‘Mr Farne thought you might like to see your rooms first,’ said David when he had introduced himself. ‘We have managed to get the whole company into the Fountain Courtyard — that’s through the archway. The theatre’s over there.’ He pointed to the huge double doors at the end of the great south facade. ‘We’re rather keen to get the lorries away by six because the reception begins then, so I’ve brought along some men to help your people unload and show them where things are. They’re old castle servants and absolutely trustworthy.’
Jacob thanked him and with Boris and the still ailing Frau Pollack, followed the young Englishman into the arcaded courtyard with its creeper-covered colonnades. The company, he saw at once, had been royally treated. The rooms were light and most comfortably furnished; a double bed for himself and his Rhinemaiden had been specially brought in and the room assigned to Raisa was, tactfully, the largest and filled with flowers.
Well pleased, conveying his thanks to Herr Farne, Jacob returned to supervise the unloading. And saw at once that something was wrong. The men were not working; they were standing round the pantechnicon, scowling and furious, and when they saw Witzler they swarmed round him, their mood so ugly that some absurd idea of a strike or revolution crossed Jacob’s mind.
‘They’ve taken Tessa!’
‘Kidnapped her!’
‘Frog-marched her away. Those louts in green and red uniforms.’
‘She didn’t stand a chance. They just climbed into the back to unpack and then grabbed her.’
‘We tried to stop them and they went for us. One of them had a sort of staff and he clouted Stefan.’
‘They took her through that iron door there.’
Witzler turned pale. It had happened then. He had been half-expecting it, but why here for heaven’s sake? Guilt stabbed him. If only he had let her have the leave she had asked for…
‘I’ll see what I can do,’ he said heavily. Only what could he do if she had run away and was in trouble with the police?
On the gatehouse the griffin flag climbed slowly up the mast and fluttered gaily in the breeze. It was a sight the staff of the International Opera Company perceived without the slightest sign of pleasure.
‘Nothing will go right now,’ said the junior carpenter gloomily. ‘Not without Tessa. You’ll see.’
7
The great hall at Pfaffenstein, two storeys high, with its columns of agate-coloured marble, its statue-packed niches and ceiling frescoes by Tiepolo, was reached from the main courtyard by a set of massive double doors. Opposite this another set of doors, emblazoned with the Pfaffenstein arms in hammered gold, led to the ballroom which looked over the lake. At the far end, however, to the right as one entered, the hall ended in that apogee of baroque ceremoniaclass="underline" the grand staircase. It was at the foot of this staircase with its wide balustrade, its stone griffins, its famous jewelled corona lit by a hundred and twenty lamps, that Guy now stood with Nerine beside him to receive his guests.
The aunts had advised on the maximum of formality for the reception preceding the opening ball. Even relations they had dandled on their knees were to approach in order of rank, to be announced, and introduced by them to Pfaffenstein’s new owner. Later, they had suggested, Guy could follow his own inclinations but if a foundling, however gifted, intelligent and rich wished to establish his lady with the nobility, he would do well to call on all the protocol that was available. Guy himself, always and only concerned for Nerine, had concurred in their arrangements and had further heightened the theatricality of the occasion by remaining out of sight until this moment, instructing David and Thisbe to see to the welfare of his guests.
Now, standing on one side of the dais made by the wide sweep of the lowest step, he looked down at the assembled throng, concealing his amusement.
If the most potent scent in the room was not of the ladies’ perfume or the men’s pomade, but of moth-balls, the massed effect was nevertheless most spectacular. The men in crimson and light blue and felden green with their gold epaulettes, their braid and rows of medals, were the most impressive, but the ladies in their brocade and lace, wearing those of their jewels that still remained unpawned, were no mean sight either. Only a professional grouser would have pointed out the piece of astrakhan apparently chewed out of the aged Prince Monteforelli’s frogged tunic, or the streaks of oil on the satin train of the Countess Waaltraut as she pushed her gout-ridden mother’s decrepit bath chair closer for a look at Farne.
For the new owner of Pfaffenstein was undoubtedly a surprise. The munificence of the entertainments laid on for them, coupled with the tasteful arrangements made for their comfort, had already deprived his guests of the hope that the Englishman would provide good sport by being vulgar and uncouth. A man whose secretary could provide accommodation for the Archduke Sava’s bear and persuade the Archduchess Frederica, who was outranked only by the Princess of Pfaffenstein, that a move from the State Bedroom would benefit her health, was clearly a man to be reckoned with, and the rumours at first discredited that he was engaged in some kind of cloak-and-dagger business with the Chancellor on Austria’s behalf were fast gaining ground. Not that he was handsome — but in the dark evening clothes which contrasted so strongly with the glittering uniforms of the men, he had an air of undoubted distinction, and the slight look of arrogance on his sombre face did him no harm in the eyes of his audience. As for the fiancée, men and women alike saw no mystery there. Here was beauty, unquestionable and absolute — the reward since time began for power, achievement and wealth.
Guy turned to smile at Nerine, wanting to share a moment of intimacy before the ceremony began. But Nerine, dazzling in gold brocade with slashed sapphire-velvet sleeves, was absorbed in her moment of triumph, her lips moving rapidly in a litany of rank. It was unbelievable, all of it! She and Arthur had watched from his window most of the day as princes and dukes and cardinals rumbled into the courtyard in their carriages and cars. Only when the theatre company had arrived, in their shabby lorries, had she been able to tear herself away and had gone to dress. Now, down among the guests, Arthur was blissfully counting… Five princes in his part of the hall alone… twenty-three flunkeys… two hundred bottles of champagne…
Guy glanced at his watch and raised enquiring eyebrows at the Duchess and the Margravine. If they were to get through the hundred or so people assembled there before supper and the ball, it was surely time to begin?
‘Yes… yes.’ The eyes of the ladies were bright and eager. They were looking at him with tremendous expectancy and he had the absurd feeling that they had some special surprise in store for him, a kind of rabbit they were going to pull out of their hat. Earlier this had not been so. They had seemed depressed; the arrogance and aplomb he admired in them had been dimmed, and David too, though nothing could impair his efficiency, had seemed downcast. But then, just after Witzler’s troupe had arrived, everything had taken off and the kind of happy expectancy which precedes a party was everywhere.
The master of ceremonies, sumptuously braided, stepped forward. But before he could announce the first of the guests, something happened.
A ripple spread through the hall, an excited murmur — and then, in a single motion like a wave, every woman sank into a curtsy and every gentleman bowed his head.
Mystified, Guy turned in the sudden hush and, tilting his head upward, saw that the oak-studded door which led from the first-floor vestibule into the mediaeval West Tower had opened to reveal a small figure in white who stood for a moment, perfectly still, in the frame of the dark stone arch. His first image — that of a banished child disturbed in sleep coming for solace — was dismissed as she moved forward across the landing, turned to gather the train of her dress with practised ease, and began her slow descent.