They passed a number of cottages with thatched roofs, and then came to the road to Roozendaal. At length Kay spoke.
“You know, Vincent,” she said, “seeing you before your easel reminded me of something I used to think about you in Amsterdam.”
“What was that, Kay?”
“You’re sure you won’t be hurt?”
“Not at all.”
“Then, to tell you the truth, I never did think you were cut out to be a clergyman. I knew you were wasting your time all along.”
“Why didn’t you tell me?”
“I didn’t have the right to do that, Vincent.”
She pushed several strands of red-gold hair under her black bonnet; a crooked furrow in the road threw her against Vincent’s shoulder. He put his hand under her arm to help her regain her balance, and forgot to take it away.
“I knew you would have to work things out for yourself,” she said. “No amount of telling would have done any good.”
“Now I remember,” said Vincent. “You warned me against becoming a narrow-minded clergyman. That was a queer thing for a minister’s daughter to say.”
He smiled at her eagerly, but her eyes went sad.
“I know. But you see, Vos taught me a great many things I might not otherwise have understood.”
Vincent dropped his hand to his side. The mention of Vos’s name put a queer, intangible barrier between them.
After an hour’s walk they reached the Liesbosch, and once again Vincent set up his easel. There was a bit of swamp he wanted to catch. Jan played in the sand and Kay sat behind him on a little stool he had brought along. She held a book in her hand but she did not read. Vincent sketched rapidly, with a certain élan. The study sprang up under his hand with more vigour than he had known before. He could not tell whether it was because of Mauve’s compliments or Kay’s presence, but his pencil had a surety of touch. He did several sketches in quick succession. He did not turn to look at Kay, nor did she speak to interrupt him, but her nearness gave him a glow of well-being. He wanted his work to be particularly good that day so Kay would admire it.
At lunch time they walked a short way to an oak grove. Kay spread the contents of the basket under a cool tree. The air was utterly still. The smell of the water lilies in the swamp mingled with the faint oak fragrance above them. Kay and Jan sat on one side of the basket, Vincent on the other. Kay served him. The picture of Mauve and his family, sitting about the homely supper table, came to his mind.
As he looked at Kay he thought he had never seen anyone so beautiful. The thick, yellow cheese was delicious and his mother’s bread had its usual sweet tang, but he could not eat. A new and formidable hunger was awakening within him. He could not tear his gaze from Kay’s delicate skin, the chiselled oval, the brooding, night-pool eyes, the full, sweet mouth that had been robbed momentarily of its ripeness, but which he knew would blossom again.
After lunch Jan went to sleep with his head pillowed in his mother’s lap. Vincent watched her stroke the child’s light hair, gazing down searchingly into the innocent face. He knew that she was seeing the face of her husband reflected in the child, that she was in their house on the Keizersgracht with the man she loved, and not on the Brabant heath with her Cousin Vincent.
He sketched all afternoon, part of the time with Jan on his lap. The boy had taken a liking to him. Vincent let him mark up several sheets of Ingres paper with black smudges. He laughed and shouted and ran about in the yellow sand, constantly returning to Vincent with questions, with things he had found, with demands that he be entertained. Vincent did not mind; it was good to have a warm, live little animal climbing over him affectionately.
Fall was coming on and the sun set very early. On the way home they stopped at the frequent pools to watch the sunset colourings settle on the water with butterfly wings, darken slowly, and disappear in the dusk. Vincent showed Kay his drawings. She saw them only slightly, and what she did see, she thought crude and clumsy. But Vincent had been good to Jan, and she knew only too well the nature of pain.
“I like them, Vincent,” she said.
“Do you, Kay?”
Her praise released a locked flood-gate within him. She had been so sympathetic in Amsterdam; she would understand all the things he was trying to do. Somehow, she seemed the only one in the world who would. He could not talk to his family about his projects because they did not even know the vocabulary; with Mauve and Tersteeg he had to assume a beginner’s humility which he did not always feel.
He poured out his heart in hurried, incoherent words. As his enthusiasm increased, he quickened his pace, and Kay had difficulty in keeping up with him. When he was feeling anything deeply, his poise fled and in its place came the old violent, jerky manner. Gone was the mannered gentleman of the afternoon; the provincial boor startled and frightened her. She felt his outburst to be so ill-bred, so immature. She did not know that he was paying her the rarest, the most valuable compliment that man can pay to woman.
He poured out to her all those feelings that had been bottled up within him since Theo had departed for Paris. He told her of his aims and ambitions, of the spirit with which he was trying to imbue his work. Kay wondered why he was getting so excited. She did not interrupt him, nor did she listen. She lived in the past, always in the past, and she found it slightly distasteful that anyone should live with so much joy and vigour in the future. Vincent was feeling his own effervescence too keenly to sense her withdrawal. He went on gesticulating until a name he spoke caught Kay’s attention.
“Neuhuys? Do you mean the painter who lived in Amsterdam?”
“He used to. He’s at The Hague now.”
“Yes. Vos was his friend. He brought him home several times.”
Vincent stopped her.
Vos! Always Vos! Why? He was dead. He had been dead over a year. It was time she forgot him. He belonged to the past, just as Ursula did. Why did she always have to bring the conversation back to Vos? Even in the Amsterdam days he had never liked Kay’s husband.
Fall deepened. The carpet of pine needles in the woods turned to a crinkly rust-brown. Every day Kay and Jan accompanied Vincent into the fields while he worked. A touch of colour came into her cheeks from the long walks across the heath, and her step became more firm and confident. She took her sewing basket with her now and kept her fingers as busy as Vincent’s. She began speaking more freely and liberally about her childhood, about the books she had read, and interesting people she had known in Amsterdam.
The family looked on with approval. Vincent’s company was giving her an interest in life. Her presence in the house made Vincent far more amiable. Anna Cornelia and Theodorus thanked God for the opportune arrangement, and did everything they could to throw the two young people together.
Vincent loved everything about Kay; the slender, fragile figure encased so sternly in the long black dress; the perky, black bonnet she wore when she went into the fields; the natural perfume of her body in his nostrils when she bent in front of him; the way she puckered her mouth when she spoke rapidly; the probing glance of her deep blue eyes; the touch of her vibrant hand on his shoulder or arm when she took Jan from him; her throaty, enharmonic voice that shook him to the very depths of his nature, and which he heard singing in his head after he had gone to sleep; the live lustre of her skin, in which he burned to bury his famished lips.