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"We'll collaborate," said Robert. "You will give the soul and I the body. Oh, we'll write a famous book between us, Uncle Jesse. And we'll get right to work."

Uncle Jesse was a happy man that summer. He looked upon the little back room we gave up to Robert for a study as a sacred shrine. Robert talked everything over with Uncle Jesse but would not let him see the manuscript. "You must wait till it is published," he said. "Then you'll get it all at once in its best shape."

Robert delved into the treasures of the life-book and used them freely. He dreamed and brooded over lost Margaret until she became a vivid reality to him and lived in his pages. As the book progressed it took possession of him and he worked at it with feverish eagerness. He let me read the manuscript and criticize it; and the concluding chapter of the book, which the critics later on were pleased to call idyllic, was modelled after my suggestions, so that I felt as if I had a share in it too.

It was autumn when the book was finished. Robert went back to town, but Mother and I decided to stay at Golden Gate all winter. We loved the spot and, besides, I wished to remain for Uncle Jesse's sake. He was failing all the time, and after Robert went and the excitement of the book-making was past, he failed still more rapidly. His tramping expeditions were over and he seldom went out in his boat. Neither did he talk a great deal. He liked to come over and sit silently for hours at our seaward window, looking out wistfully toward the Gate with his swiftly whitening head leaning on his hand. The only keen interest he still had was in Robert's book. He waited and watched impatiently for its publication.

"I want to live till I see it," he said, "just that long—then I'll be ready to go. He said it would be out in the spring—I must hang on till it comes, Mary."

There were times when I doubted sadly if he would "hang on." As the winter wore away he grew frailer and frailer. But ever he looked forward to the coming of spring and "the book," his book, transformed and glorified.

One day in young April the book came at last. Uncle Jesse had gone to the post office faithfully every day for a month, expecting it, but this day he was too feeble to go and I went for him. The book was there. It was called simply, The Life-Book of Jesse Boyd, and on the title page the names of Robert Kennedy and Jesse Boyd were printed as collaborators.

I shall never forget Uncle Jesse's face as I handed it to him. I came away and left him reading it, oblivious to all else. All night the light burned in his window, and I looked out across the sands to it and pictured the delight of the old man poring over the printed pages whereon his own life was portrayed. I wondered how he would like the ending—the ending I had suggested. I was never to know.

After breakfast I went over to Uncle Jesse's house, taking some little delicacy Mother had cooked for him. It was an exquisite morning, full of delicate spring tints and sounds. The harbour was sparkling and dimpling like a girl, the winds were playing hide and seek roguishly among the stunted firs, and the silver-flashing gulls were soaring over the bar. Beyond the Gate was a shining, wonderful sea.

When I reached the little house on the point I saw the lamp still burning wanly in the window. A quick alarm struck at my heart. Without waiting to knock, I lifted the latch, and entered.

Uncle Jesse was lying on the old sofa by the window, with the book clasped to his heart. His eyes were closed and on his face was a look of the most perfect peace and happiness—the look of one who has long sought and found at last.

We could not know at what hour he had died, but somehow I think he had his wish and went out when the morning came in through the Golden Gate. Out on that shining tide his spirit drifted, over the sunrise sea of pearl and silver, to the haven where lost Margaret waited beyond the storms and calms.

The Little Black Doll

Everybody in the Marshall household was excited on the evening of the concert at the Harbour Light Hotel—everybody, even to Little Joyce, who couldn't go to the concert because there wasn't anybody else to stay with Denise. Perhaps Denise was the most excited of them all—Denise, who was slowly dying of consumption in the Marshall kitchen chamber because there was no other place in the world for her to die in, or anybody to trouble about her. Mrs. Roderick Marshall thought it very good of herself to do so much for Denise. To be sure, Denise was not much bother, and Little Joyce did most of the waiting on her.

At the tea table nothing was talked of but the concert; for was not Madame Laurin, the great French Canadian prima donna, at the hotel, and was she not going to sing? It was the opportunity of a lifetime—the Marshalls would not have missed it for anything. Stately, handsome old Grandmother Marshall was going, and Uncle Roderick and Aunt Isabella, and of course Chrissie, who was always taken everywhere because she was pretty and graceful, and everything that Little Joyce was not.

Little Joyce would have liked to go to the concert, for she was very fond of music; and, besides, she wanted to be able to tell Denise all about it. But when you are shy and homely and thin and awkward, your grandmother never takes you anywhere. At least, such was Little Joyce's belief.

Little Joyce knew quite well that Grandmother Marshall did not like her. She thought it was because she was so plain and awkward—and in part it was. Grandmother Marshall cared very little for granddaughters who did not do her credit. But Little Joyce's mother had married a poor man in the face of her family's disapproval, and then both she and her husband had been inconsiderate enough to die and leave a small orphan without a penny to support her. Grandmother Marshall fed and clothed the child, but who could make anything of such a shy creature with no gifts or graces whatever? Grandmother Marshall had no intention of trying. Chrissie, the golden-haired and pink-cheeked, was Grandmother Marshall's pet.

Little Joyce knew this. She did not envy Chrissie but, oh, how she wished Grandmother Marshall would love her a little, too! Nobody loved her but Denise and the little black doll. And Little Joyce was beginning to understand that Denise would not be in the kitchen chamber very much longer, and the little black doll couldn't tell you she loved you—although she did, of course. Little Joyce had no doubt at all on this point.

Little Joyce sighed so deeply over this thought that Uncle Roderick smiled at her. Uncle Roderick did smile at her sometimes.

"What is the matter, Little Joyce?" he asked.

"I was thinking about my black doll," said Little Joyce timidly.

"Ah, your black doll. If Madame Laurin were to see it, she'd likely want it. She makes a hobby of collecting dolls all over the world, but I doubt if she has in her collection a doll that served to amuse a little girl four thousand years ago in the court of the Pharaohs."

"I think Joyce's black doll is very ugly," said Chrissie. "My wax doll with the yellow hair is ever so much prettier."

"My black doll isn't ugly," cried Little Joyce indignantly. She could endure to be called ugly herself, but she could not bear to have her darling black doll called ugly. In her excitement she upset her cup of tea over the tablecloth. Aunt Isabella looked angry, and Grandmother Marshall said sharply: "Joyce, leave the table. You grow more awkward and careless every day."

Little Joyce, on the verge of tears, crept away and went up the kitchen stairs to Denise to be comforted. But Denise herself had been crying. She lay on her little bed by the low window, where the glow of the sunset was coming in; her hollow cheeks were scarlet with fever.

"Oh! I want so much to hear Madame Laurin sing," she sobbed. "I feel lak I could die easier if I hear her sing just one leetle song. She is Frenchwoman, too, and she sing all de ole French songs—de ole songs my mudder sing long 'go. Oh! I so want to hear Madame Laurin sing."