"When I returned she was still standing just where I had left her in the middle of the room, holding the letter in her hand. Her face was as white as her veil, and her wide-open eyes had a dazed, agonized look as of someone who had been stricken a mortal blow. All the soft happiness and sweetness had gone out of them. They were the eyes of an old woman, Amy.
"'Eliza, what is the matter?' I said. 'Has anything happened to Willis?'
"She made no answer, but walked to the fireplace, dropped the letter in a bed of writhing blue flame and watched it burn to white ashes. Then she turned to me.
"'Help me take off this gown, Winnie,' she said dully. 'I shall never wear it again. There will be no wedding. Willis is gone.'
"'Gone!' I echoed stupidly.
"'Yes. I am not the heiress, Winnie. It was the fortune, not the girl, he loved. He says he is too poor for us to dream of marrying when I have nothing. Oh, such a cruel, heartless letter! Why did he not kill me? It would have been so much more merciful! I loved him so—I trusted him so! Oh, Winnie, Winnie, what am I to do!'
"There was something terrible in the contrast between her passionate words and her calm face and lifeless voice. I wanted to call Mother, but she would not let me. She went away to her own room, trailing along the dark hall in her dress and veil, and locked herself in.
"Well, I told it all to the others in some fashion. You can imagine their anger and dismay. Your father, Amy—he was a hot-blooded, impetuous, young fellow then—went at once to seek Willis Starr. But he was gone, no one knew where, and the whole country rang with the gossip and scandal of the affair. Eliza knew nothing of this, for she was ill and unconscious for many a day. In a novel or story she would have died, I suppose, and that would have been the end of it. But this was in real life, and Eliza did not die, although many times we thought she would.
"When she did recover, how frightfully changed she was! It almost broke my heart to see her. Her very nature seemed to have changed too—all her joyousness and light-heartedness were dead. From that time she was a faded, dispirited creature, no more like the Eliza we had known than the merest stranger. And then after a while came other news—Willis Starr was married to the other Eliza Laurance, the true heiress. He had made no second mistake. We tried to keep it from Eliza but she found it out at last. That was the day she came up here alone and packed this old chest. Nobody ever knew just what she put into it. But you and I see now, Amy—her ball dress, her wedding gown, her love letters and, more than all else, her youth and happiness—this old chest was the tomb of it all. Eliza Laurance was really buried here.
"She went home soon after. Before she went she exacted a promise from Mother that the old chest should be left at the Grange unopened until she came for it herself. But she never came back, and I do not think she ever intended to, and I never saw her again.
"That is the story of the old chest. It was all over so long ago—the heartbreak and the misery—but it all seems to come back to me now. Poor Eliza!"
My own eyes were full of tears as Aunt Winnifred went down the stairs, leaving me sitting dreamily there in the sunset light, with the old yellowed bridal veil across my lap and the portrait of Eliza Laurance in my hand. Around me were the relics of her pitiful story—the old, oft-repeated story of a faithless love and a woman's broken heart—the gown she had worn, the slippers in which she had danced light-heartedly at her betrothal ball, her fan, her pearls, her gloves—and it somehow seemed to me as if I were living in those old years myself, as if the love and happiness, the betrayal and pain were part of my own life. Presently Aunt Winnifred came back through the twilight shadows.
"Let us put all these things back in their grave, Amy," she said. "They are of no use to anyone now. The linen might be bleached and used, I dare say—but it would seem like a sacrilege. It was Mother's wedding present to Eliza. And the pearls—would you care to have them, Amy?"
"Oh, no, no," I said with a little shiver. "I would never wear them, Aunt Winnifred. I should feel like a ghost if I did. Put everything back just as we found it—only her portrait. I would like to keep that."
Reverently we put gowns and letters and trinkets back into the old blue chest. Aunt Winnifred closed the lid and turned the key softly. She bowed her head over it for a minute and then we went together in silence down the shadowy garret stairs of Wyther Grange.
The Osbornes' Christmas
Cousin Myra had come to spend Christmas at "The Firs," and all the junior Osbornes were ready to stand on their heads with delight. Darby—whose real name was Charles—did it, because he was only eight, and at eight you have no dignity to keep up. The others, being older, couldn't.
But the fact of Christmas itself awoke no great enthusiasm in the hearts of the junior Osbornes. Frank voiced their opinion of it the day after Cousin Myra had arrived. He was sitting on the table with his hands in his pockets and a cynical sneer on his face. At least, Frank flattered himself that it was cynical. He knew that Uncle Edgar was said to wear a cynical sneer, and Frank admired Uncle Edgar very much and imitated him in every possible way. But to you and me it would have looked just as it did to Cousin Myra—a very discontented and unbecoming scowl.
"I'm awfully glad to see you, Cousin Myra," explained Frank carefully, "and your being here may make some things worth while. But Christmas is just a bore—a regular bore."
That was what Uncle Edgar called things that didn't interest him, so that Frank felt pretty sure of his word. Nevertheless, he wondered uncomfortably what made Cousin Myra smile so queerly.
"Why, how dreadful!" she said brightly. "I thought all boys and girls looked upon Christmas as the very best time in the year."
"We don't," said Frank gloomily. "It's just the same old thing year in and year out. We know just exactly what is going to happen. We even know pretty well what presents we are going to get. And Christmas Day itself is always the same. We'll get up in the morning, and our stockings will be full of things, and half of them we don't want. Then there's dinner. It's always so poky. And all the uncles and aunts come to dinner—just the same old crowd, every year, and they say just the same things. Aunt Desda always says, 'Why, Frankie, how you have grown!' She knows I hate to be called Frankie. And after dinner they'll sit round and talk the rest of the day, and that's all. Yes, I call Christmas a nuisance."
"There isn't a single bit of fun in it," said Ida discontentedly.
"Not a bit!" said the twins, both together, as they always said things.
"There's lots of candy," said Darby stoutly. He rather liked Christmas, although he was ashamed to say so before Frank.
Cousin Myra smothered another of those queer smiles.
"You've had too much Christmas, you Osbornes," she said seriously. "It has palled on your taste, as all good things will if you overdo them. Did you ever try giving Christmas to somebody else?"
The Osbornes looked at Cousin Myra doubtfully. They didn't understand.
"We always send presents to all our cousins," said Frank hesitatingly. "That's a bore, too. They've all got so many things already it's no end of bother to think of something new."
"That isn't what I mean," said Cousin Myra. "How much Christmas do you suppose those little Rolands down there in the hollow have? Or Sammy Abbott with his lame back? Or French Joe's family over the hill? If you have too much Christmas, why don't you give some to them?"