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I went in that direction.

"Marcus," I said, pleased, finding him in the crowd there.

"Women are dancing," he said.

"Superb," I said.

Behind Marcus was Phoebe, standing very straight, and very close to him, but not touching him. She was holding her lower lip between her teeth, presumably to help her keep control of herself. Also there was a little blood at the left side of her mouth. I gathered she must have dared in her need to brush hopefully or timidly against her master, or whimpered a bit more than he cared to hear. Indeed, perhaps she had even dared to importune him. Her wrists were still bound behind her. The lead on her leash looped up to Marcus' grasp.

"The camp is in a holiday mood," I said.

"Yes," he said.

I saw more than one fellow looking at Phoebe. She had marvelous legs and ankles, and a trim figure. She stood very straight. It was not difficult to tell now, even by glancing at her, that she was in need. One of the fellows looking her over laughed. Phoebe trembled, and bit her lip a little more.

A fellow tore off the tunic of a slave girl and thrust her out, into the circle. "Aii!" cried men.

The female danced.

"I entered Phoebe in "meat catch", " said Marcus, "but she failed to catch even a single morsel."

"I am not surprised," I said. "She can hardly stand."

"That one is pretty," said Marcus. He referred to a redhead, thrust into the circle.

"I had thought you might have taken Phoebe to the tent by now," I said.

"No," said Marcus.

There were now some four or five girls in the circle. One wore a sigh that said, "I am for sale."

Phoebe made a tiny noise.

"I think Phoebe is ready for the tent now," I said.

"She did not even want to leave it," said Marcus.

"True," I said.

"Perhaps you should take Phoebe back to the tent," I said. "She is hot."

"Oh?" asked Marcus.

"Yes," I said.

"Perhaps I should put her into the circle," he said.

"She can scarcely move," I said.

"Oh," he said. I think he was pleased.

"She is in desperate need of a man's touch," I said.

"It does not matter," he said. "She is only a slave."

"Look," said Marcus. He referred to a new girl, joining the others in the circle. She wore ropes and performed on her knees, her sides, her back and stomach.

"She is very good," said Marcus.

"Yes," I said.

The dance in the circle, as one might have gathered. Was not the stately dance of free maidens, even in which, of course, the maidens, though scarcely admitting this even to themselves, experience something of the stimulatory voluptuousness of movement, but slave dance, that form of dance, in its thousands of variations, in which a female may excitingly and beautifully, marvelously and fulfillingly, express the depths and profoundness of her nature. In such dance the woman moves as a female, and shows herself as a female, in all her excitingness and beauty. It is no wonder that women love such dance, in which dance they are so desirable and beautiful, in which dance they feel so free, so sexual, so much a slave.

Another woman entered the circle. She, too, was excellent.

"How do you like them?" Marcus asked Phoebe. It was no accident, surely, that he had brought her here to watch the slave dance.

"Please take me to the tent, Master," she begged.

As Marcus had undoubtedly anticipated the sight of the slave dance would have its effect on his little Cosian. She saw how beautiful could be slaves, of which she was one. On the other hand, I suspected he had not counted on the effect on himself.

Another girl, a slim blonde, was thrust into the circle. Her master, arms folded, regarded her. She lifted her chained wrists above her head, palms facing outward, this, because of the linkage of the manacles, tightening it, bringing the backs of her hands closely together. She faced her master. Desperate was she to please him. There was a placatory aspect to her dance. It seemed she wished to divert his wrath.

"Ah," said Marcus, softly.

The girl who wore the sign, "I am for sale," danced before us, as she had before others, displaying her master's proffered merchandise. I saw that she wanted to be purchased. That was obvious in the pleading nature of her dance. Her master was perhaps a dealer, and one, as are many, who is harsh with his stock. Her dance, thusly, was rather like the "Buy me, Master," behavior of a girl on a chain, the "slaver's necklace," or in a market, the sort of behavior in which she begs purchase. A girl on such a chain, or in a market, who is too much passed over has reason for alarm. Not only is she likely to be lowered on the chain, perhaps even to "last girl," which is demeaning to her, and a great blow to her vanity, but she is likely to be encouraged to greater efforts by a variety of admonitory devices, in particular, the switch and whip. Earth-girl slaves brought to Gor, for example, are often, particularly at first, understandably enough, I suppose, afraid to be sold, and accordingly, naturally enough, I suppose, sometimes attempt, usually in subtle ways, to discourage buyers, thereby hoping to be permitted to cling to the relative security of the slaver's chain. Needless to say, this behavior is soon corrected and, in a short time, only too eager now to be off the slaver's chain, they are displaying themselves, and proposing themselves, luscious, eager, ready, begging merchandise, to prospective buyers.

The girl for sale was a short-legged brunet, extremely attractive. I considered buying her, but decided against it. This was not a time for buying slaves. I gestured for her to dance on. She whirled away. A tear moved diagonally down her cheek.

She might, of course, not belong to a dealer.

There are many reasons why a master might put his girl, or girls, up for sale, of course. He might wish, for example, if he is a breeder, to improve the quality of his pens or kennels, trying out new blood lines, freshening his stock, and such. He might wish, casually, merely to try out new slaves, perhaps ridding himself of one to acquire another, who may have caught his eye. Perhaps he wants to keep a flow of slaves in his house, lest he grow too attached to one, always a danger. Too, of course, economic considerations sometimes become paramount, these sometimes dictating the selling off of chattels, whose value, of course, unlike that of a free woman, constitutes a source of possible income. Indeed, there are many reasons for the buying and selling of slaves, as there are for other forms of properties.

I continued to watch the female, the sign about her neck, dance. No, I said to myself, it would not do to bring her into peril. Then I chastised myself for weakness. One would not wish to purchase her, of course, because she might constitute an encumbrance. Still, she was attractive. Even as I considered the matter she received a sign from a fellow, her master, I suppose, and she tore open her silk, and danced even more plaintively before one fellow and then another. She seemed frightened. I suspected she had been warned as to what might befall her if she should prove unsuccessful in securing a buyer. I saw her glance at her master. His gaze was stern, unpitying. She danced in terror. "Ahh," said Marcus. "Look!"

He was indicating the slim blonde, she with the chained wrists, whose dance before her master seemed clearly placatory in nature. She had perhaps begged to be permitted to appear before him in the dancing circle, that she might attempt to please him. he had perhaps acquiesced. I recalled he had thrust her into the circle, perhaps in this generously according her, though perhaps with some impatience, and misgivings, this chance to make amends for some perhaps unintentional, minuscule transgression. Perhaps his paga had not been heated to the right temperature. Women look well in collars.

"See?" asked Marcus.

I wondered how long he could hold out.

"I can do that, Master," sobbed Phoebe, trying to stand very still.

The blonde was now on her knees, extending her arms to her master, piteously, all this with the music in her arms, her shoulders, her head and hair, her belly.

"Aii!" said Marcus.

Her master seized her from the circle then and hurried her from the light, her head down, held by the hair, at his left hip. This is a common leading position for female slaves being conducted short distances. As the master holds her hair in the left hand, it leaves his right hand, commonly the sword hand, free. Another woman was thrust into the circle.