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Freeing the cable and putting it back in the car, so they could leave in an instant if they had to, they next gave their attention to what the shack had covered. But they no sooner shot the flash into the pile of tools now exposed to the night than she gave a little scream. He patted her arm, said it was nothing but a rat, said scat. Then the hair rose on his neck at what the rat had been carrying. It was a hand. Then he knew that here, some place, was all that was left of Arch Rossi, the boy who simply disappeared. She recovered before he did, and pointed to a ring in the boards. He put his finger into it, lifted, and a trapdoor came up. Under it was a hole, with a ladder leading into it, and concrete on one side. Guiding himself with the torch, he crept down the ladder, looked around. On three sides of the hole was raw earth. But on the fourth side, built into the concrete, was a steel door, and in the middle of it the shiny knob of a safe dial. "O.K., come on down."

"Somebody ought to stand guard."

"I'll need you."

"All right."

She was beside him in a few seconds. He handed her his little red book, after finding a page and turning it down. "Read me those numbers, one at a time, then soon as you read one, shoot the light on the dial."

"R six."

"Right six it is."

"L twenty-two."

"Left twenty-two."

There were six numbers in all, and as she read them he manipulated the dial. After the last spin, there came a faint click and he pulled. The door swung open and he grabbed the flash, shooting it inside. Visible were several large canvas sacks. "Ha, he had the right idea, but they were too fast for him, just like they were for me. O.K. Now I'm going to climb halfway up the ladder and you hand me the sacks. Set the light on the floor, up-ended."

She could drag the sacks out of the vault but she couldn't lift them, and he had to come clear down the ladder, shoulder one, creep up, and buck it out onto the grass. Even so, it was only a few minutes before they were all out of the hole and in the car. He piled them on the floor of the coupe, so there was hardly room for his legs, and she took the wheel, and they scooted. He slid the clasps, got a sack open. "What is it, Ben?"

"I don't know, looks like bonds."

"They can be sold, can't they?"

"I think so."

He got another sack open, gave a quick, startled cry. "Dorothy! It's money! It's dough! Fives! Packs and packs and packs of them."

"Oh my, let me see."

"Look."

"And tens, Ben-and twenties!"

"Now, thank God, we got a chance."

"In twenty-four hours, by taking turns driving, we can be in Mexico. We won't get any sleep, but we can do it."

"… Mexico 's out."

"We can't stay here."

"We're going to Canada. We're going to Canada, and we're going to join up for the war. Maybe we got to use other names, but we're going to join up. Then, when it's over, we can settle there, or somewhere. We'll have all the dough we need. And if we do get caught and brought back, we still got a chance. If you went in the war, you always got a chance."

"Will they take you?"

"You mean this hernia? That can be fixed. It's a simple operation. It takes ten days."

"Why the war, Ben? The real why, I mean."

"I want to. I want to do something I'm not ashamed of."

"It's not to get rid of me?"

"Didn't you hear me? You're going to join up too. If we work it right, we can get into outfits that'll let us see a lot of each other. Then when we got it lined up, we can get married. Even if it's under phoney names, we'll know it's legal."

"Then I want to, too. Kiss me, Ben."

"…I got to have a smoke."

"Me too. Here's a store. You hop off and get some, three or four packs, and I'll drive around the block."

He went into the drug store, bought four packages of cigarettes, dropped three of them into his overcoat pocket. Then he went outside, clawing the fourth package open with trembling fingers. Then he looked up and saw it happen, a perfect slow movie: her approach to the curb, just a few feet from the drug store; her obvious failure to see the fireplug; the toot of the traffic officer's whistle, and his slow, angry cross to the car; his comments to Dorothy, heated, no doubt, by the peevishness that comes from directing New Year's Eve traffic. For some seconds Ben stood, so close he could hear what the officer said. Then, all of a sudden the officer stopped, stared hard at Dorothy. By that Ben knew he recognized her from the picture in the paper. He started over, with some idea of getting close, of using some football trick, of disabling the officer somehow, so they could make their getaway with all the money in the world.

When the officer looked up he recognized him, too, and drew his gun. Ben opened his mouth to tell him to go easy with it, but he probably didn't picture to himself the size of his shoulders, the ominous resolution of his approach. The officer fired, and he felt a terrifying impact.

Chapter 12

For the second consecutive day, Ben stared at Mr. Cantrell with calm, baleful malevolence, and insulted him. Less bitterly, he insulted Mr. Bleeker, the prosecutor, who sat across from Dr. Ronde, the young intern, and Miss Houston, the rather pretty nurse. Mr. Bleeker let Mr. Cantrell do the talking this time, advisedly, perhaps, because he had let his temper run away with him yesterday, and made things difficult. Mr. Cantrell began with the statement that they had news today. The girl, Dorothy Lyons, had practically confessed, and her gun had been found. Also, evidence had been found in the bathroom of her sister's apartment, quite a few things of interest. Also, the sacks of money had furnished a motive. To all this, Ben replied that Mr. Cantrell was a dirty liar; that both he and Mr. Bleeker were a pair of heels to boot, as they had been on his payroll, and now they had turned on him. To this, Mr. Cantrell returned a grin and the assurance that Ben didn't mean it. And just as a friend, he added that he wished Ben would make a clean breast of the whole thing, agree to a plea, and then be left in peace to regain his strength. For his own part, he wouldn't be surprised if Ben would be let off with a suspended sentence, especially in view of what the girl had to say.

To this, Ben replied that he wouldn't be surprised that Mr. Cantrell had had something to do with the death of Arch Rossi, and that he had better look out, now that the body had been found. Dr. Ronde protested against the whole proceeding, saying that every minute it lasted was just that much more drain on the patient's vitality, and declining to be responsible for what might happen if it kept up.

When they were gone, Ben lay back wearily on the pillow and said to the uniformed patrolman who sat in the corner reading magazines: "Why can't they let you alone? When they see you're not going to talk, what's the idea of coming in here and just hammering at you."

"Oh, you'll talk."

"I don't think you know me."

"I don't think you know what you got."

"What did you say?"

"Peritonitis, Grace. Oh, they sewed up all those holes in your intestines, and it don't hurt any, we all know that. I got shot once, myself. But that's just the start of it. After that comes the peritonitis, and then your temp goes up. It's 101 now, see? It'll go to 104, and maybe 105. O.K., the higher it goes the more you can't keep your mouth shut. You get wacky enough, you'll spill it, and the police department stenographer, he's right outside."