"And do you want to break it?"
"No!"
He lifted her, carried her up-stairs, laid her on her bed, turned to the door.
"Come kiss me," she whimpered.
He kissed her lightly and slipped away. For an hour she heard him moving about his room, lighting a cigar, drumming with his knuckles on a chair. She felt that he was a bulwark between her and the darkness that grew thicker as the delayed storm came down in sleet.
II
He was cheery and more casual than ever at breakfast. All day she tried to devise a way of giving Erik up. Telephone? The village central would unquestionably "listen in." A letter? It might be found. Go to see him? Impossible. That evening Kennicott gave her, without comment, an envelope. The letter was signed "E. V."
I know I can't do anything but make trouble for you, I think. I am going to Minneapolis tonight and from there as soon as I can either to New York or Chicago. I will do as big things as I can. I I can't write I love you too much God keep you.
Until she heard the whistle which told her that the Minneapolis train was leaving town, she kept herself from thinking, from moving. Then it was all over. She had no plan nor desire for anything.
When she caught Kennicott looking at her over his newspaper she fled to his arms, thrusting the paper aside, and for the first time in years they were lovers. But she knew that she still had no plan in life, save always to go along the same streets, past the same people, to the same shops.
III
A week after Erik's going the maid startled her by announcing, "There's a Mr. Valborg down-stairs say he vant to see you."
She was conscious of the maid's interested stare, angry at this shattering of the calm in which she had hidden. She crept down, peeped into the living-room. It was not Erik Valborg who stood there; it was a small, gray-bearded, yellow- faced man in mucky boots, canvas jacket, and red mittens. He glowered at her with shrewd red eyes.
"You de doc's wife?"
"Yes."
"I'm Adolph Valborg, from up by Jefferson. I'm Erik's father."
"Oh!" He was a monkey-faced little man, and not gentle.
"What you done wit' my son?"
"I don't think I understand you."
"I t'ink you're going to understand before I get t'rough! Where is he?"
"Why, really---- I presume that he's in Minneapolis."
"You presume!" He looked through her with a contemptuousness such as she could not have imagined. Only an insane contortion of spelling could portray his lyric whine, his mangled consonants. He clamored, "Presume! Dot's a fine word! I don't want no fine words and I don't want no more lies! I want to know what you KNOW!"
"See here, Mr. Valborg, you may stop this bullying right now. I'm not one of your farmwomen. I don't know where your son is, and there's no reason why I should know." Her defiance ran out in face of his immense flaxen stolidity. He raised his fist, worked up his anger with the gesture, and sneered:
"You dirty city women wit' your fine ways and fine dresses! A father come here trying to save his boy from wickedness, and you call him a bully! By God, I don't have to take nothin' off you nor your husband! I ain't one of your hired men. For one time a woman like you is going to hear de trut' about what you are, and no fine city words to it, needer."
"Really, Mr. Valborg----"
"What you done wit' him? Heh? I'll yoost tell you what you done! He was a good boy, even if he was a damn fool. I want him back on de farm. He don't make enough money tailoring. And I can't get me no hired man! I want to take him back on de farm. And you butt in and fool wit' him and make love wit' him, and get him to run away!"
"You are lying! It's not true that---- It's not true, and if it were, you would have no right to speak like this."
"Don't talk foolish. I know. Ain't I heard from a fellow dot live right here in town how you been acting wit' de boy? I know what you done! Walking wit' him in de country! Hiding in de woods wit' him! Yes and I guess you talk about religion in de woods! Sure! Women like you--you're worse dan street-walkers! Rich women like you, wit' fine husbands and no decent work to do--and me, look at my hands, look how I work, look at those hands! But you, oh God no, you mustn't work, you're too fine to do decent work. You got to play wit' young fellows, younger as you are, laughing and rolling around and acting like de animals! You let my son alone, d' you hear?" He was shaking his fist in her face. She could smell the manure and sweat. "It ain't no use talkin' to women like you. Get no trut' out of you. But next time I go by your husband!"
He was marching into the hall. Carol flung herself on him, her clenching hand on his hayseed-dusty shoulder. "You horrible old man, you've always tried to turn Erik into a slave, to fatten your pocketbook! You've sneered at him, and overworked him, and probably you've succeeded in preventing his ever rising above your muck-heap! And now because you can't drag him back, you come here to vent---- Go tell my husband, go tell him, and don't blame me when he kills you, when my husband kills you--he will kill you----"
The man grunted, looked at her impassively, said one word, and walked out.
She heard the word very plainly.
She did not quite reach the couch. Her knees gave way, she pitched forward. She heard her mind saying, "You haven't fainted. This is ridiculous. You're simply dramatizing yourself. Get up." But she could not move. When Kennicott arrived she was lying on the couch. His step quickened. "What's happened, Carrie? You haven't got a bit of blood in your face."
She clutched his arm. "You've got to be sweet to me, and kind! I'm going to California--mountains, sea. Please don't argue about it, because I'm going."
Quietly, "All right. We'll go. You and I. Leave the kid here with Aunt Bessie."
"Now!"
"Well yes, just as soon as we can get away. Now don't talk any more. Just imagine you've already started." He smoothed her hair, and not till after supper did he continue: "I meant it about California. But I think we better wait three weeks or so, till I get hold of some young fellow released from the medical corps to take my practice. And if people are gossiping, you don't want to give them a chance by running away. Can you stand it and face 'em for three weeks or so?"
"Yes," she said emptily.
IV
People covertly stared at her on the street. Aunt Bessie tried to catechize her about Erik's disappearance, and it was Kennicott who silenced the woman with a savage, "Say, are you hinting that Carrie had anything to do with that fellow's beating it? Then let me tell you, and you can go right out and tell the whole bloomin' town, that Carrie and I took Val-- took Erik riding, and he asked me about getting a better job in Minneapolis, and I advised him to go to it. . . . Getting much sugar in at the store now?"
Guy Pollock crossed the street to be pleasant apropos of California and new novels. Vida Sherwin dragged her to the Jolly Seventeen. There, with every one rigidly listening, Maud Dyer shot at Carol, "I hear Erik has left town."
Carol was amiable. "Yes, so I hear. In fact, he called me up--told me he had been offered a lovely job in the city. So sorry he's gone. He would have been valuable if we'd tried to start the dramatic association again. Still, I wouldn't be here for the association myself, because Will is all in from work, and I'm thinking of taking him to California. Juanita-- you know the Coast so well--tell me: would you start in at Los Angeles or San Francisco, and what are the best hotels?"
The Jolly Seventeen looked disappointed, but the Jolly Seventeen liked to give advice, the Jolly Seventeen liked to mention the expensive hotels at which they had stayed. (A meal counted as a stay.) Before they could question her again Carol escorted in with drum and fife the topic of Raymie Wutherspoon. Vida had news from her husband. He had been gassed in the trenches, had been in a hospital for two weeks, had been promoted to major, was learning French.