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"Is she safe at her tea?" he asked, removing his heavy boots, and putting on the slippers which were placed ready for him.

Hester bowed her head.

He pointed up the stairs. "You go first," he whispered. "No nonsense! and no noise!"

She ascended the stairs. He followed slowly. Although he had only drunk one glass of brandy and water, his step was uncertain already. With one hand on the wall, and one hand on the banister, he made his way to the top; stopped, and listened for a moment; then joined Hester in his own room, and softly locked the door.

"Well?" he said.

She was standing motionless in the middle of the room—not like a living woman—like a machine waiting to be set in movement. Finding it useless to speak to her, he touched her (with a strange sensation of shrinking in him as he did it), and pointed to the partition wall.

The touch roused her. With slow step and vacant face—moving as if she was walking in her sleep—she led the way to the papered wall; knelt down at the skirting-board; and, taking out two small sharp nails, lifted up a long strip of the paper which had been detached from the plaster beneath. Mounting on a chair, she turned back the strip and pinned it up, out of the way, using the two nails, which she had kept ready in her hand.

By the last dim rays of twilight, Geoffrey looked at the wall.

A hollow space met his view. At a distance of some three feet from the floor, the laths had been sawn away, and the plaster had been ripped out, piecemeal, so as to leave a cavity, sufficient in height and width to allow free power of working in any direction, to a man's arms. The cavity completely pierced the substance of the wall. Nothing but the paper on the other side prevented eye or hand from penetrating into the next room.

Hester Dethridge got down from the chair, and made signs for a light.

Geoffrey took a match from the box. The same strange uncertainty which had already possessed his feet, appeared now to possess his hands. He struck the match too heavily against the sandpaper, and broke it. He tried another, and struck it too lightly to kindle the flame. Hester took the box out of his hands. Having lit the candle, she hel d it low, and pointed to the skirting-board.

Two little hooks were fixed into the floor, near the part of the wall from which the paper had been removed. Two lengths of fine and strong string were twisted once or twice round the hooks. The loose ends of the string extending to some length beyond the twisted parts, were neatly coiled away against the skirting-board. The other ends, drawn tight, disappeared in two small holes drilled through the wall, at a height of a foot from the floor.

After first untwisting the strings from the hooks, Hester rose, and held the candle so as to light the cavity in the wall. Two more pieces of the fine string were seen here, resting loose upon the uneven surface which marked the lower boundary of the hollowed space. Lifting these higher strings, Hester lifted the loosened paper in the next room—the lower strings, which had previously held the strip firm and flat against the sound portion of the wall, working in their holes, and allowing the paper to move up freely. As it rose higher and higher, Geoffrey saw thin strips of cotton wool lightly attached, at intervals, to the back of the paper, so as effectually to prevent it from making a grating sound against the wall. Up and up it came slowly, till it could be pulled through the hollow space, and pinned up out of the way, as the strip previously lifted had been pinned before it. Hester drew back, and made way for Geoffrey to look through. There was Anne's room, visible through the wall! He softly parted the light curtains that hang over the bed. There was the pillow, on which her head would rest at night, within reach of his hands!

The deadly dexterity of it struck him cold. His nerves gave way. He drew back with a start of guilty fear, and looked round the room. A pocket flask of brandy lay on the table at his bedside. He snatched it up, and emptied it at a draught—and felt like himself again.

He beckoned to Hester to approach him.

"Before we go any further," he said, "there's one thing I want to know. How is it all to be put right again? Suppose this room is examined? Those strings will show."

Hester opened a cupboard and produced a jar. She took out the cork. There was a mixture inside which looked like glue. Partly by signs, and partly by help of the slate, she showed how the mixture could be applied to the back of the loosened strip of paper in the next room—how the paper could be glued to the sound lower part of the wall by tightening the strings—how the strings, having served that purpose, could be safely removed—how the same process could be followed in Geoffrey's room, after the hollowed place had been filled up again with the materials waiting in the scullery, or even without filling up the hollowed place if the time failed for doing it. In either case, the refastened paper would hide every thing, and the wall would tell no tales.

Geoffrey was satisfied. He pointed next to the towels in his room.

"Take one of them," he said, "and show me how you did it, with your own hands."

As he said the words, Anne's voice reached his ear from below, calling for "Mrs. Dethridge."

It was impossible to say what might happen next. In another minute, she might go up to her room, and discover every thing. Geoffrey pointed to the wall.

"Put it right again," he said. "Instantly!"

It was soon done. All that was necessary was to let the two strips of paper drop back into their places—to fasten the strip to the wall in Anne's room, by tightening the two lower strings—and then to replace the nails which held the loose strip on Geoffrey's side. In a minute, the wall had reassumed its customary aspect.

They stole out, and looked over the stairs into the passage below. After calling uselessly for the second time, Anne appeared, crossed over to the kitchen; and, returning again with the kettle in her hand, closed the drawing-room door.

Hester Dethridge waited impenetrably to receive her next directions. There were no further directions to give. The hideous dramatic representation of the woman's crime for which Geoffrey had asked was in no respect necessary: the means were all prepared, and the manner of using them was self-evident. Nothing but the opportunity, and the resolution to profit by it, were wanting to lead the way to the end. Geoffrey signed to Hester to go down stairs.

"Get back into the kitchen," he said, "before she comes out again. I shall keep in the garden. When she goes up into her room for the night, show yourself at the back-door—and I shall know."

Hester set her foot on the first stair—stopped—turned round—and looked slowly along the two walls of the passage, from end to end—shuddered—shook her head—and went slowly on down the stairs.

"What were you looking for?" he whispered after her.

She neither answered, nor looked back—she went her way into the kitchen.

He waited a minute, and then followed her.

On his way out to the garden, he went into the dining-room. The moon had risen; and the window-shutters were not closed. It was easy to find the brandy and the jug of water on the table. He mixed the two, and emptied the tumbler at a draught. "My head's queer," he whispered to himself. He passed his handkerchief over his face. "How infernally hot it is to-night!" He made for the door. It was open, and plainly visible—and yet, he failed to find his way to it. Twice, he found himself trying to walk through the wall, on either side. The third time, he got out, and reached the garden. A strange sensation possessed him, as he walked round and round. He had not drunk enough, or nearly enough, to intoxicate him. His mind, in a dull way, felt the same as usual; but his body was like the body of a drunken man.

The night advanced; the clock of Putney Church struck ten.

Anne appeared again from the drawing room, with her bedroom candle in her hand.

"Put out the lights," she said to Hester, at the kitchen door; "I am going up stairs."