviving jet of the gas chandelier was turned down and they were in darkness. The moment for recognition had passed.
The joining of hands was punctiliously verified, the circle was linked little finger to little finger. Lewisham's abstraction received a rebuke from Smithers. The Medium, speaking in an affable voice, premised that he could promise nothing, he had no "directing" power over manifestations. Thereafter ensued a silence….
For a space Lewisham was inattentive to all that happened.
He sat in the breathing darkness, staring at the dim elusive shape that had presented that remembered face. His mind was astonishment mingled with annoyance. He had settled that this girl was lost to him for ever. The spell of the old days of longing, of the afternoons that he had spent after his arrival in London, wandering through Clapham with a fading hope of meeting her, had not returned to him. But he was ashamed of his stupid silence, and irritated by the awkwardness of the situation. At one moment he was on the very verge of breaking the compact and saying "Miss Henderson" across the table….
How was it he had forgotten that "Henderson"? He was still young enough to be surprised at forgetfulness.
Smithers coughed, one might imagine with a warning intention.
Lewisham, recalling his detective responsibility with an effort, peered about him, but the room was very dark. The silence was broken ever and again by deep sighs and a restless stirring from the Medium. Out of this mental confusion Lewisham's personal vanity was first to emerge. What did she think of him? Was she peering at him through the darkness even as he peered at her? Should he pretend to see her for the first time when the lights were restored? As the minutes lengthened it seemed as though the silence grew deeper and deeper. There was no fire in the room, and it looked, for lack of that glow, chilly. A curious scepticism arose in his mind as to whether he had actually seen Ethel or only mistaken someone else for her. He wanted the séance over in order that he might look at her again. The old days at Whortley came out of his memory with astonishing detail and yet astonishingly free from emotion….
He became aware of a peculiar sensation down his back, that he tried to account for as a draught….
Suddenly a beam of cold air came like a touch against his face, and made him shudder convulsively. Then he hoped that she had not marked his shudder. He thought of laughing a low laugh to show he was not afraid. Someone else shuddered too, and he perceived an extraordinarily vivid odour of violets. Lagune's finger communicated a nervous quivering.
What was happening?
The musical box somewhere on the table began playing a rather trivial, rather plaintive air that was strange to him. It seemed to deepen the silence about him, an accent on the expectant stillness, a thread of tinkling melody spanning an abyss.
Lewisham took himself in hand at this stage. What was happening? He must attend. Was he really watching as he should do? He had been wool-gathering. There were no such things as spirits, mediums were humbugs, and he was here to prove that sole remaining Gospel. But he must keep up with things—he was missing points. What was that scent of violets? And who had set the musical box going? The Medium, of course; but how? He tried to recall whether he had heard a rustling or detected any movement before the music began. He could not recollect. Come! he must be more on the alert than this!
He became acutely desirous of a successful exposure. He figured the dramatic moment he had prepared with Smithers—Ethel a spectator. He peered suspiciously into the darkness.
Somebody shuddered again, someone opposite him this time. He felt Lagune's finger quiver still more palpably, and then suddenly the raps began, abruptly, all about him. Rap!—making him start violently. A swift percussive sound, tap, rap, dap, under the table, under the chair, in the air, round the cornices. The Medium groaned again and shuddered, and his nervous agitation passed sympathetically round the circle. The music seemed to fade to the vanishing point and grew louder again.
How was it done?
He heard Lagune's voice next him speaking with a peculiar quality of breathless reverence, "The alphabet?" he asked, "shall we—shall we use the alphabet?"
A forcible rap under the table.
"No!" interpreted the voice of the Medium.
The raps were continued everywhere.
Of course it was trickery, Lewisham endeavoured to think what the mechanism was. He tried to determine whether he really had the Medium's little finger touching his. He peered at the dark shape next him. There was a violent rapping far away behind them with an almost metallic resonance. Then the raps ceased, and over the healing silence the little jet of melody from the musical box played alone. And after a moment that ceased also….