"Oh, for a man, yes."
"Oh, a woman don't feel cold?"
"Not the way a man does, I've noticed it often. I don't care what the weather is, a man's got himself all bundled up in exactly twice as many clothes as a woman wears. Why, look in any street car, and-"
"You haven't forgotten our barrel, have you?"
"Oh, that."
A shadow crossed his face, and he looked up to see her in the sky, her arms out, her head back, her back arched in a perfect back dive. Then she floated over, and struck the water with a quick, foamy splash that shot high in the air. She was down a long time; then she came up, with gasps like the gasps that had shaken him. With one hand she pitched a barrel hoop into the canoe, with the other a lump of wet concrete.
"Know what I'm thinking?"
"Look, June, I'm thinking. Cut the comedy."
"I'm thinking how funny you looked. When you came up. And you started to snort. And your eyes started to roll. You looked like a wet puppy."
"O.K., so I looked like a wet puppy."
"A wet puppy."
It had been Ben's turn to shoot the canoe up on the gravel, run the shivering swimmer up and down the shore, and wrap her in a coat. They had taken turns in the boathouse, to dress, and felt a little better when they were back in the car, their clothes on, the motor giving heat. But it wasn't until they got their breakfast that they felt like themselves again. They came to a bar-b-q place, and being afraid to go in together, for fear they might be recognized, they ran a little past it, and Ben went back for hot dogs and pasteboard containers full of scalding hot coffee. Then they ran into a woods, stopped the car, and sat there munching like a pair of wolves. Then she began to talk. He tolerated her kittenishness for a moment or two, but quickly returned to the business in hand.
"What day is today?"
"Saturday."
"You have another meeting tonight?"
"The last of the campaign."
"Where?"
"Municipal Stadium. We were going to have it at Civic Auditorium, but we've been drawing so much bigger crowds lately that we decided to make it a big outdoor rally."
"Then spill it."
"You're sure we found what we were looking for?"
"A barrel don't prove it yet. Maybe somebody else rolled a barrel down there, or one fell overboard while they were building the bridge. But it's as good as we can do, and sooner or later we got to take a chance."
"I was going to, anyway."
"Then I'll call the Pioneer."
"Beforehand?"
"Oh, I don't tell them all of it. I just say it's their pal Jack Horner again, and Rossi's body has been found, and you'll tell where at tonight's meeting. It'll build up the crowd."
"So I know what to tell the reporters."
"Let's go."
"I said you looked funny."
"Some people got a funny sense of humor."
She reached out with her finger and smoothed the crease between his brows, imitating what he had once or twice done to her. However, he caught her hand and put it aside. "You ought not to be laughing at people. You're an idealist, or supposed to be."
"Can't an idealist think a chiseler looks funny?"
"That don't work."
"It might."
"No."
Chapter 5
Lights were pleasantly soft in the big room at the Columbus, and humors were high, almost hectic. Sol had visitors: his wife, rather dressed up, and looking a little queer, with her old-world face under a stylish hat; Inspector Cantrell, of the city police, a dapper man in a double-breasted suit; a florid blonde named Irene, in a black satin dress, who had come with the Inspector; and Giulio, a barber. Giulio still wore his white coat, and had come, as a matter of fact, toward the end of the afternoon, to trim Sol's hair. But he had been prevailed upon to stay for dinner and a bellboy had been sent for his accordion; accompanying himself on this, he now gave a series of vocal selections, in a high tenor voice that kept breaking into grace notes. But he would get only two or three numbers sung when Sol would say: "Sing the Miserere," and he would have to launch into Trovatore, becoming chorus, soprano, tenor, and orchestra all rolled into one. It is only fair to say that this simplification of the number seemed to improve it.
Ben sat in the shadows, as did Lefty, Bugs, and Goose; they said little and laughed much, as befitted their rank. When eight o'clock came, Lefty tuned in the Municipal Stadium, and cheers came out of the radio, as well as hints by the speakers of disclosures to come. Sol began to clown the discovery of Rossi's body, under the piano, in the radio, behind Giulio's chair. Once, when he yanked open a closet door, Mr. Cantrell's eyes narrowed suddenly at the unmistakable sheen of rifle butts. At each antic the blonde would scream with laughter, say, "Ain't he the limit," and pick up her highball glass. It would be hard to say what lay back of these monkeyshines; whether the whole Rossi question was absurd, whether June was thus due to make a fool of herself, or whether they covered real nervousness. At any rate, Sol was loud, silly, and irritating, for the grins around him were masks. Underneath, these revelers were worried.
Presently, to a volley of comedy from Sol, June was introduced and came on. She took perhaps five minutes on the subject at large, on teamwork, organization, getting voters to the polls next Tuesday, the necessity for electing Mr. Jansen. Then quietly she said she would tell why it was necessary to elect Mr. Jansen, and began to talk about Arch Rossi. She told of her visit that day to Mrs. Rossi, the boy's mother, and to his sister and three little brothers. She told what a good boy he had been, on the testimony of all, until he fell in with the Caspar gang. She told about the Castleton robbery, and the part Arch had played in it, of the way he had been shot, and how he had been brought to the Globe Hotel. She told how he had called up Bob Herndon, and had himself brought to the Columbus, so he could see Caspar, and ask for some decent medical attention.
"Do you know how Caspar answered that plea? Do you know what he did for this poor kid, this nineteen-year-old boy who had helped him get rich, who had kicked in with his share of the $11,000 that Caspar took for so-called 'protection' in Lake City? He took Arch out of the Columbus, for a destination I don't know, because the boy never got there. On the way he was shot and killed. Do you want to know where you can find Arch Rossi now? He's in a barrel of concrete, at the bottom of Koquabit Narrows. I paid a visit to that barrel this morning. I swam down to it, and saw it with my own eyes, between a yellow rowboat that's lying on the bottom, and a white kitten, with a stone tied around its neck, that somebody dropped there to drown. Here's a hoop I took off that barrel, and here's a handful of the concrete!"
It would have been interesting to study a photograph of the scene in the room, as the crowd in the park began to roar, and roar still louder, so that it was several minutes before June could go on. Sol, who had been increasingly comic during the first part of the speech, abruptly fell silent at the words " Koquabit Narrows." Cantrell jumped up and stood listening. Then he looked at Sol, and Lefty looked at Sol, and Goose looked at Sol. In spite of the forecasts in the afternoon papers, something had been said which was wholly unexpected. But Bugs looked at Ben and Ben looked at Bugs; obviously these two didn't know what Sol knew and the other three knew. Giulio and the blonde looked blankly at Mrs. Caspar; just as obviously they were completely in the dark. And Mrs. Caspar looked wearily at the floor, with the ancient dead pan of a woman who knows nothing and can guess all that matters.
"That does it, Solly."
It was Cantrell who spoke, and it was some seconds before Sol looked at him. Then, in a rasping hysterical whine, he said, "Well, come on, let's get out of here! Le's go, le's go!"